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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #795AF3CE it is the complementary color #86A50CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #795AF3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #795AF3CE shade: #7E5AEECE, #8F6CFFCE, #A07EFFCE, #B190FFCE and #C2A2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #795AF3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #795AF3CE shade: #795AF3CE, #6848E0CE, #5736CDCE, #4624BACE and #3512A7CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #795AF3CE shade: #7859F3, #A259F3, #CB59F3, #F359F1 and #F359C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #795AF3CE shade: #7859F3 and #5959F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #795AF3CE shade matches the following richer shades: #7859F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #795AF3CE shade: #7859F3, #8167E4, #8976D6, #9284C7 and #9A93B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #795AF3CE shade: #598CF3, #5963F3, #7859F3, #A159F3 and #CA59F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #795AF3CE shade: #3D11E8, #5933F0, #7859F3, #977FF5 and #B6A6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #795AF3CE shade: #795AF3, #F359B5 and #78F359

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #795AF3CE shade: #795AF3, #F37859 and #59F378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #795AF3CE shade: #795AF3, #F359B5, #D4F359 and #59F396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #795AF3CE shade: #795AF3, #F35987, #D4F359 and #59F3C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 51 / 0 / 4

HEX #795AF3CE

RGBA 121 90 243 0.81

HSLA 252.16, 0.86%, 0.65%, 0.81

LABA 49.31, 50.06, -72.82, 0.81

 

Complementary color

CMYK 15 / 0 / 75 / 29

HEX #86A50CCE

RGBA 134 165 12 0.81

HSLA 72.16, 0.86%, 0.35%, 0.81

LABA 63.35, -28.85, 63.81, 0.81

 

CMYK 38 / 50 / 0 / 5

HEX #7E5AEECE

RGBA 126 90 238 0.81

HSLA 254.59, 0.81%, 0.64%, 0.81

LABA 49.4, 49.57, -69.86, 0.81

 

CMYK 36 / 47 / 0 / 0

HEX #8F6CFFCE

RGBA 143 108 255 0.81

HSLA 254.29, 1%, 0.71%, 0.81

LABA 55.87, 47.7, -68.77, 0.81

 

CMYK 30 / 41 / 0 / 0

HEX #A07EFFCE

RGBA 160 126 255 0.81

HSLA 255.81, 1%, 0.75%, 0.81

LABA 61.32, 41.44, -59.93, 0.81

 

CMYK 25 / 35 / 0 / 0

HEX #B190FFCE

RGBA 177 144 255 0.81

HSLA 257.84, 1%, 0.78%, 0.81

LABA 66.91, 35.63, -50.95, 0.81

 

CMYK 19 / 30 / 0 / 0

HEX #C2A2FFCE

RGBA 194 162 255 0.81

HSLA 260.65, 1%, 0.82%, 0.81

LABA 72.58, 30.29, -41.94, 0.81

 

CMYK 41 / 51 / 0 / 4

HEX #795AF3CE

RGBA 121 90 243 0.81

HSLA 252.16, 0.86%, 0.65%, 0.81

LABA 49.31, 50.06, -72.82, 0.81

 

CMYK 43 / 55 / 0 / 10

HEX #6848E0CE

RGBA 104 72 224 0.81

HSLA 252.63, 0.71%, 0.58%, 0.81

LABA 42.7, 51.53, -72.94, 0.81

 

CMYK 47 / 60 / 0 / 16

HEX #5736CDCE

RGBA 87 54 205 0.81

HSLA 253.11, 0.6%, 0.51%, 0.81

LABA 36.12, 52.95, -72.86, 0.81

 

CMYK 51 / 65 / 0 / 22

HEX #4624BACE

RGBA 70 36 186 0.81

HSLA 253.6, 0.68%, 0.44%, 0.81

LABA 29.69, 54.05, -72.38, 0.81

 

CMYK 55 / 72 / 0 / 28

HEX #3512A7CE

RGBA 53 18 167 0.81

HSLA 254.09, 0.81%, 0.36%, 0.81

LABA 23.6, 54.28, -71.12, 0.81

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 33 / 63 / 0 / 5

HEX #A259F3

RGB 162 89 243

HSL 268.44, 0.87%, 0.65%

LAB 53.27, 58.59, -66.21

 

CMYK 16 / 63 / 0 / 5

HEX #CB59F3

RGB 203 89 243

HSL 284.42, 0.87%, 0.65%

LAB 58.33, 67.5, -57.81

 

CMYK 0 / 63 / 1 / 5

HEX #F359F1

RGB 243 89 241

HSL 300.78, 0.87%, 0.65%

LAB 63.8, 76.25, -47.67

 

CMYK 0 / 63 / 18 / 5

HEX #F359C7

RGB 243 89 199

HSL 317.14, 0.87%, 0.65%

LAB 61.93, 69.97, -27.02

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 63 / 63 / 0 / 5

HEX #5959F3

RGB 89 89 243

HSL 240, 0.87%, 0.65%

LAB 46.63, 45.5, -77.3

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 43 / 55 / 0 / 11

HEX #8167E4

RGB 129 103 228

HSL 252.48, 0.7%, 0.65%

LAB 51.8, 40.07, -60.34

 

CMYK 36 / 45 / 0 / 16

HEX #8976D6

RGB 137 118 214

HSL 251.88, 0.54%, 0.65%

LAB 55.21, 29.42, -46.97

 

CMYK 27 / 34 / 0 / 22

HEX #9284C7

RGB 146 132 199

HSL 252.54, 0.37%, 0.65%

LAB 58.73, 19.88, -32.9

 

CMYK 17 / 21 / 0 / 27

HEX #9A93B9

RGB 154 147 185

HSL 251.05, 0.21%, 0.65%

LAB 62.71, 10.43, -18.81

 

CMYK 63 / 42 / 0 / 5

HEX #598CF3

RGB 89 140 243

HSL 220.13, 0.87%, 0.65%

LAB 59.3, 14.64, -56.83

 

CMYK 63 / 59 / 0 / 5

HEX #5963F3

RGB 89 99 243

HSL 236.1, 0.87%, 0.65%

LAB 48.91, 39.56, -73.59

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 34 / 63 / 0 / 5

HEX #A159F3

RGB 161 89 243

HSL 268.05, 0.87%, 0.65%

LAB 53.16, 58.38, -66.4

 

CMYK 17 / 63 / 0 / 5

HEX #CA59F3

RGB 202 89 243

HSL 284.03, 0.87%, 0.65%

LAB 58.2, 67.27, -58.03

 

CMYK 74 / 93 / 0 / 9

HEX #3D11E8

RGB 61 17 232

HSL 252.28, 0.86%, 0.49%

LAB 32.3, 71.8, -94.8

 

CMYK 63 / 79 / 0 / 6

HEX #5933F0

RGB 89 51 240

HSL 252.06, 0.86%, 0.57%

LAB 39.21, 64.44, -87.81

 

CMYK 51 / 63 / 0 / 5

HEX #7859F3

RGB 120 89 243

HSL 252.08, 0.87%, 0.65%

LAB 49.02, 50.43, -73.31

 

CMYK 38 / 48 / 0 / 4

HEX #977FF5

RGB 151 127 245

HSL 252.2, 0.86%, 0.73%

LAB 60.2, 36.07, -56.25

 

CMYK 27 / 33 / 0 / 3

HEX #B6A6F8

RGB 182 166 248

HSL 251.71, 0.85%, 0.81%

LAB 72.23, 23, -38.78

 

CMYK 50 / 63 / 0 / 5

HEX #795AF3

RGB 121 90 243

HSL 252.16, 0.86%, 0.65%

LAB 49.31, 50.06, -72.82

 

CMYK 0 / 63 / 26 / 5

HEX #F359B5

RGB 243 89 181

HSL 324.16, 0.87%, 0.65%

LAB 61.25, 67.6, -17.79

 

CMYK 51 / 0 / 63 / 5

HEX #78F359

RGB 120 243 89

HSL 107.92, 0.87%, 0.65%

LAB 86.41, -61.81, 61.87

 

CMYK 50 / 63 / 0 / 5

HEX #795AF3

RGB 121 90 243

HSL 252.16, 0.86%, 0.65%

LAB 49.31, 50.06, -72.82

 

CMYK 0 / 51 / 63 / 5

HEX #F37859

RGB 243 120 89

HSL 12.08, 0.87%, 0.65%

LAB 64.33, 44.84, 38.86

 

CMYK 63 / 0 / 51 / 5

HEX #59F378

RGB 89 243 120

HSL 132.08, 0.87%, 0.65%

LAB 85.8, -65.46, 47.23

 

CMYK 50 / 63 / 0 / 5

HEX #795AF3

RGB 121 90 243

HSL 252.16, 0.86%, 0.65%

LAB 49.31, 50.06, -72.82

 

CMYK 0 / 63 / 26 / 5

HEX #F359B5

RGB 243 89 181

HSL 324.16, 0.87%, 0.65%

LAB 61.25, 67.6, -17.79

 

CMYK 13 / 0 / 63 / 5

HEX #D4F359

RGB 212 243 89

HSL 72.08, 0.87%, 0.65%

LAB 91.15, -30.56, 68.37

 

CMYK 63 / 0 / 38 / 5

HEX #59F396

RGB 89 243 150

HSL 143.77, 0.87%, 0.65%

LAB 86.22, -60.75, 33.16

 

CMYK 50 / 63 / 0 / 5

HEX #795AF3

RGB 121 90 243

HSL 252.16, 0.86%, 0.65%

LAB 49.31, 50.06, -72.82

 

CMYK 0 / 63 / 44 / 5

HEX #F35987

RGB 243 89 135

HSL 342.08, 0.87%, 0.65%

LAB 59.84, 62.52, 6.76

 

CMYK 13 / 0 / 63 / 5

HEX #D4F359

RGB 212 243 89

HSL 72.08, 0.87%, 0.65%

LAB 91.15, -30.56, 68.37

 

CMYK 63 / 0 / 19 / 5

HEX #59F3C4

RGB 89 243 196

HSL 161.69, 0.87%, 0.65%

LAB 87.1, -51.45, 10.8

 

Description

Color code: HEX #795AF3CE | qconv.com Color code: HEX #795AF3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 90 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 90 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 51 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 51% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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