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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #560C92 it is the complementary color #A9F36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #560C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #560C92 shade: #5B0C8D, #6C1EA0, #7D30B3, #8E42C6 and #9F54D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #560C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #560C92 shade: #560C92, #45007F, #34006C, #230059 and #120046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #560C92 shade: #560C92, #7A0C92, #920C86, #920C62 and #920C3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #560C92 shade: #560C92, #320C92, #0E0C92 and #0C0C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #560C92 shade matches the following richer shades: #560C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #560C92 shade: #560C92, #551985, #532579, #52326C and #513F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #560C92 shade: #0E0C92, #320C92, #560C92, #7A0C92 and #920C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #560C92 shade: #290646, #40096C, #560C92, #6D0FB8 and #8312DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #560C92 shade: #560C92, #920C2D and #0C9220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #560C92 shade: #560C92, #92560C and #0C9256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #560C92 shade: #560C92, #920C2D, #48920C and #0C9271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #560C92 shade: #560C92, #92130C, #48920C and #0C8C92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

Complementary color

CMYK 30 / 0 / 55 / 5

HEX #A9F36D

RGB 169 243 109

HSL 93.13, 0.85%, 0.69%

LAB 88.75, -44.76, 56.55

 

CMYK 35 / 91 / 0 / 45

HEX #5B0C8D

RGB 91 12 141

HSL 276.74, 0.84%, 0.3%

LAB 24.98, 53.36, -52.72

 

CMYK 33 / 81 / 0 / 37

HEX #6C1EA0

RGB 108 30 160

HSL 276, 0.68%, 0.37%

LAB 31.01, 54.95, -54.45

 

CMYK 30 / 73 / 0 / 30

HEX #7D30B3

RGB 125 48 179

HSL 275.27, 0.58%, 0.45%

LAB 37.35, 55.3, -55.42

 

CMYK 28 / 67 / 0 / 22

HEX #8E42C6

RGB 142 66 198

HSL 274.55, 0.54%, 0.52%

LAB 43.84, 55, -55.97

 

CMYK 27 / 61 / 0 / 15

HEX #9F54D9

RGB 159 84 217

HSL 273.83, 0.64%, 0.59%

LAB 50.36, 54.37, -56.27

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 46 / 100 / 0 / 50

HEX #45007F

RGB 69 0 127

HSL 272.6, 1%, 0.25%

LAB 19.21, 50.41, -53.52

 

CMYK 52 / 100 / 0 / 58

HEX #34006C

RGB 52 0 108

HSL 268.89, 1%, 0.21%

LAB 14.47, 44.34, -49.17

 

CMYK 61 / 100 / 0 / 65

HEX #230059

RGB 35 0 89

HSL 263.6, 1%, 0.17%

LAB 9.63, 38.15, -44.6

 

CMYK 74 / 100 / 0 / 73

HEX #120046

RGB 18 0 70

HSL 255.43, 1%, 0.14%

LAB 5.16, 30.05, -38.92

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 92 / 8 / 43

HEX #920C86

RGB 146 12 134

HSL 305.37, 0.85%, 0.31%

LAB 34.18, 61.43, -33.04

 

CMYK 0 / 92 / 33 / 43

HEX #920C62

RGB 146 12 98

HSL 321.49, 0.85%, 0.31%

LAB 32.38, 56.7, -13.02

 

CMYK 0 / 92 / 58 / 43

HEX #920C3D

RGB 146 12 61

HSL 338.06, 0.85%, 0.31%

LAB 31.14, 53.29, 9.49

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 66 / 92 / 0 / 43

HEX #320C92

RGB 50 12 146

HSL 257.01, 0.85%, 0.31%

LAB 20.11, 50.23, -64.05

 

CMYK 90 / 92 / 0 / 43

HEX #0E0C92

RGB 14 12 146

HSL 240.9, 0.85%, 0.31%

LAB 17.61, 48.55, -68.29

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 36 / 81 / 0 / 48

HEX #551985

RGB 85 25 133

HSL 273.33, 0.68%, 0.31%

LAB 24.7, 46.63, -48.21

 

CMYK 31 / 69 / 0 / 53

HEX #532579

RGB 83 37 121

HSL 272.86, 0.53%, 0.31%

LAB 25.39, 37.76, -39.53

 

CMYK 24 / 54 / 0 / 58

HEX #52326C

RGB 82 50 108

HSL 273.1, 0.37%, 0.31%

LAB 27.18, 26.68, -28.38

 

CMYK 15 / 34 / 0 / 63

HEX #513F5F

RGB 81 63 95

HSL 273.75, 0.2%, 0.31%

LAB 29.74, 14.76, -16.03

 

CMYK 90 / 92 / 0 / 43

HEX #0E0C92

RGB 14 12 146

HSL 240.9, 0.85%, 0.31%

LAB 17.61, 48.55, -68.29

 

CMYK 66 / 92 / 0 / 43

HEX #320C92

RGB 50 12 146

HSL 257.01, 0.85%, 0.31%

LAB 20.11, 50.23, -64.05

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 16 / 92 / 0 / 43

HEX #7A0C92

RGB 122 12 146

HSL 289.25, 0.85%, 0.31%

LAB 30.58, 59.09, -46.47

 

CMYK 0 / 92 / 8 / 43

HEX #920C87

RGB 146 12 135

HSL 304.93, 0.85%, 0.31%

LAB 34.24, 61.58, -33.57

 

CMYK 41 / 91 / 0 / 73

HEX #290646

RGB 41 6 70

HSL 272.81, 0.84%, 0.15%

LAB 9.35, 30.69, -31.91

 

CMYK 41 / 92 / 0 / 58

HEX #40096C

RGB 64 9 108

HSL 273.33, 0.85%, 0.23%

LAB 17.31, 42.75, -44.43

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 41 / 92 / 0 / 28

HEX #6D0FB8

RGB 109 15 184

HSL 273.37, 0.85%, 0.39%

LAB 31.93, 64.39, -67.34

 

CMYK 41 / 92 / 0 / 13

HEX #8312DF

RGB 131 18 223

HSL 273.07, 0.85%, 0.47%

LAB 38.87, 74.58, -78.54

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 0 / 92 / 69 / 43

HEX #920C2D

RGB 146 12 45

HSL 345.22, 0.85%, 0.31%

LAB 30.79, 52.3, 19.65

 

CMYK 92 / 0 / 78 / 43

HEX #0C9220

RGB 12 146 32

HSL 128.96, 0.85%, 0.31%

LAB 52.66, -54.6, 47.7

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 0 / 41 / 92 / 43

HEX #92560C

RGB 146 86 12

HSL 33.13, 0.85%, 0.31%

LAB 42.45, 19.74, 47.89

 

CMYK 92 / 0 / 41 / 43

HEX #0C9256

RGB 12 146 86

HSL 153.13, 0.85%, 0.31%

LAB 53.28, -47.04, 22.83

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 0 / 92 / 69 / 43

HEX #920C2D

RGB 146 12 45

HSL 345.22, 0.85%, 0.31%

LAB 30.79, 52.3, 19.65

 

CMYK 51 / 0 / 92 / 43

HEX #48920C

RGB 72 146 12

HSL 93.13, 0.85%, 0.31%

LAB 53.99, -43.93, 54.73

 

CMYK 92 / 0 / 23 / 43

HEX #0C9271

RGB 12 146 113

HSL 165.22, 0.85%, 0.31%

LAB 53.84, -40.75, 8.41

 

CMYK 41 / 92 / 0 / 43

HEX #560C92

RGB 86 12 146

HSL 273.13, 0.85%, 0.31%

LAB 24.69, 53.82, -56.33

 

CMYK 0 / 87 / 92 / 43

HEX #92130C

RGB 146 19 12

HSL 3.13, 0.85%, 0.31%

LAB 30.89, 49.8, 39.21

 

CMYK 51 / 0 / 92 / 43

HEX #48920C

RGB 72 146 12

HSL 93.13, 0.85%, 0.31%

LAB 53.99, -43.93, 54.73

 

CMYK 92 / 4 / 0 / 43

HEX #0C8C92

RGB 12 140 146

HSL 182.69, 0.85%, 0.31%

LAB 52.85, -28.27, -12.09

 

Description

Color code: HEX #560C92 | qconv.com Color code: HEX #560C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 12 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 12 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 92 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 92% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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