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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79AE1C it is the complementary color #8651E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79AE1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79AE1C shade: #7EAE17, #8FC02A, #A0D23D, #B1E450 and #C2F663

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79AE1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79AE1C shade: #79AE1C, #689C09, #578A00, #467800 and #356600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79AE1C shade: #7AAF1D, #A2AF1D, #AF961D, #AF6E1D and #AF461D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79AE1C shade: #7AAF1D, #53AF1D, #2BAF1D, #1DAF36 and #1DAF5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79AE1C shade matches the following richer shades: #7AAF1D and #7FC00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79AE1C shade: #7AAF1D, #769F2D, #718E3E, #6D7E4E and #686D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79AE1C shade: #AF951D, #A3AF1D, #7CAF1D, #55AF1D and #2EAF1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79AE1C shade: #496811, #618C17, #7AAF1D, #93D322 and #A5E03F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79AE1C shade: #79AE1C, #1DAF6D and #A81DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79AE1C shade: #79AE1C, #1D7CAF and #AF1D7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79AE1C shade: #79AE1C, #1DAF6D, #501DAF and #AF1D5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79AE1C shade: #79AE1C, #1DAF99, #501DAF and #AF1D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

Complementary color

CMYK 41 / 64 / 0 / 11

HEX #8651E3

RGB 134 81 227

HSL 261.78, 0.72%, 0.6%

LAB 47.62, 52.98, -66.51

 

CMYK 28 / 0 / 87 / 32

HEX #7EAE17

RGB 126 174 23

HSL 79.07, 0.77%, 0.39%

LAB 65.57, -36.02, 63.43

 

CMYK 26 / 0 / 78 / 25

HEX #8FC02A

RGB 143 192 42

HSL 79.6, 0.64%, 0.46%

LAB 72.03, -36.78, 64.61

 

CMYK 24 / 0 / 71 / 18

HEX #A0D23D

RGB 160 210 61

HSL 80.13, 0.62%, 0.53%

LAB 78.41, -37.33, 64.8

 

CMYK 22 / 0 / 65 / 11

HEX #B1E450

RGB 177 228 80

HSL 80.68, 0.73%, 0.6%

LAB 84.7, -37.74, 64.42

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

CMYK 33 / 0 / 94 / 39

HEX #689C09

RGB 104 156 9

HSL 81.22, 0.89%, 0.32%

LAB 58.73, -36.88, 59.75

 

CMYK 37 / 0 / 100 / 46

HEX #578A00

RGB 87 138 0

HSL 82.17, 1%, 0.27%

LAB 52.07, -35.65, 55.55

 

CMYK 42 / 0 / 100 / 53

HEX #467800

RGB 70 120 0

HSL 85, 1%, 0.24%

LAB 45.27, -34.17, 49.9

 

CMYK 48 / 0 / 100 / 60

HEX #356600

RGB 53 102 0

HSL 88.82, 1%, 0.2%

LAB 38.3, -32.59, 44.11

 

CMYK 30 / 0 / 83 / 31

HEX #7AAF1D

RGB 122 175 29

HSL 81.78, 0.72%, 0.4%

LAB 65.66, -37.82, 62.02

 

CMYK 7 / 0 / 83 / 31

HEX #A2AF1D

RGB 162 175 29

HSL 65.34, 0.72%, 0.4%

LAB 68.34, -21.39, 65.38

 

CMYK 0 / 14 / 83 / 31

HEX #AF961D

RGB 175 150 29

HSL 49.73, 0.72%, 0.4%

LAB 62.52, -2.59, 60.87

 

CMYK 0 / 37 / 83 / 31

HEX #AF6E1D

RGB 175 110 29

HSL 33.29, 0.72%, 0.4%

LAB 52.24, 19.6, 51.98

 

CMYK 0 / 60 / 83 / 31

HEX #AF461D

RGB 175 70 29

HSL 16.85, 0.72%, 0.4%

LAB 43.63, 40.83, 44.31

 

CMYK 30 / 0 / 83 / 31

HEX #7AAF1D

RGB 122 175 29

HSL 81.78, 0.72%, 0.4%

LAB 65.66, -37.82, 62.02

 

CMYK 53 / 0 / 83 / 31

HEX #53AF1D

RGB 83 175 29

HSL 97.81, 0.72%, 0.4%

LAB 63.83, -51.11, 59.69

 

CMYK 75 / 0 / 83 / 31

HEX #2BAF1D

RGB 43 175 29

HSL 114.25, 0.72%, 0.4%

LAB 62.73, -60.15, 58.28

 

CMYK 83 / 0 / 69 / 31

HEX #1DAF36

RGB 29 175 54

HSL 130.27, 0.72%, 0.4%

LAB 62.67, -60.14, 49.69

 

CMYK 83 / 0 / 47 / 31

HEX #1DAF5D

RGB 29 175 93

HSL 146.3, 0.72%, 0.4%

LAB 63.1, -54.83, 31.87

 

CMYK 30 / 0 / 83 / 31

HEX #7AAF1D

RGB 122 175 29

HSL 81.78, 0.72%, 0.4%

LAB 65.66, -37.82, 62.02

 

CMYK 34 / 0 / 94 / 25

HEX #7FC00C

RGB 127 192 12

HSL 81.67, 0.88%, 0.4%

LAB 71.03, -43.78, 69.78

 

CMYK 30 / 0 / 83 / 31

HEX #7AAF1D

RGB 122 175 29

HSL 81.78, 0.72%, 0.4%

LAB 65.66, -37.82, 62.02

 

CMYK 26 / 0 / 72 / 38

HEX #769F2D

RGB 118 159 45

HSL 81.58, 0.56%, 0.4%

LAB 60.64, -31.25, 52.1

 

CMYK 20 / 0 / 56 / 44

HEX #718E3E

RGB 113 142 62

HSL 81.75, 0.39%, 0.4%

LAB 55.28, -23.6, 38.71

 

CMYK 13 / 0 / 38 / 51

HEX #6D7E4E

RGB 109 126 78

HSL 81.25, 0.24%, 0.4%

LAB 50.36, -14.99, 24.11

 

CMYK 5 / 0 / 13 / 57

HEX #686D5F

RGB 104 109 95

HSL 81.43, 0.07%, 0.4%

LAB 45.23, -4.71, 7.17

 

CMYK 0 / 15 / 83 / 31

HEX #AF951D

RGB 175 149 29

HSL 49.32, 0.72%, 0.4%

LAB 62.25, -2.05, 60.64

 

CMYK 7 / 0 / 83 / 31

HEX #A3AF1D

RGB 163 175 29

HSL 64.93, 0.72%, 0.4%

LAB 68.41, -20.95, 65.48

 

CMYK 29 / 0 / 83 / 31

HEX #7CAF1D

RGB 124 175 29

HSL 80.96, 0.72%, 0.4%

LAB 65.77, -37.05, 62.16

 

CMYK 51 / 0 / 83 / 31

HEX #55AF1D

RGB 85 175 29

HSL 96.99, 0.72%, 0.4%

LAB 63.9, -50.53, 59.78

 

CMYK 74 / 0 / 83 / 31

HEX #2EAF1D

RGB 46 175 29

HSL 113.01, 0.72%, 0.4%

LAB 62.78, -59.66, 58.36

 

CMYK 30 / 0 / 84 / 59

HEX #496811

RGB 73 104 17

HSL 81.38, 0.72%, 0.24%

LAB 40.18, -24.87, 41.48

 

CMYK 31 / 0 / 84 / 45

HEX #618C17

RGB 97 140 23

HSL 82.05, 0.72%, 0.32%

LAB 53.34, -31.95, 52.13

 

CMYK 30 / 0 / 83 / 31

HEX #7AAF1D

RGB 122 175 29

HSL 81.78, 0.72%, 0.4%

LAB 65.66, -37.82, 62.02

 

CMYK 30 / 0 / 84 / 17

HEX #93D322

RGB 147 211 34

HSL 81.69, 0.72%, 0.48%

LAB 77.82, -43.93, 71.98

 

CMYK 26 / 0 / 72 / 12

HEX #A5E03F

RGB 165 224 63

HSL 81.99, 0.72%, 0.56%

LAB 82.74, -41.55, 68.49

 

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

CMYK 83 / 0 / 38 / 31

HEX #1DAF6D

RGB 29 175 109

HSL 152.88, 0.72%, 0.4%

LAB 63.36, -51.81, 23.77

 

CMYK 4 / 83 / 0 / 31

HEX #A81DAF

RGB 168 29 175

HSL 297.12, 0.72%, 0.4%

LAB 41.69, 68.8, -45.72

 

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

CMYK 83 / 29 / 0 / 31

HEX #1D7CAF

RGB 29 124 175

HSL 200.96, 0.72%, 0.4%

LAB 49.22, -8.22, -34.49

 

CMYK 0 / 83 / 29 / 31

HEX #AF1D7C

RGB 175 29 124

HSL 320.96, 0.72%, 0.4%

LAB 40.32, 63.08, -16.83

 

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

CMYK 83 / 0 / 38 / 31

HEX #1DAF6D

RGB 29 175 109

HSL 152.88, 0.72%, 0.4%

LAB 63.36, -51.81, 23.77

 

CMYK 54 / 83 / 0 / 31

HEX #501DAF

RGB 80 29 175

HSL 260.96, 0.72%, 0.4%

LAB 28.59, 55, -67.6

 

CMYK 0 / 83 / 46 / 31

HEX #AF1D5F

RGB 175 29 95

HSL 332.88, 0.72%, 0.4%

LAB 39.27, 60.06, -0.19

 

CMYK 30 / 0 / 84 / 32

HEX #79AE1C

RGB 121 174 28

HSL 81.78, 0.72%, 0.4%

LAB 65.3, -37.79, 61.93

 

CMYK 83 / 0 / 13 / 31

HEX #1DAF99

RGB 29 175 153

HSL 170.96, 0.72%, 0.4%

LAB 64.34, -41.23, 0.98

 

CMYK 54 / 83 / 0 / 31

HEX #501DAF

RGB 80 29 175

HSL 260.96, 0.72%, 0.4%

LAB 28.59, 55, -67.6

 

CMYK 0 / 83 / 71 / 31

HEX #AF1D33

RGB 175 29 51

HSL 350.96, 0.72%, 0.4%

LAB 38.26, 57.03, 26.4

 

Description

Color code: HEX #79AE1C | qconv.com Color code: HEX #79AE1C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 174 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 174 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 84 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 84% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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