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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A99D8 it is the complementary color #856627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A99D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A99D8: #7F99D3, #90ABE6, #A1BDF9, #B2CFFF and #C3E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A99D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A99D8: #7A99D8, #6987C5, #5875B2, #47639F and #36518C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

Complementary color

CMYK 0 / 23 / 71 / 48

HEX #856627

RGB 133 102 39

HSL 40.21, 0.55%, 0.34%

LAB 45.13, 5.44, 39.11

 

CMYK 40 / 27 / 0 / 17

HEX #7F99D3

RGB 127 153 211

HSL 221.43, 0.49%, 0.66%

LAB 63.34, 5.49, -32.57

 

CMYK 37 / 26 / 0 / 10

HEX #90ABE6

RGB 144 171 230

HSL 221.16, 0.63%, 0.73%

LAB 70.01, 5.03, -32.63

 

CMYK 35 / 24 / 0 / 2

HEX #A1BDF9

RGB 161 189 249

HSL 220.91, 0.88%, 0.8%

LAB 76.56, 4.63, -32.71

 

CMYK 30 / 19 / 0 / 0

HEX #B2CFFF

RGB 178 207 255

HSL 217.4, 1%, 0.85%

LAB 82.55, 1.09, -26.65

 

CMYK 24 / 12 / 0 / 0

HEX #C3E1FF

RGB 195 225 255

HSL 210, 1%, 0.88%

LAB 88.29, -3.48, -17.83

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 47 / 31 / 0 / 23

HEX #6987C5

RGB 105 135 197

HSL 220.43, 0.44%, 0.59%

LAB 56.45, 6.22, -35.55

 

CMYK 51 / 34 / 0 / 30

HEX #5875B2

RGB 88 117 178

HSL 220.67, 0.37%, 0.52%

LAB 49.51, 6.99, -35.61

 

CMYK 55 / 38 / 0 / 38

HEX #47639F

RGB 71 99 159

HSL 220.91, 0.38%, 0.45%

LAB 42.41, 7.94, -35.73

 

CMYK 61 / 42 / 0 / 45

HEX #36518C

RGB 54 81 140

HSL 221.16, 0.44%, 0.38%

LAB 35.13, 9.17, -35.89

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 44 / 37 / 0 / 16

HEX #7888D7

RGB 120 136 215

HSL 229.89, 0.54%, 0.66%

LAB 58.52, 14.7, -42.38

NCS® S1555-R70B

CMYK 44 / 44 / 0 / 16

HEX #7878D7

RGB 120 120 215

HSL 240, 0.54%, 0.66%

LAB 54.38, 24.22, -48.93

 

CMYK 37 / 44 / 0 / 16

HEX #8878D7

RGB 136 120 215

HSL 250.11, 0.54%, 0.66%

LAB 55.66, 28.26, -46.82

 

CMYK 29 / 44 / 0 / 16

HEX #9878D7

RGB 152 120 215

HSL 260.21, 0.54%, 0.66%

LAB 57.09, 32.54, -44.46

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 42 / 33 / 0 / 95

HEX #07080C

RGB 7 8 12

HSL 228, 0.26%, 0.04%

LAB 2.22, 0.31, -1.65

 

CMYK 43 / 29 / 0 / 75

HEX #242D3F

RGB 36 45 63

HSL 220, 0.27%, 0.19%

LAB 18.41, 1.61, -12.63

 

CMYK 44 / 29 / 0 / 55

HEX #405172

RGB 64 81 114

HSL 219.6, 0.28%, 0.35%

LAB 34.37, 2.84, -21

 

CMYK 44 / 29 / 0 / 35

HEX #5D75A5

RGB 93 117 165

HSL 220, 0.29%, 0.51%

LAB 49.21, 4.27, -28.5

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 6 / 44 / 0 / 16

HEX #CB78D7

RGB 203 120 215

HSL 292.42, 0.54%, 0.66%

LAB 62.54, 47.12, -35.53

 

CMYK 12 / 0 / 44 / 16

HEX #BED778

RGB 190 215 120

HSL 75.79, 0.54%, 0.66%

LAB 82.33, -23.11, 43.96

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 0 / 44 / 29 / 16

HEX #D77898

RGB 215 120 152

HSL 339.79, 0.54%, 0.66%

LAB 61.78, 40.7, -0.77

 

CMYK 29 / 0 / 44 / 16

HEX #98D778

RGB 152 215 120

HSL 99.79, 0.54%, 0.66%

LAB 79.97, -36.99, 40.51

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 6 / 44 / 0 / 16

HEX #CB78D7

RGB 203 120 215

HSL 292.42, 0.54%, 0.66%

LAB 62.54, 47.12, -35.53

 

CMYK 0 / 14 / 44 / 16

HEX #D7B878

RGB 215 184 120

HSL 40.42, 0.54%, 0.66%

LAB 76.12, 2.63, 36.56

 

CMYK 38 / 0 / 44 / 16

HEX #85D778

RGB 133 215 120

HSL 111.79, 0.54%, 0.66%

LAB 79.01, -43.25, 39.09

 

CMYK 44 / 29 / 0 / 15

HEX #7A99D8

RGB 122 153 216

HSL 220.21, 0.55%, 0.66%

LAB 63.24, 5.59, -35.53

 

CMYK 0 / 44 / 7 / 16

HEX #D778C8

RGB 215 120 200

HSL 309.47, 0.54%, 0.66%

LAB 63.38, 48, -25.67

 

CMYK 0 / 14 / 44 / 16

HEX #D7B878

RGB 215 184 120

HSL 40.42, 0.54%, 0.66%

LAB 76.12, 2.63, 36.56

 

CMYK 44 / 0 / 37 / 16

HEX #78D788

RGB 120 215 136

HSL 130.11, 0.54%, 0.66%

LAB 78.68, -44.7, 30.45

 

Description

Color code: HEX #7A99D8 | qconv.com Color code: HEX #7A99D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 153 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 153 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 29 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 29% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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