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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A9FDB it is the complementary color #856024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A9FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A9FDB: #7F9FD6, #90B1E9, #A1C3FC, #B2D5FF and #C3E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A9FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A9FDB: #7A9FDB, #698DC8, #587BB5, #4769A2 and #36578F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

Complementary color

CMYK 0 / 28 / 73 / 48

HEX #856024

RGB 133 96 36

HSL 37.11, 0.57%, 0.33%

LAB 43.48, 8.78, 38.81

 

CMYK 41 / 26 / 0 / 16

HEX #7F9FD6

RGB 127 159 214

HSL 217.93, 0.51%, 0.67%

LAB 65.09, 2.91, -31.52

 

CMYK 38 / 24 / 0 / 9

HEX #90B1E9

RGB 144 177 233

HSL 217.75, 0.67%, 0.74%

LAB 71.73, 2.49, -31.61

 

CMYK 36 / 23 / 0 / 1

HEX #A1C3FC

RGB 161 195 252

HSL 217.58, 0.94%, 0.81%

LAB 78.25, 2.13, -31.73

 

CMYK 30 / 16 / 0 / 0

HEX #B2D5FF

RGB 178 213 255

HSL 212.73, 1%, 0.85%

LAB 84.11, -2.1, -24.26

 

CMYK 24 / 9 / 0 / 0

HEX #C3E7FF

RGB 195 231 255

HSL 204, 1%, 0.88%

LAB 89.85, -6.58, -15.49

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 48 / 30 / 0 / 22

HEX #698DC8

RGB 105 141 200

HSL 217.26, 0.46%, 0.6%

LAB 58.25, 3.6, -34.43

 

CMYK 51 / 32 / 0 / 29

HEX #587BB5

RGB 88 123 181

HSL 217.42, 0.39%, 0.53%

LAB 51.36, 4.31, -34.45

 

CMYK 56 / 35 / 0 / 36

HEX #4769A2

RGB 71 105 162

HSL 217.58, 0.39%, 0.46%

LAB 44.31, 5.19, -34.51

 

CMYK 62 / 39 / 0 / 44

HEX #36578F

RGB 54 87 143

HSL 217.75, 0.45%, 0.39%

LAB 37.08, 6.34, -34.61

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 44 / 34 / 0 / 15

HEX #7A8FDA

RGB 122 143 218

HSL 226.88, 0.56%, 0.67%

LAB 60.64, 11.96, -40.71

 

CMYK 44 / 42 / 0 / 15

HEX #7A7FDA

RGB 122 127 218

HSL 236.88, 0.56%, 0.67%

LAB 56.46, 21.41, -47.3

 

CMYK 39 / 44 / 0 / 15

HEX #867ADA

RGB 134 122 218

HSL 247.5, 0.56%, 0.67%

LAB 56.14, 27.39, -47.76

 

CMYK 31 / 44 / 0 / 15

HEX #967ADA

RGB 150 122 218

HSL 257.5, 0.56%, 0.67%

LAB 57.53, 31.61, -45.47

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 47 / 27 / 0 / 94

HEX #080B0F

RGB 8 11 15

HSL 214.29, 0.3%, 0.05%

LAB 2.94, -0.14, -2.06

 

CMYK 44 / 27 / 0 / 74

HEX #253042

RGB 37 48 66

HSL 217.24, 0.28%, 0.2%

LAB 19.64, 0.86, -12.78

 

CMYK 44 / 27 / 0 / 54

HEX #415575

RGB 65 85 117

HSL 216.92, 0.29%, 0.36%

LAB 35.8, 1.53, -20.64

 

CMYK 44 / 27 / 0 / 34

HEX #5E7AA8

RGB 94 122 168

HSL 217.3, 0.3%, 0.51%

LAB 50.83, 2.44, -27.72

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 8 / 44 / 0 / 15

HEX #C97ADA

RGB 201 122 218

HSL 289.38, 0.56%, 0.67%

LAB 62.84, 46.07, -36.75

 

CMYK 9 / 0 / 44 / 15

HEX #C6DA7A

RGB 198 218 122

HSL 72.5, 0.56%, 0.67%

LAB 83.73, -21.28, 44.85

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 0 / 44 / 27 / 15

HEX #DA7A9F

RGB 218 122 159

HSL 336.88, 0.56%, 0.67%

LAB 62.78, 41.65, -3.26

 

CMYK 27 / 0 / 44 / 15

HEX #9FDA7A

RGB 159 218 122

HSL 96.88, 0.56%, 0.67%

LAB 81.25, -35.68, 41.21

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 8 / 44 / 0 / 15

HEX #C97ADA

RGB 201 122 218

HSL 289.38, 0.56%, 0.67%

LAB 62.84, 46.07, -36.75

 

CMYK 0 / 17 / 44 / 15

HEX #DAB67A

RGB 218 182 122

HSL 37.5, 0.56%, 0.67%

LAB 75.93, 5.11, 35.33

 

CMYK 36 / 0 / 44 / 15

HEX #8CDA7A

RGB 140 218 122

HSL 108.75, 0.56%, 0.67%

LAB 80.25, -42.06, 39.74

 

CMYK 44 / 27 / 0 / 14

HEX #7A9FDB

RGB 122 159 219

HSL 217.11, 0.57%, 0.67%

LAB 65, 3.02, -34.46

 

CMYK 0 / 44 / 5 / 15

HEX #DA7ACF

RGB 218 122 207

HSL 306.88, 0.56%, 0.67%

LAB 64.43, 49.1, -27.97

 

CMYK 0 / 17 / 44 / 15

HEX #DAB67A

RGB 218 182 122

HSL 37.5, 0.56%, 0.67%

LAB 75.93, 5.11, 35.33

 

CMYK 44 / 0 / 39 / 15

HEX #7ADA86

RGB 122 218 134

HSL 127.5, 0.56%, 0.67%

LAB 79.61, -45.74, 32.73

 

Description

Color code: HEX #7A9FDB | qconv.com Color code: HEX #7A9FDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 159 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 159 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 27% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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