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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A91A6 it is the complementary color #856E59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A91A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A91A6: #7F91A1, #90A3B4, #A1B5C7, #B2C7DA and #C3D9ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A91A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A91A6: #7A91A6, #697F93, #586D80, #475B6D and #36495A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

Complementary color

CMYK 0 / 17 / 33 / 48

HEX #856E59

RGB 133 110 89

HSL 28.64, 0.2%, 0.44%

LAB 48.08, 5.78, 15.12

 

CMYK 21 / 10 / 0 / 37

HEX #7F91A1

RGB 127 145 161

HSL 208.24, 0.15%, 0.56%

LAB 59.28, -2.82, -10.59

 

CMYK 20 / 9 / 0 / 29

HEX #90A3B4

RGB 144 163 180

HSL 208.33, 0.19%, 0.64%

LAB 66.07, -2.92, -11.01

 

CMYK 19 / 9 / 0 / 22

HEX #A1B5C7

RGB 161 181 199

HSL 208.42, 0.25%, 0.71%

LAB 72.73, -3.03, -11.43

 

CMYK 18 / 9 / 0 / 15

HEX #B2C7DA

RGB 178 199 218

HSL 208.5, 0.35%, 0.78%

LAB 79.26, -3.13, -11.85

 

CMYK 18 / 8 / 0 / 7

HEX #C3D9ED

RGB 195 217 237

HSL 208.57, 0.54%, 0.85%

LAB 85.68, -3.22, -12.27

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 29 / 14 / 0 / 42

HEX #697F93

RGB 105 127 147

HSL 208.57, 0.17%, 0.49%

LAB 52.16, -3.09, -13.39

 

CMYK 31 / 15 / 0 / 50

HEX #586D80

RGB 88 109 128

HSL 208.5, 0.19%, 0.42%

LAB 45.04, -2.94, -13.05

 

CMYK 35 / 17 / 0 / 57

HEX #475B6D

RGB 71 91 109

HSL 208.42, 0.21%, 0.35%

LAB 37.71, -2.77, -12.73

 

CMYK 40 / 19 / 0 / 65

HEX #36495A

RGB 54 73 90

HSL 208.33, 0.25%, 0.28%

LAB 30.13, -2.55, -12.43

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 27 / 18 / 0 / 35

HEX #7888A5

RGB 120 136 165

HSL 218.67, 0.2%, 0.56%

LAB 56.4, 1.02, -17.27

 

CMYK 27 / 22 / 0 / 35

HEX #7881A5

RGB 120 129 165

HSL 228, 0.2%, 0.56%

LAB 54.46, 5.08, -20.24

 

CMYK 27 / 27 / 0 / 35

HEX #7879A5

RGB 120 121 165

HSL 238.67, 0.2%, 0.56%

LAB 52.27, 9.79, -23.6

 

CMYK 24 / 27 / 0 / 35

HEX #7E78A5

RGB 126 120 165

HSL 248, 0.2%, 0.56%

LAB 52.49, 12.29, -23.22

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 27 / 12 / 0 / 15

HEX #9FBED9

RGB 159 190 217

HSL 207.93, 0.43%, 0.74%

LAB 75.58, -4.36, -16.96

 

CMYK 23 / 15 / 0 / 95

HEX #0A0B0D

RGB 10 11 13

HSL 220, 0.13%, 0.05%

LAB 3.01, 0.04, -0.94

 

CMYK 27 / 13 / 0 / 75

HEX #2F3840

RGB 47 56 64

HSL 208.24, 0.15%, 0.22%

LAB 23.01, -1.61, -6.22

 

CMYK 26 / 13 / 0 / 55

HEX #556473

RGB 85 100 115

HSL 210, 0.15%, 0.39%

LAB 41.66, -1.98, -10.33

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 9 / 27 / 0 / 35

HEX #9678A5

RGB 150 120 165

HSL 280, 0.2%, 0.56%

LAB 54.69, 20.22, -19.65

 

CMYK 2 / 0 / 27 / 35

HEX #A2A578

RGB 162 165 120

HSL 64, 0.2%, 0.56%

LAB 66.48, -8.61, 23.04

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 0 / 27 / 13 / 35

HEX #A57890

RGB 165 120 144

HSL 328, 0.2%, 0.56%

LAB 55.53, 21.45, -6.05

 

CMYK 13 / 0 / 27 / 35

HEX #90A578

RGB 144 165 120

HSL 88, 0.2%, 0.56%

LAB 65.12, -15.58, 20.96

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 9 / 27 / 0 / 35

HEX #9678A5

RGB 150 120 165

HSL 280, 0.2%, 0.56%

LAB 54.69, 20.22, -19.65

 

CMYK 0 / 15 / 27 / 35

HEX #A58D78

RGB 165 141 120

HSL 28, 0.2%, 0.56%

LAB 60.25, 5.72, 14.55

 

CMYK 18 / 0 / 27 / 35

HEX #87A578

RGB 135 165 120

HSL 100, 0.2%, 0.56%

LAB 64.5, -18.95, 20.01

 

CMYK 27 / 13 / 0 / 35

HEX #7A91A6

RGB 122 145 166

HSL 208.64, 0.2%, 0.56%

LAB 59.11, -3.22, -13.74

 

CMYK 1 / 27 / 0 / 35

HEX #A378A5

RGB 163 120 165

HSL 297.33, 0.2%, 0.56%

LAB 56.02, 24.65, -17.5

 

CMYK 0 / 15 / 27 / 35

HEX #A58D78

RGB 165 141 120

HSL 28, 0.2%, 0.56%

LAB 60.25, 5.72, 14.55

 

CMYK 27 / 0 / 27 / 35

HEX #79A578

RGB 121 165 120

HSL 118.67, 0.2%, 0.56%

LAB 63.62, -23.97, 18.67

 

Description

Color code: HEX #7A91A6 | qconv.com Color code: HEX #7A91A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 145 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 145 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 13 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 13% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Wear It Festival Ber...
Link: http://www.wearit-berlin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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