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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AEE3E it is the complementary color #8511C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AEE3E shade: #7FEE39, #90FF4C, #A1FF5F, #B2FF72 and #C3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AEE3E shade: #7AEE3E, #69DC2B, #58CA18, #47B805 and #36A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AEE3E shade: #7AEE3E, #A9EE3E, #D9EE3E, #EED33E and #EEA43E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AEE3E shade: #7AEE3E, #4BEE3E, #3EEE61, #3EEE90 and #3EEEC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AEE3E shade matches the following richer shades: #7AEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AEE3E shade: #7AEE3E, #7FDD4F, #85CC60, #8ABB71 and #90AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AEE3E shade: #D9EE3E, #AAEE3E, #7CEE3E, #4DEE3E and #3EEE5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AEE3E shade: #4FC811, #60EA18, #7AEE3E, #94F164 and #AEF48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AEE3E shade: #7AEE3E, #3EEED3 and #EE3EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AEE3E shade: #7AEE3E, #3E7CEE and #EE3E7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AEE3E shade: #7AEE3E, #3EEED3, #B03EEE and #EE3E58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AEE3E shade: #7AEE3E, #3ED3EE, #B03EEE and #EE583E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

Complementary color

CMYK 31 / 91 / 0 / 24

HEX #8511C1

RGB 133 17 193

HSL 279.55, 0.84%, 0.41%

LAB 36.44, 68.86, -65.12

 

CMYK 47 / 0 / 76 / 7

HEX #7FEE39

RGB 127 238 57

HSL 96.8, 0.84%, 0.58%

LAB 84.97, -60.34, 71.98

 

CMYK 44 / 0 / 70 / 0

HEX #90FF4C

RGB 144 255 76

HSL 97.21, 1%, 0.65%

LAB 90.77, -60.47, 71.68

 

CMYK 37 / 0 / 63 / 0

HEX #A1FF5F

RGB 161 255 95

HSL 95.25, 1%, 0.69%

LAB 91.65, -53.7, 65.66

 

CMYK 30 / 0 / 55 / 0

HEX #B2FF72

RGB 178 255 114

HSL 92.77, 1%, 0.72%

LAB 92.66, -46.34, 59.01

 

CMYK 24 / 0 / 48 / 0

HEX #C3FF85

RGB 195 255 133

HSL 89.51, 1%, 0.76%

LAB 93.8, -38.5, 51.96

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 52 / 0 / 80 / 14

HEX #69DC2B

RGB 105 220 43

HSL 98.98, 0.72%, 0.52%

LAB 78.67, -60.77, 69.8

 

CMYK 56 / 0 / 88 / 21

HEX #58CA18

RGB 88 202 24

HSL 98.43, 0.79%, 0.44%

LAB 72.48, -59.71, 68.45

 

CMYK 61 / 0 / 97 / 28

HEX #47B805

RGB 71 184 5

HSL 97.88, 0.95%, 0.37%

LAB 66.24, -58.24, 65.77

 

CMYK 67 / 0 / 100 / 35

HEX #36A600

RGB 54 166 0

HSL 100.48, 1%, 0.33%

LAB 59.94, -56.18, 61.19

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 29 / 0 / 74 / 7

HEX #A9EE3E

RGB 169 238 62

HSL 83.52, 0.84%, 0.59%

LAB 86.96, -46.17, 73.01

 

CMYK 9 / 0 / 74 / 7

HEX #D9EE3E

RGB 217 238 62

HSL 67.16, 0.84%, 0.59%

LAB 89.97, -27.73, 76.93

 

CMYK 0 / 11 / 74 / 7

HEX #EED33E

RGB 238 211 62

HSL 50.8, 0.84%, 0.59%

LAB 84.54, -5.83, 72.42

 

CMYK 0 / 31 / 74 / 7

HEX #EEA43E

RGB 238 164 62

HSL 34.77, 0.84%, 0.59%

LAB 72.94, 18.65, 61.19

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 0 / 59 / 7

HEX #3EEE61

RGB 62 238 97

HSL 131.93, 0.84%, 0.59%

LAB 83.46, -71.29, 54.76

 

CMYK 74 / 0 / 39 / 7

HEX #3EEE90

RGB 62 238 144

HSL 147.95, 0.84%, 0.59%

LAB 84.06, -64.28, 33.22

 

CMYK 74 / 0 / 19 / 7

HEX #3EEEC0

RGB 62 238 192

HSL 164.32, 0.84%, 0.59%

LAB 84.99, -54.22, 9.79

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 43 / 0 / 64 / 13

HEX #7FDD4F

RGB 127 221 79

HSL 99.72, 0.68%, 0.59%

LAB 80.06, -52.23, 59.08

 

CMYK 35 / 0 / 53 / 20

HEX #85CC60

RGB 133 204 96

HSL 99.44, 0.51%, 0.59%

LAB 75.46, -41.48, 46.39

 

CMYK 26 / 0 / 40 / 27

HEX #8ABB71

RGB 138 187 113

HSL 99.73, 0.35%, 0.59%

LAB 70.96, -29.82, 32.38

 

CMYK 15 / 0 / 24 / 33

HEX #90AA82

RGB 144 170 130

HSL 99, 0.19%, 0.59%

LAB 66.74, -16.57, 17.71

 

CMYK 9 / 0 / 74 / 7

HEX #D9EE3E

RGB 217 238 62

HSL 67.16, 0.84%, 0.59%

LAB 89.97, -27.73, 76.93

 

CMYK 29 / 0 / 74 / 7

HEX #AAEE3E

RGB 170 238 62

HSL 83.18, 0.84%, 0.59%

LAB 87.02, -45.81, 73.08

 

CMYK 48 / 0 / 74 / 7

HEX #7CEE3E

RGB 124 238 62

HSL 98.86, 0.84%, 0.59%

LAB 84.89, -60.92, 70.28

 

CMYK 68 / 0 / 74 / 7

HEX #4DEE3E

RGB 77 238 62

HSL 114.89, 0.84%, 0.59%

LAB 83.48, -72.12, 68.43

 

CMYK 74 / 0 / 61 / 7

HEX #3EEE5E

RGB 62 238 94

HSL 130.91, 0.84%, 0.59%

LAB 83.43, -71.64, 56.02

 

CMYK 61 / 0 / 92 / 22

HEX #4FC811

RGB 79 200 17

HSL 99.67, 0.84%, 0.43%

LAB 71.56, -61.48, 68.74

 

CMYK 59 / 0 / 90 / 8

HEX #60EA18

RGB 96 234 24

HSL 99.43, 0.83%, 0.51%

LAB 82.59, -68.6, 77.12

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 39 / 0 / 59 / 5

HEX #94F164

RGB 148 241 100

HSL 99.57, 0.83%, 0.67%

LAB 87.06, -51.75, 58.28

 

CMYK 29 / 0 / 43 / 4

HEX #AEF48A

RGB 174 244 138

HSL 99.62, 0.83%, 0.75%

LAB 89.64, -40.24, 44.16

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 74 / 0 / 11 / 7

HEX #3EEED3

RGB 62 238 211

HSL 170.8, 0.84%, 0.59%

LAB 85.44, -49.53, 0.49

 

CMYK 0 / 74 / 18 / 7

HEX #EE3EC2

RGB 238 62 194

HSL 315, 0.84%, 0.59%

LAB 57.58, 77.46, -30.97

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 74 / 48 / 0 / 7

HEX #3E7CEE

RGB 62 124 238

HSL 218.86, 0.84%, 0.59%

LAB 53.61, 18.7, -63.23

 

CMYK 0 / 74 / 48 / 7

HEX #EE3E7C

RGB 238 62 124

HSL 338.86, 0.84%, 0.59%

LAB 55.15, 69.93, 6.43

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 74 / 0 / 11 / 7

HEX #3EEED3

RGB 62 238 211

HSL 170.8, 0.84%, 0.59%

LAB 85.44, -49.53, 0.49

 

CMYK 26 / 74 / 0 / 7

HEX #B03EEE

RGB 176 62 238

HSL 278.86, 0.84%, 0.59%

LAB 50.51, 71.91, -67.79

 

CMYK 0 / 74 / 63 / 7

HEX #EE3E58

RGB 238 62 88

HSL 351.14, 0.84%, 0.59%

LAB 54.37, 67.4, 26.79

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 74 / 11 / 0 / 7

HEX #3ED3EE

RGB 62 211 238

HSL 189.2, 0.84%, 0.59%

LAB 78.34, -29.71, -24.44

 

CMYK 26 / 74 / 0 / 7

HEX #B03EEE

RGB 176 62 238

HSL 278.86, 0.84%, 0.59%

LAB 50.51, 71.91, -67.79

 

CMYK 0 / 63 / 74 / 7

HEX #EE583E

RGB 238 88 62

HSL 8.86, 0.84%, 0.59%

LAB 57.56, 56.42, 45.24

 

Description

Color code: HEX #7AEE3E | qconv.com Color code: HEX #7AEE3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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