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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60B0CD it is the complementary color #9F4F32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60B0CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60B0CD shade: #65B0C8, #76C2DB, #87D4EE, #98E6FF and #A9F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60B0CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60B0CD shade: #60B0CD, #4F9EBA, #3E8CA7, #2D7A94 and #1C6881

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60B0CD shade: #60B0CD, #6093CD, #6075CD, #6860CD and #8660CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60B0CD shade: #60B0CD, #6093CD, #6075CD and #6060CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60B0CD shade matches the following richer shades: #60B0CD, #4FB8DE and #3EC0EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60B0CD shade: #60B0CD, #71A8BC, #82A0AB, #93989A and #A49089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60B0CD shade: #60CDAE, #60CDCB, #60B2CD, #6095CD and #6078CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60B0CD shade: #3488A6, #41A0C3, #60B0CD, #7FC0D7 and #9FCFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60B0CD shade: #60B0CD, #9160CD and #CDBD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60B0CD shade: #60B0CD, #CD60B2 and #B2CD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60B0CD shade: #60B0CD, #9160CD, #CD7B60 and #9CCD60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60B0CD shade: #60B0CD, #B260CD, #CD7B60 and #7BCD60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

Complementary color

CMYK 0 / 50 / 69 / 38

HEX #9F4F32

RGB 159 79 50

HSL 15.96, 0.52%, 0.41%

LAB 43.05, 30.83, 31.99

 

CMYK 50 / 12 / 0 / 22

HEX #65B0C8

RGB 101 176 200

HSL 194.55, 0.47%, 0.59%

LAB 68.01, -16.77, -19.42

 

CMYK 46 / 11 / 0 / 14

HEX #76C2DB

RGB 118 194 219

HSL 194.85, 0.58%, 0.66%

LAB 74.54, -16.98, -19.83

 

CMYK 43 / 11 / 0 / 7

HEX #87D4EE

RGB 135 212 238

HSL 195.15, 0.75%, 0.73%

LAB 80.97, -17.13, -20.22

 

CMYK 40 / 10 / 0 / 0

HEX #98E6FF

RGB 152 230 255

HSL 194.56, 1%, 0.8%

LAB 87.24, -17.75, -19.66

 

CMYK 34 / 3 / 0 / 0

HEX #A9F8FF

RGB 169 248 255

HSL 184.88, 1%, 0.83%

LAB 92.92, -22.35, -11.05

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 58 / 15 / 0 / 27

HEX #4F9EBA

RGB 79 158 186

HSL 195.7, 0.44%, 0.52%

LAB 61.36, -16.05, -21.84

 

CMYK 63 / 16 / 0 / 35

HEX #3E8CA7

RGB 62 140 167

HSL 195.43, 0.46%, 0.45%

LAB 54.63, -15.5, -21.41

 

CMYK 70 / 18 / 0 / 42

HEX #2D7A94

RGB 45 122 148

HSL 195.15, 0.53%, 0.38%

LAB 47.77, -14.73, -20.94

 

CMYK 78 / 19 / 0 / 49

HEX #1C6881

RGB 28 104 129

HSL 194.85, 0.64%, 0.31%

LAB 40.79, -13.62, -20.4

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 53 / 28 / 0 / 20

HEX #6093CD

RGB 96 147 205

HSL 211.93, 0.52%, 0.59%

LAB 59.67, -0.45, -35.06

 

CMYK 53 / 43 / 0 / 20

HEX #6075CD

RGB 96 117 205

HSL 228.44, 0.52%, 0.59%

LAB 51.4, 17.42, -48.1

 

CMYK 49 / 53 / 0 / 20

HEX #6860CD

RGB 104 96 205

HSL 244.4, 0.52%, 0.59%

LAB 46.6, 32.02, -55.75

 

CMYK 35 / 53 / 0 / 20

HEX #8660CD

RGB 134 96 205

HSL 260.92, 0.52%, 0.59%

LAB 49.3, 39.02, -51.27

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 53 / 28 / 0 / 20

HEX #6093CD

RGB 96 147 205

HSL 211.93, 0.52%, 0.59%

LAB 59.67, -0.45, -35.06

 

CMYK 53 / 43 / 0 / 20

HEX #6075CD

RGB 96 117 205

HSL 228.44, 0.52%, 0.59%

LAB 51.4, 17.42, -48.1

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 64 / 17 / 0 / 13

HEX #4FB8DE

RGB 79 184 222

HSL 195.94, 0.68%, 0.59%

LAB 70.33, -18.74, -28.02

 

CMYK 74 / 20 / 0 / 6

HEX #3EC0EF

RGB 62 192 239

HSL 195.93, 0.85%, 0.59%

LAB 72.86, -19.88, -33.38

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 40 / 11 / 0 / 26

HEX #71A8BC

RGB 113 168 188

HSL 196, 0.36%, 0.59%

LAB 65.86, -12.84, -15.97

 

CMYK 24 / 6 / 0 / 33

HEX #82A0AB

RGB 130 160 171

HSL 196.1, 0.2%, 0.59%

LAB 64.02, -7.82, -9.14

 

CMYK 5 / 1 / 0 / 40

HEX #93989A

RGB 147 152 154

HSL 197.14, 0.03%, 0.59%

LAB 62.5, -1.4, -1.68

 

CMYK 0 / 12 / 16 / 36

HEX #A49089

RGB 164 144 137

HSL 15.56, 0.13%, 0.59%

LAB 61.35, 6.28, 6.45

 

CMYK 53 / 0 / 15 / 20

HEX #60CDAE

RGB 96 205 174

HSL 162.94, 0.52%, 0.59%

LAB 75.58, -38.78, 5.96

 

CMYK 53 / 0 / 1 / 20

HEX #60CDCB

RGB 96 205 203

HSL 178.9, 0.52%, 0.59%

LAB 76.35, -31.56, -8.54

 

CMYK 53 / 13 / 0 / 20

HEX #60B2CD

RGB 96 178 205

HSL 194.86, 0.52%, 0.59%

LAB 68.56, -17.5, -21.36

 

CMYK 53 / 27 / 0 / 20

HEX #6095CD

RGB 96 149 205

HSL 210.83, 0.52%, 0.59%

LAB 60.24, -1.6, -34.18

 

CMYK 53 / 41 / 0 / 20

HEX #6078CD

RGB 96 120 205

HSL 226.79, 0.52%, 0.59%

LAB 52.21, 15.59, -46.82

 

CMYK 69 / 18 / 0 / 35

HEX #3488A6

RGB 52 136 166

HSL 195.79, 0.52%, 0.43%

LAB 53.05, -15.35, -23.28

 

CMYK 67 / 18 / 0 / 24

HEX #41A0C3

RGB 65 160 195

HSL 196.15, 0.52%, 0.51%

LAB 61.83, -16.83, -26.2

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 41 / 11 / 0 / 16

HEX #7FC0D7

RGB 127 192 215

HSL 195.68, 0.52%, 0.67%

LAB 74.26, -14.79, -18.03

 

CMYK 29 / 8 / 0 / 12

HEX #9FCFE1

RGB 159 207 225

HSL 196.36, 0.52%, 0.75%

LAB 80.42, -11.45, -13.98

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 29 / 53 / 0 / 20

HEX #9160CD

RGB 145 96 205

HSL 266.97, 0.52%, 0.59%

LAB 50.44, 41.8, -49.38

 

CMYK 0 / 8 / 53 / 20

HEX #CDBD60

RGB 205 189 96

HSL 51.19, 0.52%, 0.59%

LAB 76.2, -6.33, 48.47

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 0 / 53 / 13 / 20

HEX #CD60B2

RGB 205 96 178

HSL 314.86, 0.52%, 0.59%

LAB 56.64, 53.26, -23.61

 

CMYK 13 / 0 / 53 / 20

HEX #B2CD60

RGB 178 205 96

HSL 74.86, 0.52%, 0.59%

LAB 78.45, -25.34, 50.58

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 29 / 53 / 0 / 20

HEX #9160CD

RGB 145 96 205

HSL 266.97, 0.52%, 0.59%

LAB 50.44, 41.8, -49.38

 

CMYK 0 / 40 / 53 / 20

HEX #CD7B60

RGB 205 123 96

HSL 14.86, 0.52%, 0.59%

LAB 59.88, 29.16, 28.33

 

CMYK 24 / 0 / 53 / 20

HEX #9CCD60

RGB 156 205 96

HSL 86.97, 0.52%, 0.59%

LAB 77.03, -33.76, 48.56

 

CMYK 53 / 14 / 0 / 20

HEX #60B0CD

RGB 96 176 205

HSL 195.96, 0.52%, 0.59%

LAB 67.98, -16.45, -22.24

 

CMYK 13 / 53 / 0 / 20

HEX #B260CD

RGB 178 96 205

HSL 285.14, 0.52%, 0.59%

LAB 54.28, 50.48, -43.05

 

CMYK 0 / 40 / 53 / 20

HEX #CD7B60

RGB 205 123 96

HSL 14.86, 0.52%, 0.59%

LAB 59.88, 29.16, 28.33

 

CMYK 40 / 0 / 53 / 20

HEX #7BCD60

RGB 123 205 96

HSL 105.14, 0.52%, 0.59%

LAB 75.28, -45.19, 46.05

 

Description

Color code: HEX #60B0CD | qconv.com Color code: HEX #60B0CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 176 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 176 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 14% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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