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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F663 it is the complementary color #3D099C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F663 shade: #C7F65E, #D8FF71, #E9FF84, #FAFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F663 shade: #C2F663, #B1E450, #A0D23D, #8FC02A and #7EAE17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F663 shade: #C3F665, #EAF665, #F6DB65, #F6B465 and #F68D65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F663 shade: #C3F665, #9BF665, #74F665, #65F67C and #65F6A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F663 shade matches the following richer shades: #C3F665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F663 shade: #C3F665, #BFE972, #BBDC7F, #B7CE8C and #B3C19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F663 shade: #F6DB65, #EAF665, #C3F665, #9CF665 and #76F665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F663 shade: #A4F117, #B3F43E, #C3F665, #D2F88C and #E1FBB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F663 shade: #C2F663, #65F6B5 and #EF65F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F663 shade: #C2F663, #65C3F6 and #F665C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F663 shade: #C2F663, #65F6B5, #9865F6 and #F665A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F663 shade: #C2F663, #65F6E0, #9865F6 and #F6657B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

Complementary color

CMYK 61 / 94 / 0 / 39

HEX #3D099C

RGB 61 9 156

HSL 261.22, 0.89%, 0.32%

LAB 22.26, 54.42, -66.62

 

CMYK 19 / 0 / 62 / 4

HEX #C7F65E

RGB 199 246 94

HSL 78.55, 0.89%, 0.67%

LAB 91.17, -36.56, 66.14

 

CMYK 15 / 0 / 56 / 0

HEX #D8FF71

RGB 216 255 113

HSL 76.48, 1%, 0.72%

LAB 94.87, -32.77, 62.56

 

CMYK 9 / 0 / 48 / 0

HEX #E9FF84

RGB 233 255 132

HSL 70.73, 1%, 0.76%

LAB 96.21, -24.66, 55.91

 

CMYK 2 / 0 / 41 / 0

HEX #FAFF97

RGB 250 255 151

HSL 62.88, 1%, 0.8%

LAB 97.66, -16.33, 49.03

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 22 / 0 / 65 / 11

HEX #B1E450

RGB 177 228 80

HSL 80.68, 0.73%, 0.6%

LAB 84.7, -37.74, 64.42

 

CMYK 24 / 0 / 71 / 18

HEX #A0D23D

RGB 160 210 61

HSL 80.13, 0.62%, 0.53%

LAB 78.41, -37.33, 64.8

 

CMYK 26 / 0 / 78 / 25

HEX #8FC02A

RGB 143 192 42

HSL 79.6, 0.64%, 0.46%

LAB 72.03, -36.78, 64.61

 

CMYK 28 / 0 / 87 / 32

HEX #7EAE17

RGB 126 174 23

HSL 79.07, 0.77%, 0.39%

LAB 65.57, -36.02, 63.43

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 5 / 0 / 59 / 4

HEX #EAF665

RGB 234 246 101

HSL 64.97, 0.89%, 0.68%

LAB 93.6, -22.53, 66.59

 

CMYK 0 / 11 / 59 / 4

HEX #F6DB65

RGB 246 219 101

HSL 48.83, 0.89%, 0.68%

LAB 87.58, -4.4, 60.18

 

CMYK 0 / 27 / 59 / 4

HEX #F6B465

RGB 246 180 101

HSL 32.69, 0.89%, 0.68%

LAB 77.98, 15.77, 49.13

 

CMYK 0 / 43 / 59 / 4

HEX #F68D65

RGB 246 141 101

HSL 16.55, 0.89%, 0.68%

LAB 69.17, 36.19, 38.47

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 37 / 0 / 59 / 4

HEX #9BF665

RGB 155 246 101

HSL 97.66, 0.89%, 0.68%

LAB 88.84, -51.45, 59.96

 

CMYK 53 / 0 / 59 / 4

HEX #74F665

RGB 116 246 101

HSL 113.79, 0.89%, 0.68%

LAB 87.27, -62.78, 57.76

 

CMYK 59 / 0 / 50 / 4

HEX #65F67C

RGB 101 246 124

HSL 129.52, 0.89%, 0.68%

LAB 87.06, -63.51, 46.98

 

CMYK 59 / 0 / 33 / 4

HEX #65F6A4

RGB 101 246 164

HSL 146.07, 0.89%, 0.68%

LAB 87.66, -57.04, 28.09

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 18 / 0 / 51 / 9

HEX #BFE972

RGB 191 233 114

HSL 81.18, 0.73%, 0.68%

LAB 87.28, -31.9, 52.86

 

CMYK 15 / 0 / 42 / 14

HEX #BBDC7F

RGB 187 220 127

HSL 81.29, 0.57%, 0.68%

LAB 83.59, -25.87, 42.06

 

CMYK 11 / 0 / 32 / 19

HEX #B7CE8C

RGB 183 206 140

HSL 80.91, 0.4%, 0.68%

LAB 79.67, -18.87, 30.34

 

CMYK 7 / 0 / 20 / 24

HEX #B3C19A

RGB 179 193 154

HSL 81.54, 0.24%, 0.68%

LAB 76.1, -11.7, 18.06

 

CMYK 0 / 11 / 59 / 4

HEX #F6DB65

RGB 246 219 101

HSL 48.83, 0.89%, 0.68%

LAB 87.58, -4.4, 60.18

 

CMYK 5 / 0 / 59 / 4

HEX #EAF665

RGB 234 246 101

HSL 64.97, 0.89%, 0.68%

LAB 93.6, -22.53, 66.59

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 37 / 0 / 59 / 4

HEX #9CF665

RGB 156 246 101

HSL 97.24, 0.89%, 0.68%

LAB 88.88, -51.13, 60.03

 

CMYK 52 / 0 / 59 / 4

HEX #76F665

RGB 118 246 101

HSL 112.97, 0.89%, 0.68%

LAB 87.34, -62.26, 57.86

 

CMYK 32 / 0 / 90 / 5

HEX #A4F117

RGB 164 241 23

HSL 81.19, 0.89%, 0.52%

LAB 87.42, -50.61, 82.38

 

CMYK 27 / 0 / 75 / 4

HEX #B3F43E

RGB 179 244 62

HSL 81.43, 0.89%, 0.6%

LAB 89.22, -45.1, 75.37

 

CMYK 21 / 0 / 59 / 4

HEX #C3F665

RGB 195 246 101

HSL 81.1, 0.89%, 0.68%

LAB 90.99, -37.51, 62.97

 

CMYK 15 / 0 / 44 / 3

HEX #D2F88C

RGB 210 248 140

HSL 81.11, 0.89%, 0.76%

LAB 92.9, -29.14, 47.74

 

CMYK 10 / 0 / 29 / 2

HEX #E1FBB3

RGB 225 251 179

HSL 81.67, 0.9%, 0.84%

LAB 95.27, -20.29, 31.79

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 59 / 0 / 26 / 4

HEX #65F6B5

RGB 101 246 181

HSL 153.1, 0.89%, 0.68%

LAB 87.98, -53.73, 19.84

 

CMYK 3 / 59 / 0 / 4

HEX #EF65F6

RGB 239 101 246

HSL 297.1, 0.89%, 0.68%

LAB 65.21, 71.32, -48.24

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 59 / 21 / 0 / 4

HEX #65C3F6

RGB 101 195 246

HSL 201.1, 0.89%, 0.68%

LAB 75.11, -13.34, -33.59

 

CMYK 0 / 59 / 21 / 4

HEX #F665C3

RGB 246 101 195

HSL 321.1, 0.89%, 0.68%

LAB 64.03, 65.31, -21.49

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 59 / 0 / 26 / 4

HEX #65F6B5

RGB 101 246 181

HSL 153.1, 0.89%, 0.68%

LAB 87.98, -53.73, 19.84

 

CMYK 38 / 59 / 0 / 4

HEX #9865F6

RGB 152 101 246

HSL 261.1, 0.89%, 0.68%

LAB 54.7, 51.04, -65.64

 

CMYK 0 / 59 / 33 / 4

HEX #F665A6

RGB 246 101 166

HSL 333.1, 0.89%, 0.68%

LAB 63.06, 61.64, -6.43

 

CMYK 21 / 0 / 60 / 4

HEX #C2F663

RGB 194 246 99

HSL 81.22, 0.89%, 0.68%

LAB 90.91, -38.04, 63.7

 

CMYK 59 / 0 / 9 / 4

HEX #65F6E0

RGB 101 246 224

HSL 170.9, 0.89%, 0.68%

LAB 88.95, -44.02, -1.08

 

CMYK 38 / 59 / 0 / 4

HEX #9865F6

RGB 152 101 246

HSL 261.1, 0.89%, 0.68%

LAB 54.7, 51.04, -65.64

 

CMYK 0 / 59 / 50 / 4

HEX #F6657B

RGB 246 101 123

HSL 350.9, 0.89%, 0.68%

LAB 61.94, 57.29, 16.74

 

Description

Color code: HEX #C2F663 | qconv.com Color code: HEX #C2F663 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 246 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 246 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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