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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEE3E it is the complementary color #B411C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEE3E shade: #50EE39, #61FF4C, #72FF5F, #83FF72 and #94FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEE3E shade: #4BEE3E, #3ADC2B, #29CA18, #18B805 and #07A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEE3E shade: #4BEE3E, #7AEE3E, #AAEE3E, #D9EE3E and #EED33E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEE3E shade: #4BEE3E, #3EEE61, #3EEE90, #3EEEBF and #3EEDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEE3E shade matches the following richer shades: #4BEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEE3E shade: #4BEE3E, #5ADD4F, #68CC60, #76BB71 and #85AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEE3E shade: #AAEE3E, #7CEE3E, #4DEE3E, #3EEE5E and #3EEE8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEE3E shade: #1FC811, #28EA18, #4BEE3E, #6EF164 and #92F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEE3E shade: #4BEE3E, #3ED9EE and #EE3E93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEE3E shade: #4BEE3E, #3E4DEE and #EE3E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEE3E shade: #4BEE3E, #3ED9EE, #DF3EEE and #EE533E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEE3E shade: #4BEE3E, #3EA5EE, #DF3EEE and #EE873E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

Complementary color

CMYK 7 / 91 / 0 / 24

HEX #B411C1

RGB 180 17 193

HSL 295.57, 0.84%, 0.41%

LAB 44.17, 75.9, -52.23

 

CMYK 66 / 0 / 76 / 7

HEX #50EE39

RGB 80 238 57

HSL 112.38, 0.84%, 0.58%

LAB 83.52, -71.89, 70.08

 

CMYK 62 / 0 / 70 / 0

HEX #61FF4C

RGB 97 255 76

HSL 112.96, 1%, 0.65%

LAB 89.2, -72.62, 69.57

 

CMYK 55 / 0 / 63 / 0

HEX #72FF5F

RGB 114 255 95

HSL 112.88, 1%, 0.69%

LAB 89.82, -67.12, 63.13

 

CMYK 49 / 0 / 55 / 0

HEX #83FF72

RGB 131 255 114

HSL 112.77, 1%, 0.72%

LAB 90.58, -60.78, 56.04

 

CMYK 42 / 0 / 48 / 0

HEX #94FF85

RGB 148 255 133

HSL 112.62, 1%, 0.76%

LAB 91.46, -53.73, 48.56

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 0 / 80 / 14

HEX #3ADC2B

RGB 58 220 43

HSL 114.92, 0.72%, 0.52%

LAB 77.44, -70.95, 68.21

 

CMYK 80 / 0 / 88 / 21

HEX #29CA18

RGB 41 202 24

HSL 114.27, 0.79%, 0.44%

LAB 71.4, -68.82, 67.1

 

CMYK 87 / 0 / 97 / 28

HEX #18B805

RGB 24 184 5

HSL 113.63, 0.95%, 0.37%

LAB 65.35, -65.94, 64.68

 

CMYK 96 / 0 / 100 / 35

HEX #07A600

RGB 7 166 0

HSL 117.47, 1%, 0.33%

LAB 59.27, -62.12, 60.37

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 49 / 0 / 74 / 7

HEX #7AEE3E

RGB 122 238 62

HSL 99.55, 0.84%, 0.59%

LAB 84.81, -61.49, 70.18

 

CMYK 29 / 0 / 74 / 7

HEX #AAEE3E

RGB 170 238 62

HSL 83.18, 0.84%, 0.59%

LAB 87.02, -45.81, 73.08

 

CMYK 9 / 0 / 74 / 7

HEX #D9EE3E

RGB 217 238 62

HSL 67.16, 0.84%, 0.59%

LAB 89.97, -27.73, 76.93

 

CMYK 0 / 11 / 74 / 7

HEX #EED33E

RGB 238 211 62

HSL 50.8, 0.84%, 0.59%

LAB 84.54, -5.83, 72.42

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 0 / 59 / 7

HEX #3EEE61

RGB 62 238 97

HSL 131.93, 0.84%, 0.59%

LAB 83.46, -71.29, 54.76

 

CMYK 74 / 0 / 39 / 7

HEX #3EEE90

RGB 62 238 144

HSL 147.95, 0.84%, 0.59%

LAB 84.06, -64.28, 33.22

 

CMYK 74 / 0 / 20 / 7

HEX #3EEEBF

RGB 62 238 191

HSL 163.98, 0.84%, 0.59%

LAB 84.96, -54.45, 10.28

 

CMYK 74 / 0 / 0 / 7

HEX #3EEDEE

RGB 62 237 238

HSL 180.34, 0.84%, 0.59%

LAB 85.89, -41.83, -13.03

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 59 / 0 / 64 / 13

HEX #5ADD4F

RGB 90 221 79

HSL 115.35, 0.68%, 0.59%

LAB 78.72, -62.34, 57.24

 

CMYK 49 / 0 / 53 / 20

HEX #68CC60

RGB 104 204 96

HSL 115.56, 0.51%, 0.59%

LAB 74.17, -50.48, 44.53

 

CMYK 37 / 0 / 40 / 27

HEX #76BB71

RGB 118 187 113

HSL 115.95, 0.35%, 0.59%

LAB 69.88, -36.62, 30.77

 

CMYK 22 / 0 / 24 / 33

HEX #85AA82

RGB 133 170 130

HSL 115.5, 0.19%, 0.59%

LAB 66.02, -20.53, 16.6

 

CMYK 29 / 0 / 74 / 7

HEX #AAEE3E

RGB 170 238 62

HSL 83.18, 0.84%, 0.59%

LAB 87.02, -45.81, 73.08

 

CMYK 48 / 0 / 74 / 7

HEX #7CEE3E

RGB 124 238 62

HSL 98.86, 0.84%, 0.59%

LAB 84.89, -60.92, 70.28

 

CMYK 68 / 0 / 74 / 7

HEX #4DEE3E

RGB 77 238 62

HSL 114.89, 0.84%, 0.59%

LAB 83.48, -72.12, 68.43

 

CMYK 74 / 0 / 61 / 7

HEX #3EEE5E

RGB 62 238 94

HSL 130.91, 0.84%, 0.59%

LAB 83.43, -71.64, 56.02

 

CMYK 74 / 0 / 41 / 7

HEX #3EEE8D

RGB 62 238 141

HSL 146.93, 0.84%, 0.59%

LAB 84.02, -64.81, 34.66

 

CMYK 85 / 0 / 92 / 22

HEX #1FC811

RGB 31 200 17

HSL 115.41, 0.84%, 0.43%

LAB 70.62, -69.57, 67.57

 

CMYK 83 / 0 / 90 / 8

HEX #28EA18

RGB 40 234 24

HSL 115.43, 0.83%, 0.51%

LAB 81.49, -78.04, 75.75

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 54 / 0 / 59 / 5

HEX #6EF164

RGB 110 241 100

HSL 115.74, 0.83%, 0.67%

LAB 85.58, -62.56, 56.2

 

CMYK 40 / 0 / 43 / 4

HEX #92F48A

RGB 146 244 138

HSL 115.47, 0.83%, 0.75%

LAB 88.28, -49.13, 42.14

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 9 / 0 / 7

HEX #3ED9EE

RGB 62 217 238

HSL 187.16, 0.84%, 0.59%

LAB 80.08, -32.6, -21.79

 

CMYK 0 / 74 / 38 / 7

HEX #EE3E93

RGB 238 62 147

HSL 331.02, 0.84%, 0.59%

LAB 55.82, 72.04, -6.26

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 68 / 0 / 7

HEX #3E4DEE

RGB 62 77 238

HSL 234.89, 0.84%, 0.59%

LAB 42.01, 47.72, -82.13

 

CMYK 0 / 74 / 68 / 7

HEX #EE3E4D

RGB 238 62 77

HSL 354.89, 0.84%, 0.59%

LAB 54.19, 66.82, 33.01

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 9 / 0 / 7

HEX #3ED9EE

RGB 62 217 238

HSL 187.16, 0.84%, 0.59%

LAB 80.08, -32.6, -21.79

 

CMYK 6 / 74 / 0 / 7

HEX #DF3EEE

RGB 223 62 238

HSL 294.89, 0.84%, 0.59%

LAB 57.37, 80.76, -56.39

 

CMYK 0 / 65 / 74 / 7

HEX #EE533E

RGB 238 83 62

HSL 7.16, 0.84%, 0.59%

LAB 56.79, 58.49, 44.41

 

CMYK 68 / 0 / 74 / 7

HEX #4BEE3E

RGB 75 238 62

HSL 115.57, 0.84%, 0.59%

LAB 83.44, -72.48, 68.37

 

CMYK 74 / 31 / 0 / 7

HEX #3EA5EE

RGB 62 165 238

HSL 204.89, 0.84%, 0.59%

LAB 65.05, -5.64, -45.03

 

CMYK 6 / 74 / 0 / 7

HEX #DF3EEE

RGB 223 62 238

HSL 294.89, 0.84%, 0.59%

LAB 57.37, 80.76, -56.39

 

CMYK 0 / 43 / 74 / 7

HEX #EE873E

RGB 238 135 62

HSL 24.89, 0.84%, 0.59%

LAB 66.41, 33.9, 54.58

 

Description

Color code: HEX #4BEE3E | qconv.com Color code: HEX #4BEE3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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