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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F778 it is the complementary color #870887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #78F778: #7DF773, #8EFF86, #9FFF99, #B0FFAC and #C1FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #78F778: #78F778, #67E565, #56D352, #45C13F and #34AF2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

Complementary color

CMYK 0 / 94 / 0 / 47

HEX #870887

RGB 135 8 135

HSL 300, 0.89%, 0.28%

LAB 31.97, 60.08, -37.3

 

CMYK 49 / 0 / 53 / 3

HEX #7DF773

RGB 125 247 115

HSL 115.45, 0.89%, 0.71%

LAB 88.03, -59.23, 52.51

 

CMYK 44 / 0 / 47 / 0

HEX #8EFF86

RGB 142 255 134

HSL 116.03, 1%, 0.76%

LAB 91.23, -55.32, 47.74

 

CMYK 38 / 0 / 40 / 0

HEX #9FFF99

RGB 159 255 153

HSL 116.47, 1%, 0.8%

LAB 92.22, -47.76, 40

 

CMYK 31 / 0 / 33 / 0

HEX #B0FFAC

RGB 176 255 172

HSL 117.11, 1%, 0.84%

LAB 93.33, -39.71, 32.2

 

CMYK 24 / 0 / 25 / 0

HEX #C1FFBF

RGB 193 255 191

HSL 118.13, 1%, 0.87%

LAB 94.58, -31.29, 24.46

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 55 / 0 / 56 / 10

HEX #67E565

RGB 103 229 101

HSL 119.06, 0.71%, 0.65%

LAB 81.76, -59.76, 51.25

 

CMYK 59 / 0 / 61 / 17

HEX #56D352

RGB 86 211 82

HSL 118.14, 0.59%, 0.57%

LAB 75.56, -59.39, 52.4

 

CMYK 64 / 0 / 67 / 24

HEX #45C13F

RGB 69 193 63

HSL 117.23, 0.51%, 0.5%

LAB 69.3, -58.73, 53.37

 

CMYK 70 / 0 / 75 / 31

HEX #34AF2C

RGB 52 175 44

HSL 116.34, 0.6%, 0.43%

LAB 62.99, -57.65, 53.95

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 0 / 43 / 3

HEX #78F78D

RGB 120 247 141

HSL 129.92, 0.89%, 0.72%

LAB 88.18, -57.01, 40.35

 

CMYK 51 / 0 / 34 / 3

HEX #78F7A2

RGB 120 247 162

HSL 139.84, 0.89%, 0.72%

LAB 88.51, -53.6, 30.34

 

CMYK 51 / 0 / 26 / 3

HEX #78F7B7

RGB 120 247 183

HSL 149.76, 0.89%, 0.72%

LAB 88.89, -49.69, 20.17

 

CMYK 51 / 0 / 17 / 3

HEX #78F7CC

RGB 120 247 204

HSL 159.69, 0.89%, 0.72%

LAB 89.33, -45.33, 9.95

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 0 / 51 / 83

HEX #152B15

RGB 21 43 21

HSL 120, 0.34%, 0.13%

LAB 15.18, -14.55, 11.66

 

CMYK 51 / 0 / 51 / 63

HEX #2E5E2E

RGB 46 94 46

HSL 120, 0.34%, 0.27%

LAB 35.56, -27.44, 22.51

 

CMYK 52 / 0 / 52 / 43

HEX #469146

RGB 70 145 70

HSL 120, 0.35%, 0.42%

LAB 54.02, -39.3, 32.6

 

CMYK 52 / 0 / 52 / 23

HEX #5FC45F

RGB 95 196 95

HSL 120, 0.46%, 0.57%

LAB 71.38, -49.88, 41.54

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 11 / 0 / 3

HEX #78DDF7

RGB 120 221 247

HSL 192.28, 0.89%, 0.72%

LAB 83.14, -22.64, -21.77

 

CMYK 0 / 51 / 31 / 3

HEX #F778AA

RGB 247 120 170

HSL 336.38, 0.89%, 0.72%

LAB 66.6, 53.75, -3.45

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 51 / 0 / 3

HEX #7878F7

RGB 120 120 247

HSL 240, 0.89%, 0.72%

LAB 56.23, 33.77, -63.86

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 11 / 0 / 3

HEX #78DDF7

RGB 120 221 247

HSL 192.28, 0.89%, 0.72%

LAB 83.14, -22.64, -21.77

 

CMYK 0 / 51 / 0 / 3

HEX #F778F7

RGB 247 120 247

HSL 300, 0.89%, 0.72%

LAB 69.41, 65.15, -42.11

 

CMYK 0 / 41 / 51 / 3

HEX #F79178

RGB 247 145 120

HSL 11.81, 0.89%, 0.72%

LAB 70.44, 36.01, 29.89

 

CMYK 51 / 0 / 51 / 3

HEX #78F778

RGB 120 247 120

HSL 120, 0.89%, 0.72%

LAB 87.91, -59.92, 50.02

 

CMYK 51 / 26 / 0 / 3

HEX #78B7F7

RGB 120 183 247

HSL 210.24, 0.89%, 0.72%

LAB 72.61, -2.72, -37.94

 

CMYK 0 / 51 / 0 / 3

HEX #F778F7

RGB 247 120 247

HSL 300, 0.89%, 0.72%

LAB 69.41, 65.15, -42.11

 

CMYK 0 / 26 / 51 / 3

HEX #F7B778

RGB 247 183 120

HSL 29.76, 0.89%, 0.72%

LAB 79.04, 16.1, 40.92

 

Description

Color code: HEX #78F778 | qconv.com Color code: HEX #78F778 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 247 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 247 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 51 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 51% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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