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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E93A it is the complementary color #2A16C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E93A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E93A shade: #DAE935, #EBFB48, #FCFF5B, #FFFF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E93A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E93A shade: #D5E93A, #C4D727, #B3C514, #A2B301 and #91A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E93A shade: #D5E93A, #E9CE3A, #E99F3A, #E96F3A and #E9403A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E93A shade: #D5E93A, #A6E93A, #76E93A, #47E93A and #3AE95B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E93A shade matches the following richer shades: #D5E93A and #E3FB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E93A shade: #D5E93A, #C7D74B, #BAC65D, #ACB46F and #9EA281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E93A shade: #E99D3A, #E9CC3A, #D8E93A, #A9E93A and #7AE93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E93A shade: #A8BB15, #CAE019, #D5E93A, #DDED5F and #E5F184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E93A shade: #D5E93A, #3AE96E and #B43AE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E93A shade: #D5E93A, #3AD8E9 and #E93AD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E93A shade: #D5E93A, #3AE96E, #4B3AE9 and #E93AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E93A shade: #D5E93A, #3AE9A3, #4B3AE9 and #E93A80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

Complementary color

CMYK 79 / 89 / 0 / 23

HEX #2A16C5

RGB 42 22 197

HSL 246.86, 0.8%, 0.43%

LAB 27.01, 60.61, -83.38

 

CMYK 6 / 0 / 77 / 9

HEX #DAE935

RGB 218 233 53

HSL 65, 0.8%, 0.56%

LAB 88.66, -25.32, 78.43

 

CMYK 6 / 0 / 71 / 2

HEX #EBFB48

RGB 235 251 72

HSL 65.36, 0.96%, 0.63%

LAB 94.79, -26.17, 78.75

 

CMYK 1 / 0 / 64 / 0

HEX #FCFF5B

RGB 252 255 91

HSL 61.1, 1%, 0.68%

LAB 97.22, -20.29, 74.82

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 9 / 0 / 82 / 16

HEX #C4D727

RGB 196 215 39

HSL 66.48, 0.69%, 0.5%

LAB 82.1, -26.25, 75.73

 

CMYK 9 / 0 / 90 / 23

HEX #B3C514

RGB 179 197 20

HSL 66.1, 0.82%, 0.43%

LAB 75.8, -25.16, 73.85

 

CMYK 9 / 0 / 99 / 30

HEX #A2B301

RGB 162 179 1

HSL 65.73, 0.99%, 0.35%

LAB 69.42, -23.9, 70.74

 

CMYK 10 / 0 / 100 / 37

HEX #91A100

RGB 145 161 0

HSL 65.96, 1%, 0.32%

LAB 62.94, -22.37, 65.47

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 0 / 12 / 75 / 9

HEX #E9CE3A

RGB 233 206 58

HSL 50.74, 0.8%, 0.57%

LAB 82.79, -5.57, 71.97

 

CMYK 0 / 32 / 75 / 9

HEX #E99F3A

RGB 233 159 58

HSL 34.63, 0.8%, 0.57%

LAB 71.16, 19.03, 60.87

 

CMYK 0 / 52 / 75 / 9

HEX #E96F3A

RGB 233 111 58

HSL 18.17, 0.8%, 0.57%

LAB 60.78, 43.91, 50.43

 

CMYK 0 / 73 / 75 / 9

HEX #E9403A

RGB 233 64 58

HSL 2.06, 0.8%, 0.57%

LAB 53.27, 63.85, 42.47

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 29 / 0 / 75 / 9

HEX #A6E93A

RGB 166 233 58

HSL 82.97, 0.8%, 0.57%

LAB 85.35, -45.34, 72.67

 

CMYK 49 / 0 / 75 / 9

HEX #76E93A

RGB 118 233 58

HSL 99.43, 0.8%, 0.57%

LAB 83.14, -61.04, 69.79

 

CMYK 70 / 0 / 75 / 9

HEX #47E93A

RGB 71 233 58

HSL 115.54, 0.8%, 0.57%

LAB 81.8, -71.89, 68.02

 

CMYK 75 / 0 / 61 / 9

HEX #3AE95B

RGB 58 233 91

HSL 131.31, 0.8%, 0.57%

LAB 81.8, -70.95, 55.43

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 10 / 0 / 84 / 2

HEX #E3FB28

RGB 227 251 40

HSL 66.82, 0.96%, 0.57%

LAB 94.09, -30.51, 86.52

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 7 / 0 / 65 / 16

HEX #C7D74B

RGB 199 215 75

HSL 66.86, 0.64%, 0.57%

LAB 82.51, -23.37, 64.55

 

CMYK 6 / 0 / 53 / 22

HEX #BAC65D

RGB 186 198 93

HSL 66.86, 0.48%, 0.57%

LAB 77.05, -18.98, 50.5

 

CMYK 4 / 0 / 38 / 29

HEX #ACB46F

RGB 172 180 111

HSL 66.96, 0.32%, 0.57%

LAB 71.26, -13.66, 34.26

 

CMYK 2 / 0 / 20 / 36

HEX #9EA281

RGB 158 162 129

HSL 67.27, 0.15%, 0.57%

LAB 65.51, -7.23, 16.72

 

CMYK 0 / 33 / 75 / 9

HEX #E99D3A

RGB 233 157 58

HSL 33.94, 0.8%, 0.57%

LAB 70.69, 20.09, 60.41

 

CMYK 0 / 12 / 75 / 9

HEX #E9CC3A

RGB 233 204 58

HSL 50.06, 0.8%, 0.57%

LAB 82.28, -4.55, 71.49

 

CMYK 7 / 0 / 75 / 9

HEX #D8E93A

RGB 216 233 58

HSL 65.83, 0.8%, 0.57%

LAB 88.53, -25.94, 76.8

 

CMYK 27 / 0 / 75 / 9

HEX #A9E93A

RGB 169 233 58

HSL 81.94, 0.8%, 0.57%

LAB 85.51, -44.24, 72.89

 

CMYK 48 / 0 / 75 / 9

HEX #7AE93A

RGB 122 233 58

HSL 98.06, 0.8%, 0.57%

LAB 83.3, -59.89, 69.99

 

CMYK 10 / 0 / 89 / 27

HEX #A8BB15

RGB 168 187 21

HSL 66.87, 0.8%, 0.41%

LAB 72.17, -24.94, 70.44

 

CMYK 10 / 0 / 89 / 12

HEX #CAE019

RGB 202 224 25

HSL 66.63, 0.8%, 0.49%

LAB 84.96, -28.39, 81.07

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 7 / 0 / 60 / 7

HEX #DDED5F

RGB 221 237 95

HSL 66.76, 0.8%, 0.65%

LAB 90.21, -23.8, 65.12

 

CMYK 5 / 0 / 45 / 5

HEX #E5F184

RGB 229 241 132

HSL 66.61, 0.8%, 0.73%

LAB 92.24, -19.49, 51.02

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 75 / 0 / 53 / 9

HEX #3AE96E

RGB 58 233 110

HSL 137.83, 0.8%, 0.57%

LAB 82, -68.54, 47.13

 

CMYK 23 / 75 / 0 / 9

HEX #B43AE9

RGB 180 58 233

HSL 281.83, 0.8%, 0.57%

LAB 50.23, 73.05, -65.4

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 75 / 7 / 0 / 9

HEX #3AD8E9

RGB 58 216 233

HSL 185.83, 0.8%, 0.57%

LAB 79.55, -34.05, -19.92

 

CMYK 0 / 75 / 7 / 9

HEX #E93AD8

RGB 233 58 216

HSL 305.83, 0.8%, 0.57%

LAB 57.37, 80.55, -43.9

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 75 / 0 / 53 / 9

HEX #3AE96E

RGB 58 233 110

HSL 137.83, 0.8%, 0.57%

LAB 82, -68.54, 47.13

 

CMYK 68 / 75 / 0 / 9

HEX #4B3AE9

RGB 75 58 233

HSL 245.83, 0.8%, 0.57%

LAB 38.56, 57.81, -84.95

 

CMYK 0 / 75 / 23 / 9

HEX #E93AB4

RGB 233 58 180

HSL 318.17, 0.8%, 0.57%

LAB 55.73, 75.71, -25.81

 

CMYK 9 / 0 / 75 / 9

HEX #D5E93A

RGB 213 233 58

HSL 66.86, 0.8%, 0.57%

LAB 88.32, -27.16, 76.52

 

CMYK 75 / 0 / 30 / 9

HEX #3AE9A3

RGB 58 233 163

HSL 156, 0.8%, 0.57%

LAB 82.82, -59.24, 21.84

 

CMYK 68 / 75 / 0 / 9

HEX #4B3AE9

RGB 75 58 233

HSL 245.83, 0.8%, 0.57%

LAB 38.56, 57.81, -84.95

 

CMYK 0 / 75 / 45 / 9

HEX #E93A80

RGB 233 58 128

HSL 336, 0.8%, 0.57%

LAB 53.93, 70.17, 2.16

 

Description

Color code: HEX #D5E93A | qconv.com Color code: HEX #D5E93A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 233 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 233 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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