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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ABDD5 it is the complementary color #85422A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ABDD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7ABDD5: #7FBDD0, #90CFE3, #A1E1F6, #B2F3FF and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ABDD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7ABDD5: #7ABDD5, #69ABC2, #5899AF, #47879C and #367589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

Complementary color

CMYK 0 / 50 / 68 / 48

HEX #85422A

RGB 133 66 42

HSL 15.82, 0.52%, 0.34%

LAB 36.08, 26.62, 27.42

 

CMYK 39 / 9 / 0 / 18

HEX #7FBDD0

RGB 127 189 208

HSL 194.07, 0.46%, 0.66%

LAB 73.19, -15.04, -15.84

 

CMYK 37 / 9 / 0 / 11

HEX #90CFE3

RGB 144 207 227

HSL 194.46, 0.6%, 0.73%

LAB 79.67, -15.09, -16.26

 

CMYK 35 / 9 / 0 / 4

HEX #A1E1F6

RGB 161 225 246

HSL 194.82, 0.83%, 0.8%

LAB 86.05, -15.13, -16.67

 

CMYK 30 / 5 / 0 / 0

HEX #B2F3FF

RGB 178 243 255

HSL 189.35, 1%, 0.85%

LAB 92.04, -17.48, -12.32

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 46 / 12 / 0 / 24

HEX #69ABC2

RGB 105 171 194

HSL 195.51, 0.42%, 0.59%

LAB 66.54, -14.86, -18.32

 

CMYK 50 / 13 / 0 / 31

HEX #5899AF

RGB 88 153 175

HSL 195.17, 0.35%, 0.52%

LAB 59.85, -14.65, -17.91

 

CMYK 54 / 13 / 0 / 39

HEX #47879C

RGB 71 135 156

HSL 194.82, 0.37%, 0.45%

LAB 53.02, -14.36, -17.49

 

CMYK 61 / 15 / 0 / 46

HEX #367589

RGB 54 117 137

HSL 194.46, 0.43%, 0.37%

LAB 46.06, -13.92, -17.03

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 42 / 18 / 0 / 16

HEX #7BAFD5

RGB 123 175 213

HSL 205.33, 0.52%, 0.66%

LAB 69.24, -7.29, -24.61

 

CMYK 42 / 25 / 0 / 16

HEX #7BA0D5

RGB 123 160 213

HSL 215.33, 0.52%, 0.66%

LAB 65.09, 1.02, -31

 

CMYK 42 / 32 / 0 / 16

HEX #7B91D5

RGB 123 145 213

HSL 225.33, 0.52%, 0.66%

LAB 61.02, 9.62, -37.33

 

CMYK 42 / 39 / 0 / 16

HEX #7B82D5

RGB 123 130 213

HSL 235.33, 0.52%, 0.66%

LAB 57.06, 18.43, -43.55

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 44 / 11 / 0 / 96

HEX #050809

RGB 5 8 9

HSL 195, 0.29%, 0.03%

LAB 2.04, -0.65, -0.66

 

CMYK 43 / 12 / 0 / 76

HEX #22353C

RGB 34 53 60

HSL 196.15, 0.28%, 0.18%

LAB 20.88, -5.48, -6.83

 

CMYK 42 / 12 / 0 / 56

HEX #40626F

RGB 64 98 111

HSL 196.6, 0.27%, 0.34%

LAB 39.54, -8.55, -11.23

 

CMYK 43 / 11 / 0 / 36

HEX #5D90A2

RGB 93 144 162

HSL 195.65, 0.27%, 0.5%

LAB 56.96, -12.17, -14.87

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 23 / 42 / 0 / 16

HEX #A37BD5

RGB 163 123 213

HSL 266.67, 0.52%, 0.66%

LAB 58.75, 33.43, -40.65

 

CMYK 0 / 7 / 42 / 16

HEX #D5C77B

RGB 213 199 123

HSL 50.67, 0.52%, 0.66%

LAB 79.85, -5.7, 39.74

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 0 / 42 / 11 / 16

HEX #D57BBE

RGB 213 123 190

HSL 315.33, 0.52%, 0.66%

LAB 63.37, 44.15, -20.08

 

CMYK 11 / 0 / 42 / 16

HEX #BED57B

RGB 190 213 123

HSL 75.33, 0.52%, 0.66%

LAB 81.82, -21.8, 41.85

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 23 / 42 / 0 / 16

HEX #A37BD5

RGB 163 123 213

HSL 266.67, 0.52%, 0.66%

LAB 58.75, 33.43, -40.65

 

CMYK 0 / 32 / 42 / 16

HEX #D5917B

RGB 213 145 123

HSL 14.67, 0.52%, 0.66%

LAB 66.39, 23.11, 22.1

 

CMYK 19 / 0 / 42 / 16

HEX #ACD57B

RGB 172 213 123

HSL 87.33, 0.52%, 0.66%

LAB 80.62, -28.56, 40.08

 

CMYK 43 / 11 / 0 / 16

HEX #7ABDD5

RGB 122 189 213

HSL 195.82, 0.52%, 0.66%

LAB 73.11, -15.01, -18.71

 

CMYK 11 / 42 / 0 / 16

HEX #BE7BD5

RGB 190 123 213

HSL 284.67, 0.52%, 0.66%

LAB 61.58, 41.31, -36.01

 

CMYK 0 / 32 / 42 / 16

HEX #D5917B

RGB 213 145 123

HSL 14.67, 0.52%, 0.66%

LAB 66.39, 23.11, 22.1

 

CMYK 32 / 0 / 42 / 16

HEX #91D57B

RGB 145 213 123

HSL 105.33, 0.52%, 0.66%

LAB 79.06, -38.06, 37.78

 

Description

Color code: HEX #7ABDD5 | qconv.com Color code: HEX #7ABDD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 189 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 189 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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