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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB68F it is the complementary color #854970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB68F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7AB68F: #7FB68A, #90C89D, #A1DAB0, #B2ECC3 and #C3FED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB68F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7AB68F: #7AB68F, #69A47C, #589269, #478056 and #366E43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

Complementary color

CMYK 0 / 45 / 16 / 48

HEX #854970

RGB 133 73 112

HSL 321, 0.29%, 0.4%

LAB 39.45, 31.08, -11.35

 

CMYK 30 / 0 / 24 / 29

HEX #7FB68A

RGB 127 182 138

HSL 132, 0.27%, 0.61%

LAB 69.33, -27.11, 16.77

 

CMYK 28 / 0 / 22 / 22

HEX #90C89D

RGB 144 200 157

HSL 133.93, 0.34%, 0.67%

LAB 75.87, -26.86, 15.79

 

CMYK 26 / 0 / 19 / 15

HEX #A1DAB0

RGB 161 218 176

HSL 135.79, 0.44%, 0.74%

LAB 82.3, -26.63, 14.86

 

CMYK 25 / 0 / 17 / 7

HEX #B2ECC3

RGB 178 236 195

HSL 137.59, 0.6%, 0.81%

LAB 88.64, -26.42, 13.99

 

CMYK 23 / 0 / 16 / 0

HEX #C3FED6

RGB 195 254 214

HSL 139.32, 0.97%, 0.88%

LAB 94.88, -26.23, 13.16

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 36 / 0 / 24 / 36

HEX #69A47C

RGB 105 164 124

HSL 139.32, 0.24%, 0.53%

LAB 62.52, -28.03, 14.8

 

CMYK 40 / 0 / 28 / 43

HEX #589269

RGB 88 146 105

HSL 137.59, 0.25%, 0.46%

LAB 55.74, -28.32, 15.9

 

CMYK 45 / 0 / 33 / 50

HEX #478056

RGB 71 128 86

HSL 135.79, 0.29%, 0.39%

LAB 48.82, -28.59, 17.11

 

CMYK 51 / 0 / 39 / 57

HEX #366E43

RGB 54 110 67

HSL 133.93, 0.34%, 0.32%

LAB 41.75, -28.81, 18.46

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 32 / 0 / 16 / 29

HEX #7BB699

RGB 123 182 153

HSL 150.51, 0.29%, 0.6%

LAB 69.45, -25.44, 8.72

 

CMYK 32 / 0 / 10 / 29

HEX #7BB6A3

RGB 123 182 163

HSL 160.68, 0.29%, 0.6%

LAB 69.69, -23.32, 3.59

 

CMYK 32 / 0 / 5 / 29

HEX #7BB6AD

RGB 123 182 173

HSL 170.85, 0.29%, 0.6%

LAB 69.95, -21.07, -1.52

 

CMYK 32 / 1 / 0 / 29

HEX #7BB5B6

RGB 123 181 182

HSL 181.02, 0.29%, 0.6%

LAB 69.92, -18.44, -6.52

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 33 / 0 / 21 / 9

HEX #9CE9B7

RGB 156 233 183

HSL 141.04, 0.64%, 0.76%

LAB 86.39, -33.97, 16.9

 

CMYK 34 / 0 / 21 / 89

HEX #131D17

RGB 19 29 23

HSL 144, 0.21%, 0.09%

LAB 9.63, -6.19, 2.69

 

CMYK 33 / 0 / 21 / 69

HEX #36503F

RGB 54 80 63

HSL 140.77, 0.19%, 0.26%

LAB 31.53, -14.02, 6.91

 

CMYK 33 / 0 / 21 / 49

HEX #588367

RGB 88 131 103

HSL 140.93, 0.2%, 0.43%

LAB 51.02, -21.17, 10.49

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 32 / 18 / 0 / 29

HEX #7B96B6

RGB 123 150 182

HSL 212.54, 0.29%, 0.6%

LAB 61.13, -1.7, -19.73

 

CMYK 0 / 32 / 31 / 29

HEX #B67B7E

RGB 182 123 126

HSL 356.95, 0.29%, 0.6%

LAB 57.67, 23.41, 7.75

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 21 / 32 / 0 / 29

HEX #907BB6

RGB 144 123 182

HSL 261.36, 0.29%, 0.6%

LAB 55.56, 20.37, -28.17

 

CMYK 0 / 21 / 32 / 29

HEX #B6907B

RGB 182 144 123

HSL 21.36, 0.29%, 0.6%

LAB 62.78, 11.29, 16.62

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 32 / 18 / 0 / 29

HEX #7B96B6

RGB 123 150 182

HSL 212.54, 0.29%, 0.6%

LAB 61.13, -1.7, -19.73

 

CMYK 0 / 32 / 12 / 29

HEX #B67BA1

RGB 182 123 161

HSL 321.36, 0.29%, 0.6%

LAB 58.68, 28.84, -10.98

 

CMYK 0 / 15 / 32 / 29

HEX #B69B7B

RGB 182 155 123

HSL 32.54, 0.29%, 0.6%

LAB 65.61, 5.22, 20.5

 

CMYK 33 / 0 / 21 / 29

HEX #7AB68F

RGB 122 182 143

HSL 141, 0.29%, 0.6%

LAB 69.17, -27.76, 13.78

 

CMYK 32 / 27 / 0 / 29

HEX #7B84B6

RGB 123 132 182

HSL 230.85, 0.29%, 0.6%

LAB 56.18, 8.66, -27.34

 

CMYK 0 / 32 / 12 / 29

HEX #B67BA1

RGB 182 123 161

HSL 321.36, 0.29%, 0.6%

LAB 58.68, 28.84, -10.98

 

CMYK 0 / 5 / 32 / 29

HEX #B6AD7B

RGB 182 173 123

HSL 50.85, 0.29%, 0.6%

LAB 70.36, -4.51, 26.9

 

Description

Color code: HEX #7AB68F | qconv.com Color code: HEX #7AB68F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 182 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 182 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 21 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 21% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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