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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A6485 it is the complementary color #859B7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A6485. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A6485: #7F6480, #907693, #A188A6, #B29AB9 and #C3ACCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A6485. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A6485: #7A6485, #695272, #58405F, #472E4C and #361C39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

Complementary color

CMYK 14 / 0 / 21 / 39

HEX #859B7A

RGB 133 155 122

HSL 100, 0.14%, 0.54%

LAB 61.51, -14.14, 14.77

 

CMYK 1 / 22 / 0 / 50

HEX #7F6480

RGB 127 100 128

HSL 297.86, 0.12%, 0.45%

LAB 45.89, 16.09, -11.45

 

CMYK 2 / 20 / 0 / 42

HEX #907693

RGB 144 118 147

HSL 293.79, 0.12%, 0.52%

LAB 52.94, 15.53, -11.9

 

CMYK 3 / 18 / 0 / 35

HEX #A188A6

RGB 161 136 166

HSL 290, 0.14%, 0.59%

LAB 59.83, 15.02, -12.33

 

CMYK 4 / 17 / 0 / 27

HEX #B29AB9

RGB 178 154 185

HSL 286.45, 0.18%, 0.66%

LAB 66.58, 14.55, -12.76

 

CMYK 4 / 16 / 0 / 20

HEX #C3ACCC

RGB 195 172 204

HSL 283.13, 0.24%, 0.74%

LAB 73.2, 14.13, -13.19

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 8 / 28 / 0 / 55

HEX #695272

RGB 105 82 114

HSL 283.13, 0.16%, 0.38%

LAB 38.29, 15.98, -14.66

 

CMYK 7 / 33 / 0 / 63

HEX #58405F

RGB 88 64 95

HSL 286.45, 0.19%, 0.31%

LAB 30.8, 16.69, -14.33

 

CMYK 7 / 39 / 0 / 70

HEX #472E4C

RGB 71 46 76

HSL 290, 0.25%, 0.24%

LAB 23.05, 17.51, -13.98

 

CMYK 5 / 51 / 0 / 78

HEX #361C39

RGB 54 28 57

HSL 293.79, 0.34%, 0.17%

LAB 15.01, 18.43, -13.56

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 4 / 25 / 0 / 48

HEX #806485

RGB 128 100 133

HSL 290.91, 0.14%, 0.46%

LAB 46.17, 17.5, -14

 

CMYK 0 / 25 / 0 / 48

HEX #856485

RGB 133 100 133

HSL 300, 0.14%, 0.46%

LAB 46.7, 19.3, -13.15

 

CMYK 0 / 25 / 4 / 48

HEX #856480

RGB 133 100 128

HSL 309.09, 0.14%, 0.46%

LAB 46.52, 18.3, -10.42

 

CMYK 0 / 25 / 8 / 48

HEX #85647A

RGB 133 100 122

HSL 320, 0.14%, 0.46%

LAB 46.32, 17.14, -7.13

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 8 / 25 / 0 / 28

HEX #A98AB8

RGB 169 138 184

HSL 280.43, 0.24%, 0.63%

LAB 61.72, 20.31, -19.64

 

CMYK 8 / 25 / 0 / 8

HEX #D8B1EB

RGB 216 177 235

HSL 280.34, 0.59%, 0.81%

LAB 77.31, 24.43, -23.67

 

CMYK 10 / 26 / 0 / 88

HEX #1C171F

RGB 28 23 31

HSL 277.5, 0.15%, 0.11%

LAB 8.64, 4.53, -4.67

 

CMYK 9 / 24 / 0 / 68

HEX #4B3E52

RGB 75 62 82

HSL 279, 0.14%, 0.28%

LAB 28.25, 9.98, -9.95

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 0 / 25 / 21 / 48

HEX #856469

RGB 133 100 105

HSL 350.91, 0.14%, 0.46%

LAB 45.8, 14.12, 2.35

 

CMYK 25 / 0 / 18 / 48

HEX #64856D

RGB 100 133 109

HSL 136.36, 0.14%, 0.46%

LAB 52.5, -16.86, 9.2

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 0 / 8 / 25 / 48

HEX #857A64

RGB 133 122 100

HSL 40, 0.14%, 0.46%

LAB 51.64, 0.46, 13.59

 

CMYK 25 / 0 / 8 / 48

HEX #64857A

RGB 100 133 122

HSL 160, 0.14%, 0.46%

LAB 52.83, -14.1, 2.13

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 0 / 25 / 21 / 48

HEX #856469

RGB 133 100 105

HSL 350.91, 0.14%, 0.46%

LAB 45.8, 14.12, 2.35

 

CMYK 17 / 0 / 25 / 48

HEX #6F8564

RGB 111 133 100

HSL 100, 0.14%, 0.46%

LAB 53.03, -14.5, 15.23

 

CMYK 25 / 0 / 3 / 48

HEX #648581

RGB 100 133 129

HSL 172.73, 0.14%, 0.46%

LAB 53.03, -12.5, -1.65

 

CMYK 8 / 25 / 0 / 48

HEX #7A6485

RGB 122 100 133

HSL 280, 0.14%, 0.46%

LAB 45.56, 15.36, -14.99

 

CMYK 0 / 20 / 25 / 48

HEX #856A64

RGB 133 106 100

HSL 10.91, 0.14%, 0.46%

LAB 47.25, 9.76, 7.44

 

CMYK 17 / 0 / 25 / 48

HEX #6F8564

RGB 111 133 100

HSL 100, 0.14%, 0.46%

LAB 53.03, -14.5, 15.23

 

CMYK 25 / 4 / 0 / 48

HEX #648085

RGB 100 128 133

HSL 189.09, 0.14%, 0.46%

LAB 51.66, -8.77, -6

 

Description

Color code: HEX #7A6485 | qconv.com Color code: HEX #7A6485 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 100 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 100 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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