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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E93C it is the complementary color #8716C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E93C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E93C shade: #7DE937, #8EFB4A, #9FFF5D, #B0FF70 and #C1FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E93C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E93C shade: #78E93C, #67D729, #56C516, #45B303 and #34A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E93C shade: #76E93A, #A6E93A, #D5E93A, #E9CE3A and #E99E3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E93C shade: #76E93A, #47E93A, #3AE95B, #3AE98B and #3AE9BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E93C shade matches the following richer shades: #76E93A and #71FB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E93C shade: #76E93A, #7CD74B, #81C65D, #87B46F and #8CA281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E93C shade: #D5E93A, #A6E93A, #77E93A, #48E93A and #3AE95A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E93C shade: #4FBB15, #5EE019, #76E93A, #90ED5F and #AAF184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E93C shade: #78E93C, #3AE9CF and #E93ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E93C shade: #78E93C, #3A77E9 and #E93A77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E93C shade: #78E93C, #3AE9CF, #AC3AE9 and #E93A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E93C shade: #78E93C, #3ACFE9, #AC3AE9 and #E9543A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

Complementary color

CMYK 31 / 89 / 0 / 24

HEX #8716C3

RGB 135 22 195

HSL 279.19, 0.8%, 0.43%

LAB 37.23, 68.58, -64.98

 

CMYK 46 / 0 / 76 / 9

HEX #7DE937

RGB 125 233 55

HSL 96.4, 0.8%, 0.56%

LAB 83.4, -59.17, 71.06

 

CMYK 43 / 0 / 71 / 2

HEX #8EFB4A

RGB 142 251 74

HSL 96.95, 0.96%, 0.64%

LAB 89.51, -59.69, 71.07

 

CMYK 38 / 0 / 64 / 0

HEX #9FFF5D

RGB 159 255 93

HSL 95.56, 1%, 0.68%

LAB 91.54, -54.51, 66.32

 

CMYK 31 / 0 / 56 / 0

HEX #B0FF70

RGB 176 255 112

HSL 93.15, 1%, 0.72%

LAB 92.54, -47.21, 59.71

 

CMYK 24 / 0 / 49 / 0

HEX #C1FF83

RGB 193 255 131

HSL 90, 1%, 0.76%

LAB 93.67, -39.42, 52.7

 

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

CMYK 52 / 0 / 81 / 16

HEX #67D729

RGB 103 215 41

HSL 98.62, 0.69%, 0.5%

LAB 77.07, -59.61, 68.84

 

CMYK 56 / 0 / 89 / 23

HEX #56C516

RGB 86 197 22

HSL 98.06, 0.8%, 0.43%

LAB 70.85, -58.55, 67.4

 

CMYK 61 / 0 / 98 / 30

HEX #45B303

RGB 69 179 3

HSL 97.5, 0.97%, 0.36%

LAB 64.57, -57.06, 64.65

 

CMYK 68 / 0 / 100 / 37

HEX #34A100

RGB 52 161 0

HSL 100.62, 1%, 0.32%

LAB 58.25, -54.96, 59.82

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 29 / 0 / 75 / 9

HEX #A6E93A

RGB 166 233 58

HSL 82.97, 0.8%, 0.57%

LAB 85.35, -45.34, 72.67

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 0 / 12 / 75 / 9

HEX #E9CE3A

RGB 233 206 58

HSL 50.74, 0.8%, 0.57%

LAB 82.79, -5.57, 71.97

 

CMYK 0 / 32 / 75 / 9

HEX #E99E3A

RGB 233 158 58

HSL 34.29, 0.8%, 0.57%

LAB 70.93, 19.56, 60.64

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 70 / 0 / 75 / 9

HEX #47E93A

RGB 71 233 58

HSL 115.54, 0.8%, 0.57%

LAB 81.8, -71.89, 68.02

 

CMYK 75 / 0 / 61 / 9

HEX #3AE95B

RGB 58 233 91

HSL 131.31, 0.8%, 0.57%

LAB 81.8, -70.95, 55.43

 

CMYK 75 / 0 / 40 / 9

HEX #3AE98B

RGB 58 233 139

HSL 147.77, 0.8%, 0.57%

LAB 82.4, -63.91, 33.53

 

CMYK 75 / 0 / 20 / 9

HEX #3AE9BA

RGB 58 233 186

HSL 163.89, 0.8%, 0.57%

LAB 83.3, -54.1, 10.52

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 55 / 0 / 84 / 2

HEX #71FB28

RGB 113 251 40

HSL 99.24, 0.96%, 0.57%

LAB 88.28, -69.6, 79.25

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 42 / 0 / 65 / 16

HEX #7CD74B

RGB 124 215 75

HSL 99, 0.64%, 0.57%

LAB 78.11, -51.11, 58.56

 

CMYK 35 / 0 / 53 / 22

HEX #81C65D

RGB 129 198 93

HSL 99.43, 0.48%, 0.57%

LAB 73.45, -40.54, 45.35

 

CMYK 25 / 0 / 38 / 29

HEX #87B46F

RGB 135 180 111

HSL 99.13, 0.32%, 0.57%

LAB 68.71, -27.81, 30.46

 

CMYK 14 / 0 / 20 / 36

HEX #8CA281

RGB 140 162 129

HSL 100, 0.15%, 0.57%

LAB 64.16, -14.03, 14.64

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 29 / 0 / 75 / 9

HEX #A6E93A

RGB 166 233 58

HSL 82.97, 0.8%, 0.57%

LAB 85.35, -45.34, 72.67

 

CMYK 49 / 0 / 75 / 9

HEX #77E93A

RGB 119 233 58

HSL 99.09, 0.8%, 0.57%

LAB 83.18, -60.75, 69.84

 

CMYK 69 / 0 / 75 / 9

HEX #48E93A

RGB 72 233 58

HSL 115.2, 0.8%, 0.57%

LAB 81.82, -71.72, 68.04

 

CMYK 75 / 0 / 61 / 9

HEX #3AE95A

RGB 58 233 90

HSL 130.97, 0.8%, 0.57%

LAB 81.79, -71.06, 55.85

 

CMYK 58 / 0 / 89 / 27

HEX #4FBB15

RGB 79 187 21

HSL 99.04, 0.8%, 0.41%

LAB 67.47, -56.89, 64.61

 

CMYK 58 / 0 / 89 / 12

HEX #5EE019

RGB 94 224 25

HSL 99.2, 0.8%, 0.49%

LAB 79.48, -65.72, 74.31

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 39 / 0 / 60 / 7

HEX #90ED5F

RGB 144 237 95

HSL 99.3, 0.8%, 0.65%

LAB 85.67, -51.87, 58.81

 

CMYK 29 / 0 / 45 / 5

HEX #AAF184

RGB 170 241 132

HSL 99.08, 0.8%, 0.73%

LAB 88.51, -41, 45.58

 

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

CMYK 75 / 0 / 11 / 9

HEX #3AE9CF

RGB 58 233 207

HSL 171.09, 0.8%, 0.57%

LAB 83.8, -48.89, 0.2

 

CMYK 0 / 75 / 19 / 9

HEX #E93ABD

RGB 233 58 189

HSL 315.09, 0.8%, 0.57%

LAB 56.11, 76.85, -30.43

 

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

CMYK 75 / 49 / 0 / 9

HEX #3A77E9

RGB 58 119 233

HSL 219.09, 0.8%, 0.57%

LAB 51.81, 19.52, -63.35

 

CMYK 0 / 75 / 49 / 9

HEX #E93A77

RGB 233 58 119

HSL 339.09, 0.8%, 0.57%

LAB 53.69, 69.4, 7.2

 

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

CMYK 75 / 0 / 11 / 9

HEX #3AE9CF

RGB 58 233 207

HSL 171.09, 0.8%, 0.57%

LAB 83.8, -48.89, 0.2

 

CMYK 26 / 75 / 0 / 9

HEX #AC3AE9

RGB 172 58 233

HSL 279.09, 0.8%, 0.57%

LAB 49.11, 71.62, -67.28

 

CMYK 0 / 75 / 64 / 9

HEX #E93A54

RGB 233 58 84

HSL 351.09, 0.8%, 0.57%

LAB 52.94, 67, 27.13

 

CMYK 48 / 0 / 74 / 9

HEX #78E93C

RGB 120 233 60

HSL 99.19, 0.8%, 0.57%

LAB 83.23, -60.34, 69.26

 

CMYK 75 / 11 / 0 / 9

HEX #3ACFE9

RGB 58 207 233

HSL 188.91, 0.8%, 0.57%

LAB 76.93, -29.74, -23.92

 

CMYK 26 / 75 / 0 / 9

HEX #AC3AE9

RGB 172 58 233

HSL 279.09, 0.8%, 0.57%

LAB 49.11, 71.62, -67.28

 

CMYK 0 / 64 / 75 / 9

HEX #E9543A

RGB 233 84 58

HSL 8.91, 0.8%, 0.57%

LAB 56.06, 56.25, 45.47

 

Description

Color code: HEX #78E93C | qconv.com Color code: HEX #78E93C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 233 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 233 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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