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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0C92 it is the complementary color #85F36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0C92 shade: #7F0C8D, #901EA0, #A130B3, #B242C6 and #C354D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0C92 shade: #7A0C92, #69007F, #58006C, #470059 and #360046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0C92 shade: #7A0C92, #920C86, #920C62, #920C3E and #920C19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0C92 shade: #7A0C92, #560C92, #320C92, #0D0C92 and #0C0C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0C92 shade matches the following richer shades: #7A0C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0C92 shade: #7A0C92, #721985, #6A2579, #62326C and #593F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0C92 shade: #320C92, #560C92, #7A0C92, #920C87 and #920C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0C92 shade: #3A0646, #5A096C, #7A0C92, #9A0FB8 and #BA12DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0C92 shade: #7A0C92, #920E0C and #0C9244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0C92 shade: #7A0C92, #927A0C and #0C927A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0C92 shade: #7A0C92, #920E0C, #24920C and #0C9092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0C92 shade: #7A0C92, #92360C, #24920C and #0C6892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

Complementary color

CMYK 45 / 0 / 55 / 5

HEX #85F36D

RGB 133 243 109

HSL 109.25, 0.85%, 0.69%

LAB 87.09, -56.16, 54.19

 

CMYK 10 / 91 / 0 / 45

HEX #7F0C8D

RGB 127 12 141

HSL 293.49, 0.84%, 0.3%

LAB 31.11, 59.05, -42.49

 

CMYK 10 / 81 / 0 / 37

HEX #901EA0

RGB 144 30 160

HSL 292.62, 0.68%, 0.37%

LAB 36.74, 61.47, -44.9

 

CMYK 10 / 73 / 0 / 30

HEX #A130B3

RGB 161 48 179

HSL 291.76, 0.58%, 0.45%

LAB 42.68, 62.62, -46.56

 

CMYK 10 / 67 / 0 / 22

HEX #B242C6

RGB 178 66 198

HSL 290.91, 0.54%, 0.52%

LAB 48.81, 62.97, -47.72

 

CMYK 10 / 61 / 0 / 15

HEX #C354D9

RGB 195 84 217

HSL 290.08, 0.64%, 0.59%

LAB 55.02, 62.85, -48.55

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 17 / 100 / 0 / 50

HEX #69007F

RGB 105 0 127

HSL 289.61, 1%, 0.25%

LAB 25.37, 55, -43.2

 

CMYK 19 / 100 / 0 / 58

HEX #58006C

RGB 88 0 108

HSL 288.89, 1%, 0.21%

LAB 20.66, 48.83, -38.78

 

CMYK 20 / 100 / 0 / 65

HEX #470059

RGB 71 0 89

HSL 287.87, 1%, 0.17%

LAB 15.8, 42.47, -34.23

 

CMYK 23 / 100 / 0 / 73

HEX #360046

RGB 54 0 70

HSL 286.29, 1%, 0.14%

LAB 10.75, 35.86, -29.53

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 92 / 8 / 43

HEX #920C86

RGB 146 12 134

HSL 305.37, 0.85%, 0.31%

LAB 34.18, 61.43, -33.04

 

CMYK 0 / 92 / 33 / 43

HEX #920C62

RGB 146 12 98

HSL 321.49, 0.85%, 0.31%

LAB 32.38, 56.7, -13.02

 

CMYK 0 / 92 / 58 / 43

HEX #920C3E

RGB 146 12 62

HSL 337.61, 0.85%, 0.31%

LAB 31.16, 53.36, 8.86

 

CMYK 0 / 92 / 83 / 43

HEX #920C19

RGB 146 12 25

HSL 354.18, 0.85%, 0.31%

LAB 30.51, 51.49, 32

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 66 / 92 / 0 / 43

HEX #320C92

RGB 50 12 146

HSL 257.01, 0.85%, 0.31%

LAB 20.11, 50.23, -64.05

 

CMYK 91 / 92 / 0 / 43

HEX #0D0C92

RGB 13 12 146

HSL 240.45, 0.85%, 0.31%

LAB 17.57, 48.53, -68.35

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 14 / 81 / 0 / 48

HEX #721985

RGB 114 25 133

HSL 289.44, 0.68%, 0.31%

LAB 29.33, 52.07, -40.5

 

CMYK 12 / 69 / 0 / 53

HEX #6A2579

RGB 106 37 121

HSL 289.29, 0.53%, 0.31%

LAB 28.82, 43.3, -33.84

 

CMYK 9 / 54 / 0 / 58

HEX #62326C

RGB 98 50 108

HSL 289.66, 0.37%, 0.31%

LAB 29.31, 31.6, -24.87

 

CMYK 6 / 34 / 0 / 63

HEX #593F5F

RGB 89 63 95

HSL 288.75, 0.2%, 0.31%

LAB 30.65, 17.69, -14.55

 

CMYK 66 / 92 / 0 / 43

HEX #320C92

RGB 50 12 146

HSL 257.01, 0.85%, 0.31%

LAB 20.11, 50.23, -64.05

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 92 / 8 / 43

HEX #920C87

RGB 146 12 135

HSL 304.93, 0.85%, 0.31%

LAB 34.24, 61.58, -33.57

 

CMYK 0 / 92 / 32 / 43

HEX #920C63

RGB 146 12 99

HSL 321.04, 0.85%, 0.31%

LAB 32.42, 56.82, -13.6

 

CMYK 17 / 91 / 0 / 73

HEX #3A0646

RGB 58 6 70

HSL 288.75, 0.84%, 0.15%

LAB 12.43, 33.98, -26.77

 

CMYK 17 / 92 / 0 / 58

HEX #5A096C

RGB 90 9 108

HSL 289.09, 0.85%, 0.23%

LAB 21.77, 46.99, -36.98

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 16 / 92 / 0 / 28

HEX #9A0FB8

RGB 154 15 184

HSL 289.35, 0.85%, 0.39%

LAB 39.02, 70.52, -55.46

 

CMYK 17 / 92 / 0 / 13

HEX #BA12DF

RGB 186 18 223

HSL 289.17, 0.85%, 0.47%

LAB 47.24, 81.62, -64.53

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 90 / 92 / 43

HEX #920E0C

RGB 146 14 12

HSL 0.9, 0.85%, 0.31%

LAB 30.52, 50.84, 38.95

 

CMYK 92 / 0 / 53 / 43

HEX #0C9244

RGB 12 146 68

HSL 145.07, 0.85%, 0.31%

LAB 53.01, -50.34, 32.09

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 16 / 92 / 43

HEX #927A0C

RGB 146 122 12

HSL 49.25, 0.85%, 0.31%

LAB 51.9, -0.94, 55.2

 

CMYK 92 / 0 / 16 / 43

HEX #0C927A

RGB 12 146 122

HSL 169.25, 0.85%, 0.31%

LAB 54.07, -38.33, 3.57

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 90 / 92 / 43

HEX #920E0C

RGB 146 14 12

HSL 0.9, 0.85%, 0.31%

LAB 30.52, 50.84, 38.95

 

CMYK 75 / 0 / 92 / 43

HEX #24920C

RGB 36 146 12

HSL 109.25, 0.85%, 0.31%

LAB 52.91, -52.81, 53.39

 

CMYK 92 / 1 / 0 / 43

HEX #0C9092

RGB 12 144 146

HSL 180.9, 0.85%, 0.31%

LAB 54.13, -30.23, -10.16

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 63 / 92 / 43

HEX #92360C

RGB 146 54 12

HSL 18.81, 0.85%, 0.31%

LAB 35.55, 36.99, 42.66

 

CMYK 75 / 0 / 92 / 43

HEX #24920C

RGB 36 146 12

HSL 109.25, 0.85%, 0.31%

LAB 52.91, -52.81, 53.39

 

CMYK 92 / 29 / 0 / 43

HEX #0C6892

RGB 12 104 146

HSL 198.81, 0.85%, 0.31%

LAB 41.3, -8.69, -29.85

 

Description

Color code: HEX #7A0C92 | qconv.com Color code: HEX #7A0C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 12 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 12 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 92 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 92% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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