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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2597 it is the complementary color #84DA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2597 shade: #802592, #9137A5, #A249B8, #B35BCB and #C46DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2597 shade: #7B2597, #6A1384, #590171, #48005E and #37004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2597 shade: #7C2598, #982595, #982576, #982557 and #982538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2597 shade: #7C2598, #5D2598, #3E2598 and #252598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2597 shade matches the following richer shades: #7C2598, #8316A7 and #8B06B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2597 shade: #7C2598, #743489, #6C4379, #64536A and #5D625B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2597 shade: #3E2598, #5C2598, #7B2598, #982596 and #982577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2597 shade: #461555, #611D77, #7C2598, #972DB9 and #AD3FD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2597 shade: #7B2597, #98252B and #25984D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2597 shade: #7B2597, #987B25 and #25987B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2597 shade: #7B2597, #98252B, #429825 and #259892

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2597 shade: #7B2597, #984225, #429825 and #257B98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

Complementary color

CMYK 39 / 0 / 52 / 15

HEX #84DA68

RGB 132 218 104

HSL 105.26, 0.61%, 0.63%

LAB 79.64, -46.88, 47.61

 

CMYK 12 / 75 / 0 / 43

HEX #802592

RGB 128 37 146

HSL 290.09, 0.6%, 0.36%

LAB 33.96, 53.37, -40.99

 

CMYK 12 / 67 / 0 / 35

HEX #9137A5

RGB 145 55 165

HSL 289.09, 0.5%, 0.43%

LAB 40.36, 53.65, -42.1

 

CMYK 12 / 60 / 0 / 28

HEX #A249B8

RGB 162 73 184

HSL 288.11, 0.44%, 0.5%

LAB 46.85, 53.39, -42.84

 

CMYK 12 / 55 / 0 / 20

HEX #B35BCB

RGB 179 91 203

HSL 287.14, 0.52%, 0.58%

LAB 53.36, 52.85, -43.36

 

CMYK 12 / 51 / 0 / 13

HEX #C46DDE

RGB 196 109 222

HSL 286.19, 0.63%, 0.65%

LAB 59.84, 52.17, -43.74

 

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

CMYK 20 / 86 / 0 / 48

HEX #6A1384

RGB 106 19 132

HSL 286.19, 0.75%, 0.3%

LAB 27.29, 52.12, -43.24

 

CMYK 21 / 99 / 0 / 56

HEX #590171

RGB 89 1 113

HSL 287.14, 0.98%, 0.22%

LAB 21.35, 49.7, -40.91

 

CMYK 23 / 100 / 0 / 63

HEX #48005E

RGB 72 0 94

HSL 285.96, 1%, 0.18%

LAB 16.43, 43.63, -36.56

 

CMYK 27 / 100 / 0 / 71

HEX #37004B

RGB 55 0 75

HSL 284, 1%, 0.15%

LAB 11.42, 37.08, -31.93

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 0 / 76 / 2 / 40

HEX #982595

RGB 152 37 149

HSL 301.57, 0.61%, 0.37%

LAB 38.14, 59.16, -35.91

 

CMYK 0 / 76 / 22 / 40

HEX #982576

RGB 152 37 118

HSL 317.74, 0.61%, 0.37%

LAB 36.57, 54.47, -19.23

 

CMYK 0 / 76 / 43 / 40

HEX #982557

RGB 152 37 87

HSL 333.91, 0.61%, 0.37%

LAB 35.37, 50.73, -1.31

 

CMYK 0 / 76 / 63 / 40

HEX #982538

RGB 152 37 56

HSL 350.09, 0.61%, 0.37%

LAB 34.57, 48.12, 17.6

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 39 / 76 / 0 / 40

HEX #5D2598

RGB 93 37 152

HSL 269.22, 0.61%, 0.37%

LAB 29.2, 47.66, -52.6

 

CMYK 59 / 76 / 0 / 40

HEX #3E2598

RGB 62 37 152

HSL 253.04, 0.61%, 0.37%

LAB 25.61, 42.63, -58.64

 

CMYK 76 / 76 / 0 / 40

HEX #252598

RGB 37 37 152

HSL 240, 0.61%, 0.37%

LAB 23.62, 39.74, -61.98

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 22 / 87 / 0 / 35

HEX #8316A7

RGB 131 22 167

HSL 285.1, 0.77%, 0.37%

LAB 34.37, 62.48, -53.04

 

CMYK 24 / 97 / 0 / 29

HEX #8B06B6

RGB 139 6 182

HSL 285.34, 0.94%, 0.37%

LAB 35.98, 69.11, -59.34

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 15 / 62 / 0 / 46

HEX #743489

RGB 116 52 137

HSL 285.18, 0.45%, 0.37%

LAB 33.93, 42.04, -35.6

 

CMYK 11 / 45 / 0 / 53

HEX #6C4379

RGB 108 67 121

HSL 285.56, 0.29%, 0.37%

LAB 35.17, 27.76, -23.8

 

CMYK 6 / 22 / 0 / 58

HEX #64536A

RGB 100 83 106

HSL 284.35, 0.12%, 0.37%

LAB 37.73, 11.71, -10.6

 

CMYK 5 / 0 / 7 / 62

HEX #5D625B

RGB 93 98 91

HSL 102.86, 0.04%, 0.37%

LAB 40.93, -3.41, 3.31

 

CMYK 59 / 76 / 0 / 40

HEX #3E2598

RGB 62 37 152

HSL 253.04, 0.61%, 0.37%

LAB 25.61, 42.63, -58.64

 

CMYK 39 / 76 / 0 / 40

HEX #5C2598

RGB 92 37 152

HSL 268.7, 0.61%, 0.37%

LAB 29.07, 47.48, -52.83

 

CMYK 19 / 76 / 0 / 40

HEX #7B2598

RGB 123 37 152

HSL 284.87, 0.61%, 0.37%

LAB 33.57, 53.51, -45.33

 

CMYK 0 / 76 / 1 / 40

HEX #982596

RGB 152 37 150

HSL 301.04, 0.61%, 0.37%

LAB 38.2, 59.32, -36.43

 

CMYK 0 / 76 / 22 / 40

HEX #982577

RGB 152 37 119

HSL 317.22, 0.61%, 0.37%

LAB 36.61, 54.6, -19.78

 

CMYK 18 / 75 / 0 / 67

HEX #461555

RGB 70 21 85

HSL 285.94, 0.6%, 0.21%

LAB 17.89, 33.9, -28.17

 

CMYK 18 / 76 / 0 / 53

HEX #611D77

RGB 97 29 119

HSL 285.33, 0.61%, 0.29%

LAB 26.02, 44.22, -37.14

 

CMYK 18 / 76 / 0 / 40

HEX #7C2598

RGB 124 37 152

HSL 285.39, 0.61%, 0.37%

LAB 33.72, 53.71, -45.07

 

CMYK 18 / 76 / 0 / 27

HEX #972DB9

RGB 151 45 185

HSL 285.43, 0.61%, 0.45%

LAB 41.15, 62.77, -52.64

 

CMYK 17 / 70 / 0 / 18

HEX #AD3FD0

RGB 173 63 208

HSL 285.52, 0.61%, 0.53%

LAB 48.25, 64.98, -54.41

 

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

CMYK 0 / 76 / 72 / 40

HEX #98252B

RGB 152 37 43

HSL 356.87, 0.61%, 0.37%

LAB 34.34, 47.37, 25.57

 

CMYK 76 / 0 / 49 / 40

HEX #25984D

RGB 37 152 77

HSL 140.87, 0.61%, 0.37%

LAB 55.47, -48.27, 30.55

 

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

CMYK 0 / 19 / 76 / 40

HEX #987B25

RGB 152 123 37

HSL 44.87, 0.61%, 0.37%

LAB 52.92, 2.12, 48.55

 

CMYK 76 / 0 / 19 / 40

HEX #25987B

RGB 37 152 123

HSL 164.87, 0.61%, 0.37%

LAB 56.37, -38.37, 6.35

 

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

CMYK 0 / 76 / 72 / 40

HEX #98252B

RGB 152 37 43

HSL 356.87, 0.61%, 0.37%

LAB 34.34, 47.37, 25.57

 

CMYK 57 / 0 / 76 / 40

HEX #429825

RGB 66 152 37

HSL 104.87, 0.61%, 0.37%

LAB 55.83, -46.78, 49.45

 

CMYK 76 / 0 / 4 / 40

HEX #259892

RGB 37 152 146

HSL 176.87, 0.61%, 0.37%

LAB 57, -31.96, -5.85

 

CMYK 19 / 75 / 0 / 41

HEX #7B2597

RGB 123 37 151

HSL 285.26, 0.61%, 0.37%

LAB 33.5, 53.3, -44.83

 

CMYK 0 / 57 / 76 / 40

HEX #984225

RGB 152 66 37

HSL 15.13, 0.61%, 0.37%

LAB 39.08, 34.17, 34.47

 

CMYK 57 / 0 / 76 / 40

HEX #429825

RGB 66 152 37

HSL 104.87, 0.61%, 0.37%

LAB 55.83, -46.78, 49.45

 

CMYK 76 / 19 / 0 / 40

HEX #257B98

RGB 37 123 152

HSL 195.13, 0.61%, 0.37%

LAB 48.04, -15.07, -22.89

 

Description

Color code: HEX #7B2597 | qconv.com Color code: HEX #7B2597 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 37 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 37 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 75 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 75% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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