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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F69A it is the complementary color #870965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F69A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F69A shade: #7DF695, #8EFFA8, #9FFFBB, #B0FFCE and #C1FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F69A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F69A shade: #78F69A, #67E487, #56D274, #45C061 and #34AE4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F69A shade: #79F69B, #79F679, #9BF679, #BDF679 and #DEF679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F69A shade: #79F69B, #79F6BD, #79F6DE, #79EDF6 and #79CBF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F69A shade matches the following richer shades: #79F69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F69A shade: #79F69B, #84EBA0, #90DFA5, #9BD4AB and #A7C8B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F69A shade: #9AF679, #79F679, #79F69A, #79F6BC and #79F6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F69A shade: #2BF161, #52F47E, #79F69B, #A0F9B8 and #C6FBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F69A shade: #78F69A, #79BCF6 and #F6798A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F69A shade: #78F69A, #9A79F6 and #F69A79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F69A shade: #78F69A, #79BCF6, #F679D5 and #F6B379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F69A shade: #78F69A, #7996F6, #F679D5 and #F6D979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

Complementary color

CMYK 0 / 93 / 25 / 47

HEX #870965

RGB 135 9 101

HSL 316.19, 0.88%, 0.28%

LAB 30.12, 55.05, -18.63

 

CMYK 49 / 0 / 39 / 4

HEX #7DF695

RGB 125 246 149

HSL 131.9, 0.87%, 0.73%

LAB 88.18, -54.12, 36.44

 

CMYK 44 / 0 / 34 / 0

HEX #8EFFA8

RGB 142 255 168

HSL 133.81, 1%, 0.78%

LAB 91.73, -50.28, 31.79

 

CMYK 38 / 0 / 27 / 0

HEX #9FFFBB

RGB 159 255 187

HSL 137.5, 1%, 0.81%

LAB 92.79, -42.32, 23.75

 

CMYK 31 / 0 / 19 / 0

HEX #B0FFCE

RGB 176 255 206

HSL 142.78, 1%, 0.85%

LAB 93.97, -33.94, 15.83

 

CMYK 24 / 0 / 12 / 0

HEX #C1FFE1

RGB 193 255 225

HSL 150.97, 1%, 0.88%

LAB 95.28, -25.27, 8.06

 

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

CMYK 55 / 0 / 41 / 11

HEX #67E487

RGB 103 228 135

HSL 135.36, 0.7%, 0.65%

LAB 81.9, -54.59, 35.09

 

CMYK 59 / 0 / 45 / 18

HEX #56D274

RGB 86 210 116

HSL 134.52, 0.58%, 0.58%

LAB 75.66, -54.51, 36.45

 

CMYK 64 / 0 / 49 / 25

HEX #45C061

RGB 69 192 97

HSL 133.66, 0.49%, 0.51%

LAB 69.35, -54.22, 37.87

 

CMYK 70 / 0 / 55 / 32

HEX #34AE4E

RGB 52 174 78

HSL 132.79, 0.54%, 0.44%

LAB 62.97, -53.65, 39.34

 

CMYK 51 / 0 / 37 / 4

HEX #79F69B

RGB 121 246 155

HSL 136.32, 0.87%, 0.72%

LAB 88.13, -54.15, 33.37

 

CMYK 51 / 0 / 51 / 4

HEX #79F679

RGB 121 246 121

HSL 120, 0.87%, 0.72%

LAB 87.66, -59.16, 49.27

 

CMYK 37 / 0 / 51 / 4

HEX #9BF679

RGB 155 246 121

HSL 103.68, 0.87%, 0.72%

LAB 89.05, -49.36, 51.27

 

CMYK 23 / 0 / 51 / 4

HEX #BDF679

RGB 189 246 121

HSL 87.36, 0.87%, 0.72%

LAB 90.83, -37.86, 53.84

 

CMYK 10 / 0 / 51 / 4

HEX #DEF679

RGB 222 246 121

HSL 71.52, 0.87%, 0.72%

LAB 92.94, -25.6, 56.86

 

CMYK 51 / 0 / 37 / 4

HEX #79F69B

RGB 121 246 155

HSL 136.32, 0.87%, 0.72%

LAB 88.13, -54.15, 33.37

 

CMYK 51 / 0 / 23 / 4

HEX #79F6BD

RGB 121 246 189

HSL 152.64, 0.87%, 0.72%

LAB 88.76, -47.84, 16.9

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 51 / 4 / 0 / 4

HEX #79EDF6

RGB 121 237 246

HSL 184.32, 0.87%, 0.72%

LAB 87.62, -30.5, -14.48

 

CMYK 51 / 17 / 0 / 4

HEX #79CBF6

RGB 121 203 246

HSL 200.64, 0.87%, 0.72%

LAB 78.13, -13.52, -28.88

 

CMYK 51 / 0 / 37 / 4

HEX #79F69B

RGB 121 246 155

HSL 136.32, 0.87%, 0.72%

LAB 88.13, -54.15, 33.37

 

CMYK 51 / 0 / 37 / 4

HEX #79F69B

RGB 121 246 155

HSL 136.32, 0.87%, 0.72%

LAB 88.13, -54.15, 33.37

 

CMYK 44 / 0 / 32 / 8

HEX #84EBA0

RGB 132 235 160

HSL 136.31, 0.72%, 0.72%

LAB 85.43, -45.88, 27.29

 

CMYK 35 / 0 / 26 / 13

HEX #90DFA5

RGB 144 223 165

HSL 135.95, 0.55%, 0.72%

LAB 82.6, -36.25, 20.92

 

CMYK 27 / 0 / 19 / 17

HEX #9BD4AB

RGB 155 212 171

HSL 136.84, 0.4%, 0.72%

LAB 80.18, -26.56, 14.47

 

CMYK 17 / 0 / 12 / 22

HEX #A7C8B0

RGB 167 200 176

HSL 136.36, 0.23%, 0.72%

LAB 77.67, -15.73, 8.35

 

CMYK 37 / 0 / 51 / 4

HEX #9AF679

RGB 154 246 121

HSL 104.16, 0.87%, 0.72%

LAB 89, -49.67, 51.21

 

CMYK 51 / 0 / 51 / 4

HEX #79F679

RGB 121 246 121

HSL 120, 0.87%, 0.72%

LAB 87.66, -59.16, 49.27

 

CMYK 51 / 0 / 37 / 4

HEX #79F69A

RGB 121 246 154

HSL 135.84, 0.87%, 0.72%

LAB 88.12, -54.31, 33.84

 

CMYK 51 / 0 / 24 / 4

HEX #79F6BC

RGB 121 246 188

HSL 152.16, 0.87%, 0.72%

LAB 88.74, -48.04, 17.39

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DD

RGB 121 246 221

HSL 168, 0.87%, 0.72%

LAB 89.49, -40.84, 1.34

 

CMYK 82 / 0 / 60 / 5

HEX #2BF161

RGB 43 241 97

HSL 136.36, 0.88%, 0.56%

LAB 84.12, -74.49, 55.44

 

CMYK 66 / 0 / 48 / 4

HEX #52F47E

RGB 82 244 126

HSL 136.3, 0.88%, 0.64%

LAB 86.01, -66.26, 44.62

 

CMYK 51 / 0 / 37 / 4

HEX #79F69B

RGB 121 246 155

HSL 136.32, 0.87%, 0.72%

LAB 88.13, -54.15, 33.37

 

CMYK 36 / 0 / 26 / 2

HEX #A0F9B8

RGB 160 249 184

HSL 136.18, 0.88%, 0.8%

LAB 91.09, -39.9, 22.95

 

CMYK 21 / 0 / 15 / 2

HEX #C6FBD5

RGB 198 251 213

HSL 136.98, 0.87%, 0.88%

LAB 94.23, -24.03, 12.77

 

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

CMYK 51 / 24 / 0 / 4

HEX #79BCF6

RGB 121 188 246

HSL 207.84, 0.87%, 0.72%

LAB 73.99, -5.53, -35.26

 

CMYK 0 / 51 / 44 / 4

HEX #F6798A

RGB 246 121 138

HSL 351.84, 0.87%, 0.72%

LAB 65.83, 49.38, 13.58

 

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

CMYK 37 / 51 / 0 / 4

HEX #9A79F6

RGB 154 121 246

HSL 255.84, 0.87%, 0.72%

LAB 59.16, 40.46, -58.46

 

CMYK 0 / 37 / 51 / 4

HEX #F69A79

RGB 246 154 121

HSL 15.84, 0.87%, 0.72%

LAB 72.28, 31.04, 31.73

 

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

CMYK 51 / 24 / 0 / 4

HEX #79BCF6

RGB 121 188 246

HSL 207.84, 0.87%, 0.72%

LAB 73.99, -5.53, -35.26

 

CMYK 0 / 51 / 13 / 4

HEX #F679D5

RGB 246 121 213

HSL 315.84, 0.87%, 0.72%

LAB 68.07, 58.9, -25.41

 

CMYK 0 / 27 / 51 / 4

HEX #F6B379

RGB 246 179 121

HSL 27.84, 0.87%, 0.72%

LAB 78, 17.89, 39.07

 

CMYK 51 / 0 / 37 / 4

HEX #78F69A

RGB 120 246 154

HSL 136.19, 0.88%, 0.72%

LAB 88.08, -54.56, 33.79

 

CMYK 51 / 39 / 0 / 4

HEX #7996F6

RGB 121 150 246

HSL 226.08, 0.87%, 0.72%

LAB 63.78, 15.95, -51.25

 

CMYK 0 / 51 / 13 / 4

HEX #F679D5

RGB 246 121 213

HSL 315.84, 0.87%, 0.72%

LAB 68.07, 58.9, -25.41

 

CMYK 0 / 12 / 51 / 4

HEX #F6D979

RGB 246 217 121

HSL 46.08, 0.87%, 0.72%

LAB 87.29, -1.85, 50.57

 

Description

Color code: HEX #78F69A | qconv.com Color code: HEX #78F69A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 246 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 246 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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