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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 0 / 39 / 4 it is the complementary color CMYK 0 / 92 / 18 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 0 / 39 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 0 / 39 / 4: CMYK 47 / 0 / 41 / 4, CMYK 42 / 0 / 36 / 0, CMYK 36 / 0 / 29 / 0, CMYK 29 / 0 / 21 / 0 and CMYK 22 / 0 / 14 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 0 / 39 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 0 / 39 / 4: CMYK 49 / 0 / 39 / 4, CMYK 52 / 0 / 43 / 11, CMYK 56 / 0 / 47 / 18, CMYK 61 / 0 / 52 / 25 and CMYK 67 / 0 / 58 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

Complementary color

CMYK 0 / 92 / 18 / 49

HEX #820A6A

RGB 130 10 106

HSL 312, 0.86%, 0.27%

LAB 29.42, 54.46, -23.03

 

CMYK 47 / 0 / 41 / 4

HEX #82F590

RGB 130 245 144

HSL 127.3, 0.85%, 0.74%

LAB 88, -53.19, 38.72

 

CMYK 42 / 0 / 36 / 0

HEX #93FFA3

RGB 147 255 163

HSL 128.89, 1%, 0.79%

LAB 91.85, -49.72, 34.48

 

CMYK 36 / 0 / 29 / 0

HEX #A4FFB6

RGB 164 255 182

HSL 131.87, 1%, 0.82%

LAB 92.92, -41.74, 26.51

 

CMYK 29 / 0 / 21 / 0

HEX #B5FFC9

RGB 181 255 201

HSL 136.22, 1%, 0.85%

LAB 94.12, -33.35, 18.64

 

CMYK 22 / 0 / 14 / 0

HEX #C6FFDC

RGB 198 255 220

HSL 143.16, 1%, 0.89%

LAB 95.45, -24.67, 10.91

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 52 / 0 / 43 / 11

HEX #6CE382

RGB 108 227 130

HSL 131.09, 0.68%, 0.66%

LAB 81.7, -53.79, 37.35

 

CMYK 56 / 0 / 47 / 18

HEX #5BD16F

RGB 91 209 111

HSL 130.17, 0.56%, 0.59%

LAB 75.43, -53.74, 38.69

 

CMYK 61 / 0 / 52 / 25

HEX #4ABF5C

RGB 74 191 92

HSL 129.23, 0.48%, 0.52%

LAB 69.1, -53.52, 40.07

 

CMYK 67 / 0 / 58 / 32

HEX #39AD49

RGB 57 173 73

HSL 128.28, 0.5%, 0.45%

LAB 62.71, -53.02, 41.46

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 49 / 0 / 31 / 4

HEX #7EF5AA

RGB 126 245 170

HSL 142.18, 0.86%, 0.73%

LAB 88.28, -49.89, 26.01

 

CMYK 49 / 0 / 22 / 4

HEX #7EF5BE

RGB 126 245 190

HSL 152.27, 0.86%, 0.73%

LAB 88.67, -46.04, 16.28

 

CMYK 49 / 0 / 15 / 4

HEX #7EF5D1

RGB 126 245 209

HSL 161.85, 0.86%, 0.73%

LAB 89.08, -42.02, 7.03

 

CMYK 49 / 0 / 7 / 4

HEX #7EF5E5

RGB 126 245 229

HSL 171.93, 0.86%, 0.73%

LAB 89.58, -37.42, -2.67

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 49 / 0 / 39 / 84

HEX #152919

RGB 21 41 25

HSL 132, 0.32%, 0.12%

LAB 14.49, -12.53, 8.02

 

CMYK 49 / 0 / 39 / 64

HEX #2F5C38

RGB 47 92 56

HSL 132, 0.32%, 0.27%

LAB 35.09, -24.36, 16.04

 

CMYK 49 / 0 / 39 / 44

HEX #498F57

RGB 73 143 87

HSL 132, 0.32%, 0.42%

LAB 53.76, -34.82, 23.17

 

CMYK 49 / 0 / 39 / 24

HEX #63C276

RGB 99 194 118

HSL 132, 0.44%, 0.57%

LAB 71.24, -44.52, 29.79

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 49 / 20 / 0 / 4

HEX #7EC5F5

RGB 126 197 245

HSL 204.2, 0.86%, 0.73%

LAB 76.66, -9.53, -30.58

 

CMYK 0 / 49 / 39 / 4

HEX #F57E96

RGB 245 126 150

HSL 347.9, 0.86%, 0.73%

LAB 66.93, 47.85, 8.31

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 39 / 49 / 0 / 4

HEX #967EF5

RGB 150 126 245

HSL 252.1, 0.86%, 0.73%

LAB 59.89, 36.4, -56.76

 

CMYK 0 / 39 / 49 / 4

HEX #F5967E

RGB 245 150 126

HSL 12.1, 0.86%, 0.73%

LAB 71.37, 33.19, 27.8

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 49 / 20 / 0 / 4

HEX #7EC5F5

RGB 126 197 245

HSL 204.2, 0.86%, 0.73%

LAB 76.66, -9.53, -30.58

 

CMYK 0 / 49 / 10 / 4

HEX #F57EDD

RGB 245 126 221

HSL 312.1, 0.86%, 0.73%

LAB 69.15, 57.48, -28.21

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 49 / 0 / 39 / 4

HEX #7DF595

RGB 125 245 149

HSL 132, 0.86%, 0.73%

LAB 87.89, -53.72, 36.06

 

CMYK 49 / 34 / 0 / 4

HEX #7EA2F5

RGB 126 162 245

HSL 221.85, 0.86%, 0.73%

LAB 67.18, 9.83, -45.32

 

CMYK 0 / 49 / 10 / 4

HEX #F57EDD

RGB 245 126 221

HSL 312.1, 0.86%, 0.73%

LAB 69.15, 57.48, -28.21

 

CMYK 0 / 15 / 49 / 4

HEX #F5D17E

RGB 245 209 126

HSL 41.85, 0.86%, 0.73%

LAB 85.26, 2.28, 45.62

 

Description

Color code: CMYK 49 / 0 / 39 / 4 | qconv.com Color code: CMYK 49 / 0 / 39 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 245 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 245 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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