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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ACD61 it is the complementary color #85329E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ACD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ACD61 shade: #7FCD5C, #90DF6F, #A1F182, #B2FF95 and #C3FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ACD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ACD61 shade: #7ACD61, #69BB4E, #58A93B, #479728 and #368515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ACD61 shade: #79CD60, #97CD60, #B4CD60, #CDC860 and #CDAB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ACD61 shade: #79CD60, #60CD64, #60CD82, #60CD9F and #60CDBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ACD61 shade matches the following richer shades: #79CD60, #70DE4F and #67EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ACD61 shade: #79CD60, #82BC71, #8BAB82, #959A93 and #9E89A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ACD61 shade: #B3CD60, #96CD60, #79CD60, #60CD64 and #60CD81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ACD61 shade: #4FA634, #5FC341, #79CD60, #94D77F and #AEE19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ACD61 shade: #7ACD61, #60CDC9 and #CD60A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ACD61 shade: #7ACD61, #6079CD and #CD6079

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ACD61 shade: #7ACD61, #60CDC9, #B360CD and #CD6064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ACD61 shade: #7ACD61, #60B0CD, #B360CD and #CD7D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

Complementary color

CMYK 16 / 68 / 0 / 38

HEX #85329E

RGB 133 50 158

HSL 286.11, 0.52%, 0.41%

LAB 37.37, 51.61, -42.78

 

CMYK 38 / 0 / 55 / 20

HEX #7FCD5C

RGB 127 205 92

HSL 101.42, 0.53%, 0.58%

LAB 75.42, -44.35, 48.14

 

CMYK 35 / 0 / 50 / 13

HEX #90DF6F

RGB 144 223 111

HSL 102.32, 0.64%, 0.65%

LAB 81.76, -44.32, 47

 

CMYK 33 / 0 / 46 / 5

HEX #A1F182

RGB 161 241 130

HSL 103.24, 0.8%, 0.73%

LAB 88.02, -44.23, 45.83

 

CMYK 30 / 0 / 42 / 0

HEX #B2FF95

RGB 178 255 149

HSL 103.58, 1%, 0.79%

LAB 93.08, -42.35, 43.24

 

CMYK 24 / 0 / 34 / 0

HEX #C3FFA8

RGB 195 255 168

HSL 101.38, 1%, 0.83%

LAB 94.29, -34.12, 35.66

 

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

CMYK 44 / 0 / 58 / 27

HEX #69BB4E

RGB 105 187 78

HSL 105.14, 0.44%, 0.52%

LAB 68.82, -45.36, 46.67

 

CMYK 48 / 0 / 65 / 34

HEX #58A93B

RGB 88 169 59

HSL 104.18, 0.48%, 0.45%

LAB 62.31, -45.18, 47.66

 

CMYK 53 / 0 / 74 / 41

HEX #479728

RGB 71 151 40

HSL 103.24, 0.58%, 0.37%

LAB 55.71, -44.74, 48.27

 

CMYK 59 / 0 / 84 / 48

HEX #368515

RGB 54 133 21

HSL 102.32, 0.73%, 0.3%

LAB 49.02, -43.89, 48.04

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 26 / 0 / 53 / 20

HEX #97CD60

RGB 151 205 96

HSL 89.72, 0.52%, 0.59%

LAB 76.73, -35.59, 48.13

 

CMYK 12 / 0 / 53 / 20

HEX #B4CD60

RGB 180 205 96

HSL 73.76, 0.52%, 0.59%

LAB 78.58, -24.55, 50.78

 

CMYK 0 / 2 / 53 / 20

HEX #CDC860

RGB 205 200 96

HSL 57.25, 0.52%, 0.59%

LAB 79.12, -11.98, 51.88

 

CMYK 0 / 17 / 53 / 20

HEX #CDAB60

RGB 205 171 96

HSL 41.28, 0.52%, 0.59%

LAB 71.52, 3.14, 42.89

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 53 / 0 / 51 / 20

HEX #60CD64

RGB 96 205 100

HSL 122.2, 0.52%, 0.59%

LAB 74.23, -52.51, 42.62

 

CMYK 53 / 0 / 37 / 20

HEX #60CD82

RGB 96 205 130

HSL 138.72, 0.52%, 0.59%

LAB 74.67, -47.83, 28.07

 

CMYK 53 / 0 / 22 / 20

HEX #60CD9F

RGB 96 205 159

HSL 154.68, 0.52%, 0.59%

LAB 75.23, -42.14, 13.52

 

CMYK 53 / 0 / 8 / 20

HEX #60CDBC

RGB 96 205 188

HSL 170.64, 0.52%, 0.59%

LAB 75.93, -35.4, -1.07

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 50 / 0 / 64 / 13

HEX #70DE4F

RGB 112 222 79

HSL 106.15, 0.68%, 0.59%

LAB 79.76, -57.06, 58.57

 

CMYK 57 / 0 / 74 / 6

HEX #67EF3E

RGB 103 239 62

HSL 106.1, 0.85%, 0.59%

LAB 84.47, -66.88, 69.63

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 31 / 0 / 40 / 26

HEX #82BC71

RGB 130 188 113

HSL 106.4, 0.36%, 0.59%

LAB 70.81, -33.09, 32.09

 

CMYK 19 / 0 / 24 / 33

HEX #8BAB82

RGB 139 171 130

HSL 106.83, 0.2%, 0.59%

LAB 66.69, -18.9, 17.59

 

CMYK 3 / 0 / 5 / 40

HEX #959A93

RGB 149 154 147

HSL 102.86, 0.03%, 0.59%

LAB 63.02, -3.15, 3.04

 

CMYK 4 / 16 / 0 / 36

HEX #9E89A4

RGB 158 137 164

HSL 286.67, 0.13%, 0.59%

LAB 59.74, 12.99, -11.35

 

CMYK 13 / 0 / 53 / 20

HEX #B3CD60

RGB 179 205 96

HSL 74.31, 0.52%, 0.59%

LAB 78.51, -24.95, 50.68

 

CMYK 27 / 0 / 53 / 20

HEX #96CD60

RGB 150 205 96

HSL 90.28, 0.52%, 0.59%

LAB 76.67, -35.96, 48.05

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 53 / 0 / 51 / 20

HEX #60CD64

RGB 96 205 100

HSL 122.2, 0.52%, 0.59%

LAB 74.23, -52.51, 42.62

 

CMYK 53 / 0 / 37 / 20

HEX #60CD81

RGB 96 205 129

HSL 138.17, 0.52%, 0.59%

LAB 74.66, -48.01, 28.57

 

CMYK 52 / 0 / 69 / 35

HEX #4FA634

RGB 79 166 52

HSL 105.79, 0.52%, 0.43%

LAB 60.94, -47.31, 49.03

 

CMYK 51 / 0 / 67 / 24

HEX #5FC341

RGB 95 195 65

HSL 106.15, 0.52%, 0.51%

LAB 70.76, -52.82, 54.37

 

CMYK 41 / 0 / 53 / 20

HEX #79CD60

RGB 121 205 96

HSL 106.24, 0.52%, 0.59%

LAB 75.18, -45.83, 45.92

 

CMYK 31 / 0 / 41 / 16

HEX #94D77F

RGB 148 215 127

HSL 105.68, 0.52%, 0.67%

LAB 79.86, -37.41, 36.82

 

CMYK 23 / 0 / 29 / 12

HEX #AEE19F

RGB 174 225 159

HSL 106.36, 0.52%, 0.75%

LAB 84.66, -28.56, 27.11

 

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

CMYK 53 / 0 / 2 / 20

HEX #60CDC9

RGB 96 205 201

HSL 177.8, 0.52%, 0.59%

LAB 76.29, -32.09, -7.55

 

CMYK 0 / 53 / 20 / 20

HEX #CD60A5

RGB 205 96 165

HSL 322.02, 0.52%, 0.59%

LAB 56.15, 51.28, -16.83

 

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

CMYK 53 / 41 / 0 / 20

HEX #6079CD

RGB 96 121 205

HSL 226.24, 0.52%, 0.59%

LAB 52.47, 14.98, -46.39

 

CMYK 0 / 53 / 41 / 20

HEX #CD6079

RGB 205 96 121

HSL 346.24, 0.52%, 0.59%

LAB 54.79, 45.63, 6.96

 

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

CMYK 53 / 0 / 2 / 20

HEX #60CDC9

RGB 96 205 201

HSL 177.8, 0.52%, 0.59%

LAB 76.29, -32.09, -7.55

 

CMYK 13 / 53 / 0 / 20

HEX #B360CD

RGB 179 96 205

HSL 285.69, 0.52%, 0.59%

LAB 54.4, 50.75, -42.85

 

CMYK 0 / 53 / 51 / 20

HEX #CD6064

RGB 205 96 100

HSL 357.8, 0.52%, 0.59%

LAB 54.31, 43.55, 18.65

 

CMYK 40 / 0 / 53 / 20

HEX #7ACD61

RGB 122 205 97

HSL 106.11, 0.52%, 0.59%

LAB 75.24, -45.39, 45.52

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 13 / 53 / 0 / 20

HEX #B360CD

RGB 179 96 205

HSL 285.69, 0.52%, 0.59%

LAB 54.4, 50.75, -42.85

 

CMYK 0 / 39 / 53 / 20

HEX #CD7D60

RGB 205 125 96

HSL 15.96, 0.52%, 0.59%

LAB 60.33, 28.08, 28.91

 

Description

Color code: HEX #7ACD61 | qconv.com Color code: HEX #7ACD61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 205 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 205 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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