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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A1036 it is the complementary color #85EFC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A1036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A1036 shade: #7F1031, #902244, #A13457, #B2466A and #C3587D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A1036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A1036 shade: #7A1036, #690023, #580010, #470000 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A1036 shade: #7A1036, #7A1019 and #7A1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A1036 shade: #7A1036, #7A1052, #7A106F, #68107A and #4C107A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A1036 shade matches the following richer shades: #7A1036 and #850533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A1036 shade: #7A1036, #6F1B39, #64263C, #58313F and #4D3C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A1036 shade: #7A106F, #7A1053, #7A1037, #7A101A and #7A2210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A1036 shade: #310616, #550B26, #7A1036, #9E1546 and #C31956

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A1036 shade: #7A1036, #7A6810 and #10617A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A1036 shade: #7A1036, #377A10 and #10377A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A1036 shade: #7A1036, #7A6810, #107A53 and #10227A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A1036 shade: #7A1036, #6C7A10, #107A53 and #1E107A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

Complementary color

CMYK 44 / 0 / 16 / 6

HEX #85EFC9

RGB 133 239 201

HSL 158.49, 0.77%, 0.73%

LAB 87.45, -39.41, 8.89

 

CMYK 0 / 87 / 61 / 50

HEX #7F1031

RGB 127 16 49

HSL 342.16, 0.78%, 0.28%

LAB 27.03, 46.5, 11.27

 

CMYK 0 / 76 / 53 / 44

HEX #902244

RGB 144 34 68

HSL 341.45, 0.62%, 0.35%

LAB 32.9, 47.61, 7.27

 

CMYK 0 / 68 / 46 / 37

HEX #A13457

RGB 161 52 87

HSL 340.73, 0.51%, 0.42%

LAB 39.11, 47.71, 4.31

 

CMYK 0 / 61 / 40 / 30

HEX #B2466A

RGB 178 70 106

HSL 340, 0.44%, 0.49%

LAB 45.48, 47.27, 2.04

 

CMYK 0 / 55 / 36 / 24

HEX #C3587D

RGB 195 88 125

HSL 339.25, 0.47%, 0.55%

LAB 51.91, 46.58, 0.24

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 100 / 67 / 59

HEX #690023

RGB 105 0 35

HSL 340, 1%, 0.21%

LAB 20.54, 43.02, 11.39

 

CMYK 0 / 100 / 82 / 65

HEX #580010

RGB 88 0 16

HSL 349.09, 1%, 0.17%

LAB 16.06, 37.4, 17.96

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 87 / 80 / 52

HEX #7A1019

RGB 122 16 25

HSL 354.91, 0.77%, 0.27%

LAB 25.5, 43.73, 25.13

 

CMYK 0 / 87 / 87 / 52

HEX #7A1010

RGB 122 16 16

HSL 0, 0.77%, 0.27%

LAB 25.4, 43.43, 30.49

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 87 / 33 / 52

HEX #7A1052

RGB 122 16 82

HSL 322.64, 0.77%, 0.27%

LAB 27.07, 48.3, -11.08

 

CMYK 0 / 87 / 9 / 52

HEX #7A106F

RGB 122 16 111

HSL 306.23, 0.77%, 0.27%

LAB 28.53, 52.33, -27.76

 

CMYK 15 / 87 / 0 / 52

HEX #68107A

RGB 104 16 122

HSL 289.81, 0.77%, 0.27%

LAB 25.92, 50.6, -39.15

 

CMYK 38 / 87 / 0 / 52

HEX #4C107A

RGB 76 16 122

HSL 273.96, 0.77%, 0.27%

LAB 21.25, 45.75, -46.94

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 96 / 62 / 48

HEX #850533

RGB 133 5 51

HSL 338.44, 0.93%, 0.27%

LAB 27.67, 50.35, 10.99

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 76 / 49 / 56

HEX #6F1B39

RGB 111 27 57

HSL 338.57, 0.61%, 0.27%

LAB 25.13, 38.92, 2.67

 

CMYK 0 / 62 / 40 / 61

HEX #64263C

RGB 100 38 60

HSL 338.71, 0.45%, 0.27%

LAB 25.02, 30.4, 0.21

 

CMYK 0 / 44 / 28 / 65

HEX #58313F

RGB 88 49 63

HSL 338.46, 0.28%, 0.27%

LAB 25.65, 19.76, -1.11

 

CMYK 0 / 22 / 14 / 70

HEX #4D3C42

RGB 77 60 66

HSL 338.82, 0.12%, 0.27%

LAB 27.31, 8.59, -0.85

 

CMYK 0 / 87 / 9 / 52

HEX #7A106F

RGB 122 16 111

HSL 306.23, 0.77%, 0.27%

LAB 28.53, 52.33, -27.76

 

CMYK 0 / 87 / 32 / 52

HEX #7A1053

RGB 122 16 83

HSL 322.08, 0.77%, 0.27%

LAB 27.11, 48.42, -11.68

 

CMYK 0 / 87 / 55 / 52

HEX #7A1037

RGB 122 16 55

HSL 337.92, 0.77%, 0.27%

LAB 26.11, 45.55, 5.74

 

CMYK 0 / 87 / 79 / 52

HEX #7A101A

RGB 122 16 26

HSL 354.34, 0.77%, 0.27%

LAB 25.51, 43.77, 24.5

 

CMYK 0 / 72 / 87 / 52

HEX #7A2210

RGB 122 34 16

HSL 10.19, 0.77%, 0.27%

LAB 27.63, 37.22, 32.53

 

CMYK 0 / 88 / 55 / 81

HEX #310616

RGB 49 6 22

HSL 337.67, 0.78%, 0.11%

LAB 7.6, 23.04, 1.03

 

CMYK 0 / 87 / 55 / 67

HEX #550B26

RGB 85 11 38

HSL 338.11, 0.77%, 0.19%

LAB 17.04, 34.58, 3.69

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 87 / 56 / 38

HEX #9E1546

RGB 158 21 70

HSL 338.54, 0.77%, 0.35%

LAB 34.49, 55.38, 8.61

 

CMYK 0 / 87 / 56 / 24

HEX #C31956

RGB 195 25 86

HSL 338.47, 0.77%, 0.43%

LAB 42.72, 65.26, 10.96

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 15 / 87 / 52

HEX #7A6810

RGB 122 104 16

HSL 49.81, 0.77%, 0.27%

LAB 44.34, -2.02, 47.05

 

CMYK 87 / 20 / 0 / 52

HEX #10617A

RGB 16 97 122

HSL 194.15, 0.77%, 0.27%

LAB 37.96, -13.44, -20.53

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 55 / 0 / 87 / 52

HEX #377A10

RGB 55 122 16

HSL 97.92, 0.77%, 0.27%

LAB 45.32, -39.57, 46.08

 

CMYK 87 / 55 / 0 / 52

HEX #10377A

RGB 16 55 122

HSL 217.92, 0.77%, 0.27%

LAB 24.47, 14.04, -41.91

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 0 / 15 / 87 / 52

HEX #7A6810

RGB 122 104 16

HSL 49.81, 0.77%, 0.27%

LAB 44.34, -2.02, 47.05

 

CMYK 87 / 0 / 32 / 52

HEX #107A53

RGB 16 122 83

HSL 157.92, 0.77%, 0.27%

LAB 45.16, -37.97, 13.58

 

CMYK 87 / 72 / 0 / 52

HEX #10227A

RGB 16 34 122

HSL 229.81, 0.77%, 0.27%

LAB 18.62, 28.9, -51.47

 

CMYK 0 / 87 / 56 / 52

HEX #7A1036

RGB 122 16 54

HSL 338.49, 0.77%, 0.27%

LAB 26.08, 45.47, 6.38

 

CMYK 11 / 0 / 87 / 52

HEX #6C7A10

RGB 108 122 16

HSL 67.92, 0.77%, 0.27%

LAB 48.44, -18.59, 50.02

 

CMYK 87 / 0 / 32 / 52

HEX #107A53

RGB 16 122 83

HSL 157.92, 0.77%, 0.27%

LAB 45.16, -37.97, 13.58

 

CMYK 75 / 87 / 0 / 52

HEX #1E107A

RGB 30 16 122

HSL 247.92, 0.77%, 0.27%

LAB 15.76, 40.36, -56.19

 

Description

Color code: HEX #7A1036 | qconv.com Color code: HEX #7A1036 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 16 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 16 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 56 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 56% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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