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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ABCD4 it is the complementary color #85432B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ABCD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ABCD4 shade: #7FBCCF, #90CEE2, #A1E0F5, #B2F2FF and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ABCD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ABCD4 shade: #7ABCD4, #69AAC1, #5898AE, #47869B and #367488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ABCD4 shade: #78BBD3, #78A2D3, #788AD3, #7F78D3 and #9878D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ABCD4 shade: #78BBD3, #78A2D3, #788AD3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ABCD4 shade matches the following richer shades: #78BBD3, #6AC2E2, #5BC8F0 and #4DCFFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ABCD4 shade: #78BBD3, #87B4C5, #95AEB6, #A4A7A8 and #B2A09A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ABCD4 shade: #78D3BB, #78D3D3, #78BBD3, #78A3D3 and #788AD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ABCD4 shade: #3D9ABC, #59ABC9, #78BBD3, #97CBDD and #B7DAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ABCD4 shade: #7ABCD4, #A378D3 and #D3C778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ABCD4 shade: #7ABCD4, #D378BB and #BBD378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ABCD4 shade: #7ABCD4, #A378D3, #D39178 and #A9D378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ABCD4 shade: #7ABCD4, #BE78D3, #D39178 and #8DD378

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

Complementary color

CMYK 0 / 50 / 68 / 48

HEX #85432B

RGB 133 67 43

HSL 16, 0.51%, 0.35%

LAB 36.32, 26.12, 27.12

 

CMYK 39 / 9 / 0 / 19

HEX #7FBCCF

RGB 127 188 207

HSL 194.25, 0.45%, 0.65%

LAB 72.88, -14.77, -15.77

 

CMYK 36 / 9 / 0 / 11

HEX #90CEE2

RGB 144 206 226

HSL 194.63, 0.59%, 0.73%

LAB 79.36, -14.83, -16.19

 

CMYK 34 / 9 / 0 / 4

HEX #A1E0F5

RGB 161 224 245

HSL 195, 0.81%, 0.8%

LAB 85.75, -14.87, -16.6

 

CMYK 30 / 5 / 0 / 0

HEX #B2F2FF

RGB 178 242 255

HSL 190.13, 1%, 0.85%

LAB 91.77, -16.98, -12.72

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

CMYK 46 / 12 / 0 / 24

HEX #69AAC1

RGB 105 170 193

HSL 195.68, 0.42%, 0.58%

LAB 66.22, -14.6, -18.25

 

CMYK 49 / 13 / 0 / 32

HEX #5898AE

RGB 88 152 174

HSL 195.35, 0.35%, 0.51%

LAB 59.51, -14.4, -17.85

 

CMYK 54 / 14 / 0 / 39

HEX #47869B

RGB 71 134 155

HSL 195, 0.37%, 0.44%

LAB 52.68, -14.11, -17.43

 

CMYK 60 / 15 / 0 / 47

HEX #367488

RGB 54 116 136

HSL 194.63, 0.43%, 0.37%

LAB 45.71, -13.68, -16.98

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 43 / 23 / 0 / 17

HEX #78A2D3

RGB 120 162 211

HSL 212.31, 0.51%, 0.65%

LAB 65.39, -1.44, -29.44

 

CMYK 43 / 35 / 0 / 17

HEX #788AD3

RGB 120 138 211

HSL 228.13, 0.51%, 0.65%

LAB 58.86, 12.36, -39.6

 

CMYK 40 / 43 / 0 / 17

HEX #7F78D3

RGB 127 120 211

HSL 244.62, 0.51%, 0.65%

LAB 54.71, 24.83, -46.11

 

CMYK 28 / 43 / 0 / 17

HEX #9878D3

RGB 152 120 211

HSL 261.1, 0.51%, 0.65%

LAB 56.89, 31.55, -42.52

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 43 / 23 / 0 / 17

HEX #78A2D3

RGB 120 162 211

HSL 212.31, 0.51%, 0.65%

LAB 65.39, -1.44, -29.44

 

CMYK 43 / 35 / 0 / 17

HEX #788AD3

RGB 120 138 211

HSL 228.13, 0.51%, 0.65%

LAB 58.86, 12.36, -39.6

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 53 / 14 / 0 / 11

HEX #6AC2E2

RGB 106 194 226

HSL 196, 0.67%, 0.65%

LAB 74.28, -17.7, -24.06

 

CMYK 62 / 17 / 0 / 6

HEX #5BC8F0

RGB 91 200 240

HSL 196.11, 0.83%, 0.65%

LAB 75.96, -19.53, -29.08

 

CMYK 70 / 19 / 0 / 0

HEX #4DCFFF

RGB 77 207 255

HSL 196.18, 1%, 0.65%

LAB 78.12, -20.62, -33.81

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 31 / 9 / 0 / 23

HEX #87B4C5

RGB 135 180 197

HSL 196.45, 0.35%, 0.65%

LAB 70.75, -10.85, -13.46

 

CMYK 18 / 4 / 0 / 29

HEX #95AEB6

RGB 149 174 182

HSL 194.55, 0.18%, 0.65%

LAB 69.5, -6.85, -6.98

 

CMYK 2 / 1 / 0 / 34

HEX #A4A7A8

RGB 164 167 168

HSL 195, 0.02%, 0.65%

LAB 68.28, -0.87, -0.9

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 43 / 0 / 11 / 17

HEX #78D3BB

RGB 120 211 187

HSL 164.18, 0.51%, 0.65%

LAB 78.56, -32.86, 3.41

 

CMYK 43 / 0 / 0 / 17

HEX #78D3D3

RGB 120 211 211

HSL 180, 0.51%, 0.65%

LAB 79.21, -27.13, -8.5

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 43 / 23 / 0 / 17

HEX #78A3D3

RGB 120 163 211

HSL 211.65, 0.51%, 0.65%

LAB 65.66, -2, -29.01

 

CMYK 43 / 35 / 0 / 17

HEX #788AD3

RGB 120 138 211

HSL 228.13, 0.51%, 0.65%

LAB 58.86, 12.36, -39.6

 

CMYK 68 / 18 / 0 / 26

HEX #3D9ABC

RGB 61 154 188

HSL 196.06, 0.51%, 0.49%

LAB 59.65, -16.5, -25.64

 

CMYK 56 / 15 / 0 / 21

HEX #59ABC9

RGB 89 171 201

HSL 196.07, 0.51%, 0.57%

LAB 66.11, -16.45, -22.91

 

CMYK 43 / 11 / 0 / 17

HEX #78BBD3

RGB 120 187 211

HSL 195.82, 0.51%, 0.65%

LAB 72.39, -15, -18.73

 

CMYK 32 / 8 / 0 / 13

HEX #97CBDD

RGB 151 203 221

HSL 195.43, 0.51%, 0.73%

LAB 78.76, -12.58, -14.38

 

CMYK 21 / 6 / 0 / 9

HEX #B7DAE7

RGB 183 218 231

HSL 196.25, 0.5%, 0.81%

LAB 84.99, -8.71, -10.2

 

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

CMYK 23 / 43 / 0 / 17

HEX #A378D3

RGB 163 120 211

HSL 268.35, 0.51%, 0.65%

LAB 57.96, 34.66, -40.76

 

CMYK 0 / 6 / 43 / 17

HEX #D3C778

RGB 211 199 120

HSL 52.09, 0.51%, 0.65%

LAB 79.64, -6.81, 40.95

 

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

CMYK 0 / 43 / 11 / 17

HEX #D378BB

RGB 211 120 187

HSL 315.82, 0.51%, 0.65%

LAB 62.4, 44.57, -19.88

 

CMYK 11 / 0 / 43 / 17

HEX #BBD378

RGB 187 211 120

HSL 75.82, 0.51%, 0.65%

LAB 81.02, -22.31, 42.29

 

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

CMYK 23 / 43 / 0 / 17

HEX #A378D3

RGB 163 120 211

HSL 268.35, 0.51%, 0.65%

LAB 57.96, 34.66, -40.76

 

CMYK 0 / 31 / 43 / 17

HEX #D39178

RGB 211 145 120

HSL 16.48, 0.51%, 0.65%

LAB 66.1, 21.99, 23.34

 

CMYK 20 / 0 / 43 / 17

HEX #A9D378

RGB 169 211 120

HSL 87.69, 0.51%, 0.65%

LAB 79.83, -29.08, 40.54

 

CMYK 42 / 11 / 0 / 17

HEX #7ABCD4

RGB 122 188 212

HSL 196, 0.51%, 0.65%

LAB 72.8, -14.75, -18.65

 

CMYK 10 / 43 / 0 / 17

HEX #BE78D3

RGB 190 120 211

HSL 286.15, 0.51%, 0.65%

LAB 60.86, 42.51, -36.02

 

CMYK 0 / 31 / 43 / 17

HEX #D39178

RGB 211 145 120

HSL 16.48, 0.51%, 0.65%

LAB 66.1, 21.99, 23.34

 

CMYK 33 / 0 / 43 / 17

HEX #8DD378

RGB 141 211 120

HSL 106.15, 0.51%, 0.65%

LAB 78.23, -38.9, 38.18

 

Description

Color code: HEX #7ABCD4 | qconv.com Color code: HEX #7ABCD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 188 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 188 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 11 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 11% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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