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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #790DB9 it is the complementary color #86F246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #790DB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #790DB9: #7E0DB4, #8F1FC7, #A031DA, #B143ED and #C255FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #790DB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #790DB9: #790DB9, #6800A6, #570093, #460080 and #35006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

Complementary color

CMYK 45 / 0 / 71 / 5

HEX #86F246

RGB 134 242 70

HSL 97.67, 0.87%, 0.61%

LAB 86.51, -58.95, 69.33

 

CMYK 30 / 93 / 0 / 29

HEX #7E0DB4

RGB 126 13 180

HSL 280.6, 0.87%, 0.38%

LAB 34.02, 66.03, -61.43

 

CMYK 28 / 84 / 0 / 22

HEX #8F1FC7

RGB 143 31 199

HSL 280, 0.73%, 0.45%

LAB 39.48, 68.42, -63.6

 

CMYK 27 / 78 / 0 / 15

HEX #A031DA

RGB 160 49 218

HSL 279.41, 0.7%, 0.52%

LAB 45.27, 69.61, -65.06

 

CMYK 25 / 72 / 0 / 7

HEX #B143ED

RGB 177 67 237

HSL 278.82, 0.83%, 0.6%

LAB 51.24, 70, -66.04

 

CMYK 24 / 67 / 0 / 0

HEX #C255FF

RGB 194 85 255

HSL 278.47, 1%, 0.67%

LAB 57.26, 69.7, -66.25

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 37 / 100 / 0 / 35

HEX #6800A6

RGB 104 0 166

HSL 277.59, 1%, 0.33%

LAB 28.63, 62.51, -62

 

CMYK 41 / 100 / 0 / 42

HEX #570093

RGB 87 0 147

HSL 275.51, 1%, 0.29%

LAB 24.11, 56.68, -57.91

 

CMYK 45 / 100 / 0 / 50

HEX #460080

RGB 70 0 128

HSL 272.81, 1%, 0.25%

LAB 19.48, 50.73, -53.71

 

CMYK 51 / 100 / 0 / 57

HEX #35006D

RGB 53 0 109

HSL 269.17, 1%, 0.21%

LAB 14.74, 44.67, -49.38

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 20 / 94 / 0 / 27

HEX #940CB9

RGB 148 12 185

HSL 287.17, 0.88%, 0.39%

LAB 37.95, 70.2, -57.84

 

CMYK 4 / 94 / 0 / 27

HEX #B10CB9

RGB 177 12 185

HSL 297.23, 0.88%, 0.39%

LAB 42.93, 74.74, -49.55

 

CMYK 0 / 94 / 11 / 27

HEX #B90CA5

RGB 185 12 165

HSL 306.94, 0.88%, 0.39%

LAB 43.2, 73.22, -37.17

 

CMYK 0 / 94 / 26 / 27

HEX #B90C88

RGB 185 12 136

HSL 316.99, 0.88%, 0.39%

LAB 41.77, 69.54, -21.84

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 35 / 93 / 0 / 7

HEX #9A11EC

RGB 154 17 236

HSL 277.53, 0.87%, 0.5%

LAB 43.25, 79.92, -78.63

 

CMYK 34 / 94 / 0 / 87

HEX #150220

RGB 21 2 32

HSL 278, 0.88%, 0.07%

LAB 2.77, 12.28, -14.42

 

CMYK 35 / 93 / 0 / 67

HEX #360653

RGB 54 6 83

HSL 277.4, 0.87%, 0.17%

LAB 12.85, 36.2, -35.1

 

CMYK 34 / 93 / 0 / 47

HEX #580986

RGB 88 9 134

HSL 277.92, 0.87%, 0.28%

LAB 23.64, 52.06, -50.56

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 0 / 94 / 76 / 27

HEX #B90C2C

RGB 185 12 44

HSL 348.9, 0.88%, 0.39%

LAB 39.17, 62.5, 32.3

 

CMYK 94 / 0 / 73 / 27

HEX #0CB932

RGB 12 185 50

HSL 133.18, 0.88%, 0.39%

LAB 65.75, -64.85, 54.41

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 0 / 36 / 94 / 27

HEX #B9770C

RGB 185 119 12

HSL 37.11, 0.88%, 0.39%

LAB 55.62, 18.64, 59.98

 

CMYK 94 / 0 / 36 / 27

HEX #0CB977

RGB 12 185 119

HSL 157.11, 0.88%, 0.39%

LAB 66.6, -54.59, 22.75

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 0 / 94 / 76 / 27

HEX #B90C2C

RGB 185 12 44

HSL 348.9, 0.88%, 0.39%

LAB 39.17, 62.5, 32.3

 

CMYK 57 / 0 / 94 / 27

HEX #4FB90C

RGB 79 185 12

HSL 96.76, 0.88%, 0.39%

LAB 66.81, -56.43, 65.5

 

CMYK 94 / 0 / 17 / 27

HEX #0CB99A

RGB 12 185 154

HSL 169.25, 0.88%, 0.39%

LAB 67.36, -46.23, 4.78

 

CMYK 35 / 93 / 0 / 27

HEX #790DB9

RGB 121 13 185

HSL 277.67, 0.87%, 0.39%

LAB 33.68, 66.39, -64.99

 

CMYK 0 / 82 / 94 / 27

HEX #B9210C

RGB 185 33 12

HSL 7.28, 0.88%, 0.39%

LAB 40.29, 57.78, 49.47

 

CMYK 57 / 0 / 94 / 27

HEX #4FB90C

RGB 79 185 12

HSL 96.76, 0.88%, 0.39%

LAB 66.81, -56.43, 65.5

 

CMYK 94 / 11 / 0 / 27

HEX #0CA5B9

RGB 12 165 185

HSL 186.94, 0.88%, 0.39%

LAB 62.08, -27.86, -20.31

 

Description

Color code: HEX #790DB9 | qconv.com Color code: HEX #790DB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 13 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 13 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 93 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 93% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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