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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB9A5 it is the complementary color #85465A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB9A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7AB9A5: #7FB9A0, #90CBB3, #A1DDC6, #B2EFD9 and #C3FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB9A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7AB9A5: #7AB9A5, #69A792, #58957F, #47836C and #367159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

Complementary color

CMYK 0 / 47 / 32 / 48

HEX #85465A

RGB 133 70 90

HSL 340.95, 0.31%, 0.4%

LAB 38.03, 29.32, 0.29

 

CMYK 31 / 0 / 14 / 27

HEX #7FB9A0

RGB 127 185 160

HSL 154.14, 0.29%, 0.61%

LAB 70.7, -24.25, 6.71

 

CMYK 29 / 0 / 12 / 20

HEX #90CBB3

RGB 144 203 179

HSL 155.59, 0.36%, 0.68%

LAB 77.22, -24.03, 5.9

 

CMYK 27 / 0 / 10 / 13

HEX #A1DDC6

RGB 161 221 198

HSL 157, 0.47%, 0.75%

LAB 83.64, -23.83, 5.14

 

CMYK 26 / 0 / 9 / 6

HEX #B2EFD9

RGB 178 239 217

HSL 158.36, 0.66%, 0.82%

LAB 89.96, -23.66, 4.42

 

CMYK 24 / 0 / 7 / 0

HEX #C3FFEC

RGB 195 255 236

HSL 161, 1%, 0.88%

LAB 95.65, -22.53, 2.95

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 37 / 0 / 13 / 35

HEX #69A792

RGB 105 167 146

HSL 159.68, 0.26%, 0.53%

LAB 63.93, -24.88, 4.56

 

CMYK 41 / 0 / 15 / 42

HEX #58957F

RGB 88 149 127

HSL 158.36, 0.26%, 0.46%

LAB 57.17, -25.11, 5.45

 

CMYK 46 / 0 / 18 / 49

HEX #47836C

RGB 71 131 108

HSL 157, 0.3%, 0.4%

LAB 50.28, -25.32, 6.41

 

CMYK 52 / 0 / 21 / 56

HEX #367159

RGB 54 113 89

HSL 155.59, 0.35%, 0.33%

LAB 43.24, -25.51, 7.5

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 34 / 0 / 5 / 28

HEX #79B8AE

RGB 121 184 174

HSL 170.48, 0.31%, 0.6%

LAB 70.46, -22.43, -1.35

 

CMYK 34 / 0 / 0 / 28

HEX #79B8B8

RGB 121 184 184

HSL 180, 0.31%, 0.6%

LAB 70.74, -20.06, -6.42

 

CMYK 34 / 5 / 0 / 28

HEX #79AEB8

RGB 121 174 184

HSL 189.52, 0.31%, 0.6%

LAB 67.87, -14.87, -10.69

 

CMYK 34 / 11 / 0 / 28

HEX #79A3B8

RGB 121 163 184

HSL 200, 0.31%, 0.6%

LAB 64.74, -8.97, -15.4

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 34 / 0 / 11 / 7

HEX #9CECD2

RGB 156 236 210

HSL 160.5, 0.68%, 0.77%

LAB 87.83, -30.03, 4.86

 

CMYK 34 / 0 / 9 / 87

HEX #15201D

RGB 21 32 29

HSL 163.64, 0.21%, 0.1%

LAB 11.14, -5.73, 0.46

 

CMYK 34 / 0 / 11 / 67

HEX #37534A

RGB 55 83 74

HSL 160.71, 0.2%, 0.27%

LAB 32.9, -12.77, 1.92

 

CMYK 34 / 0 / 10 / 47

HEX #588678

RGB 88 134 120

HSL 161.74, 0.21%, 0.44%

LAB 52.38, -19, 2.55

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 34 / 30 / 0 / 28

HEX #7981B8

RGB 121 129 184

HSL 232.38, 0.31%, 0.6%

LAB 55.3, 10.37, -29.85

 

CMYK 0 / 25 / 34 / 28

HEX #B88A79

RGB 184 138 121

HSL 16.19, 0.31%, 0.6%

LAB 61.44, 15.17, 15.92

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 11 / 34 / 0 / 28

HEX #A379B8

RGB 163 121 184

HSL 280, 0.31%, 0.6%

LAB 57, 28.01, -26.93

 

CMYK 0 / 11 / 34 / 28

HEX #B8A379

RGB 184 163 121

HSL 40, 0.31%, 0.6%

LAB 67.85, 1.41, 24.66

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 34 / 30 / 0 / 28

HEX #7981B8

RGB 121 129 184

HSL 232.38, 0.31%, 0.6%

LAB 55.3, 10.37, -29.85

 

CMYK 0 / 34 / 23 / 28

HEX #B8798E

RGB 184 121 142

HSL 340, 0.31%, 0.6%

LAB 57.86, 27.59, -1.2

 

CMYK 0 / 4 / 34 / 28

HEX #B8B079

RGB 184 176 121

HSL 52.38, 0.31%, 0.6%

LAB 71.3, -5.55, 29.24

 

CMYK 34 / 0 / 11 / 27

HEX #7AB9A5

RGB 122 185 165

HSL 160.95, 0.31%, 0.6%

LAB 70.56, -24.67, 3.74

 

CMYK 29 / 34 / 0 / 28

HEX #8379B8

RGB 131 121 184

HSL 249.52, 0.31%, 0.6%

LAB 53.99, 18.05, -31.84

 

CMYK 0 / 34 / 23 / 28

HEX #B8798E

RGB 184 121 142

HSL 340, 0.31%, 0.6%

LAB 57.86, 27.59, -1.2

 

CMYK 5 / 0 / 34 / 28

HEX #AEB879

RGB 174 184 121

HSL 69.52, 0.31%, 0.6%

LAB 72.67, -13.69, 30.89

 

Description

Color code: HEX #7AB9A5 | qconv.com Color code: HEX #7AB9A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 185 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 185 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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