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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E2A7 it is the complementary color #871D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E2A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #78E2A7: #7DE2A2, #8EF4B5, #9FFFC8, #B0FFDB and #C1FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E2A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #78E2A7: #78E2A7, #67D094, #56BE81, #45AC6E and #349A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

Complementary color

CMYK 0 / 79 / 35 / 47

HEX #871D58

RGB 135 29 88

HSL 326.6, 0.65%, 0.32%

LAB 31.19, 48.74, -8.53

 

CMYK 45 / 0 / 28 / 11

HEX #7DE2A2

RGB 125 226 162

HSL 141.98, 0.64%, 0.69%

LAB 82.57, -43.51, 22.31

 

CMYK 42 / 0 / 26 / 4

HEX #8EF4B5

RGB 142 244 181

HSL 142.94, 0.82%, 0.76%

LAB 88.82, -43.28, 21.23

 

CMYK 38 / 0 / 22 / 0

HEX #9FFFC8

RGB 159 255 200

HSL 145.63, 1%, 0.81%

LAB 93.04, -39.94, 17.48

 

CMYK 31 / 0 / 14 / 0

HEX #B0FFDB

RGB 176 255 219

HSL 152.66, 1%, 0.85%

LAB 94.25, -31.47, 9.56

 

CMYK 24 / 0 / 7 / 0

HEX #C1FFEE

RGB 193 255 238

HSL 163.55, 1%, 0.88%

LAB 95.59, -22.72, 1.82

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 50 / 0 / 29 / 18

HEX #67D094

RGB 103 208 148

HSL 145.71, 0.53%, 0.61%

LAB 76.15, -44.03, 20.68

 

CMYK 55 / 0 / 32 / 25

HEX #56BE81

RGB 86 190 129

HSL 144.81, 0.44%, 0.54%

LAB 69.75, -44.14, 21.9

 

CMYK 60 / 0 / 36 / 33

HEX #45AC6E

RGB 69 172 110

HSL 143.88, 0.43%, 0.47%

LAB 63.26, -44.12, 23.24

 

CMYK 66 / 0 / 41 / 40

HEX #349A5B

RGB 52 154 91

HSL 142.94, 0.5%, 0.4%

LAB 56.68, -43.92, 24.7

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 47 / 0 / 19 / 11

HEX #78E2B8

RGB 120 226 184

HSL 156.23, 0.65%, 0.68%

LAB 82.83, -40.4, 11.13

 

CMYK 47 / 0 / 11 / 11

HEX #78E2C9

RGB 120 226 201

HSL 165.85, 0.65%, 0.68%

LAB 83.23, -36.64, 2.74

 

CMYK 47 / 0 / 3 / 11

HEX #78E2DB

RGB 120 226 219

HSL 176.04, 0.65%, 0.68%

LAB 83.7, -32.34, -6.09

 

CMYK 47 / 5 / 0 / 11

HEX #78D7E2

RGB 120 215 226

HSL 186.23, 0.65%, 0.68%

LAB 80.79, -25.26, -14.16

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 45 / 0 / 27 / 91

HEX #0C1610

RGB 12 22 16

HSL 144, 0.29%, 0.07%

LAB 6.23, -5.05, 2.22

 

CMYK 47 / 0 / 26 / 71

HEX #274936

RGB 39 73 54

HSL 146.47, 0.3%, 0.22%

LAB 28.01, -17.48, 7.57

 

CMYK 47 / 0 / 26 / 51

HEX #427C5C

RGB 66 124 92

HSL 146.9, 0.31%, 0.37%

LAB 47.43, -26.91, 11.69

 

CMYK 47 / 0 / 26 / 31

HEX #5DAF81

RGB 93 175 129

HSL 146.34, 0.34%, 0.53%

LAB 65.41, -35.74, 15.99

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 47 / 30 / 0 / 11

HEX #789FE2

RGB 120 159 226

HSL 217.92, 0.65%, 0.68%

LAB 65.18, 4.55, -38.05

 

CMYK 0 / 46 / 47 / 11

HEX #E27B78

RGB 226 123 120

HSL 1.7, 0.65%, 0.68%

LAB 63.09, 39.46, 19.57

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 27 / 47 / 0 / 11

HEX #A678E2

RGB 166 120 226

HSL 266.04, 0.65%, 0.68%

LAB 59, 39.04, -47.52

 

CMYK 0 / 27 / 47 / 11

HEX #E2A678

RGB 226 166 120

HSL 26.04, 0.65%, 0.68%

LAB 72.76, 16.67, 32.44

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 47 / 30 / 0 / 11

HEX #789FE2

RGB 120 159 226

HSL 217.92, 0.65%, 0.68%

LAB 65.18, 4.55, -38.05

 

CMYK 0 / 47 / 20 / 11

HEX #E278B4

RGB 226 120 180

HSL 326.04, 0.65%, 0.68%

LAB 64.08, 48.31, -13.18

 

CMYK 0 / 17 / 47 / 11

HEX #E2BB78

RGB 226 187 120

HSL 37.92, 0.65%, 0.68%

LAB 77.91, 5.51, 39.06

 

CMYK 47 / 0 / 26 / 11

HEX #78E2A7

RGB 120 226 167

HSL 146.6, 0.65%, 0.68%

LAB 82.47, -43.87, 19.54

 

CMYK 47 / 44 / 0 / 11

HEX #787FE2

RGB 120 127 226

HSL 236.04, 0.65%, 0.68%

LAB 56.75, 23.29, -51.35

 

CMYK 0 / 47 / 20 / 11

HEX #E278B4

RGB 226 120 180

HSL 326.04, 0.65%, 0.68%

LAB 64.08, 48.31, -13.18

 

CMYK 0 / 3 / 47 / 11

HEX #E2DB78

RGB 226 219 120

HSL 56.04, 0.65%, 0.68%

LAB 86.1, -10.97, 49.21

 

Description

Color code: HEX #78E2A7 | qconv.com Color code: HEX #78E2A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 226 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 226 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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