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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78CAEA it is the complementary color #873515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78CAEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #78CAEA: #7DCAE5, #8EDCF8, #9FEEFF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78CAEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #78CAEA: #78CAEA, #67B8D7, #56A6C4, #4594B1 and #34829E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

Complementary color

CMYK 0 / 61 / 84 / 47

HEX #873515

RGB 135 53 21

HSL 16.84, 0.73%, 0.31%

LAB 33.46, 33.39, 36.24

 

CMYK 45 / 12 / 0 / 10

HEX #7DCAE5

RGB 125 202 229

HSL 195.58, 0.67%, 0.69%

LAB 77.43, -16.77, -20.8

 

CMYK 43 / 11 / 0 / 3

HEX #8EDCF8

RGB 142 220 248

HSL 195.85, 0.88%, 0.76%

LAB 83.82, -16.92, -21.18

 

CMYK 38 / 7 / 0 / 0

HEX #9FEEFF

RGB 159 238 255

HSL 190.63, 1%, 0.81%

LAB 89.74, -20, -15.86

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 52 / 14 / 0 / 16

HEX #67B8D7

RGB 103 184 215

HSL 196.61, 0.58%, 0.62%

LAB 70.92, -16.27, -23.22

 

CMYK 56 / 15 / 0 / 23

HEX #56A6C4

RGB 86 166 196

HSL 196.36, 0.48%, 0.55%

LAB 64.35, -15.89, -22.83

 

CMYK 61 / 16 / 0 / 31

HEX #4594B1

RGB 69 148 177

HSL 196.11, 0.44%, 0.48%

LAB 57.67, -15.38, -22.43

 

CMYK 67 / 18 / 0 / 38

HEX #34829E

RGB 52 130 158

HSL 195.85, 0.5%, 0.41%

LAB 50.88, -14.69, -21.99

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 49 / 21 / 0 / 9

HEX #76B7E9

RGB 118 183 233

HSL 206.09, 0.72%, 0.69%

LAB 71.96, -7.24, -31.37

 

CMYK 49 / 30 / 0 / 9

HEX #76A4E9

RGB 118 164 233

HSL 216, 0.72%, 0.69%

LAB 66.74, 3.3, -39.48

 

CMYK 49 / 38 / 0 / 9

HEX #7691E9

RGB 118 145 233

HSL 225.91, 0.72%, 0.69%

LAB 61.64, 14.27, -47.49

 

CMYK 49 / 46 / 0 / 9

HEX #767DE9

RGB 118 125 233

HSL 236.35, 0.72%, 0.69%

LAB 56.49, 26.13, -55.68

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 50 / 13 / 0 / 88

HEX #0F1A1E

RGB 15 26 30

HSL 196, 0.33%, 0.09%

LAB 8.43, -3.53, -4.36

 

CMYK 48 / 14 / 0 / 68

HEX #2A4651

RGB 42 70 81

HSL 196.92, 0.32%, 0.24%

LAB 28.02, -7.15, -9.89

 

CMYK 48 / 14 / 0 / 48

HEX #447284

RGB 68 114 132

HSL 196.88, 0.32%, 0.39%

LAB 45.54, -10.53, -14.8

 

CMYK 49 / 14 / 0 / 28

HEX #5E9EB7

RGB 94 158 183

HSL 196.85, 0.38%, 0.54%

LAB 61.87, -13.63, -19.32

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 26 / 49 / 0 / 9

HEX #AC76E9

RGB 172 118 233

HSL 268.17, 0.72%, 0.69%

LAB 59.54, 43.4, -50.54

 

CMYK 0 / 6 / 49 / 9

HEX #E9DA76

RGB 233 218 118

HSL 52.17, 0.72%, 0.69%

LAB 86.39, -7.84, 50.66

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 0 / 49 / 13 / 9

HEX #E976CA

RGB 233 118 202

HSL 316.17, 0.72%, 0.69%

LAB 65.39, 54.79, -23.52

 

CMYK 13 / 0 / 49 / 9

HEX #CAE976

RGB 202 233 118

HSL 76.17, 0.72%, 0.69%

LAB 88.04, -27.37, 52.08

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 26 / 49 / 0 / 9

HEX #AC76E9

RGB 172 118 233

HSL 268.17, 0.72%, 0.69%

LAB 59.54, 43.4, -50.54

 

CMYK 0 / 36 / 49 / 9

HEX #E99576

RGB 233 149 118

HSL 16.17, 0.72%, 0.69%

LAB 69.56, 28.33, 29.49

 

CMYK 23 / 0 / 49 / 9

HEX #B3E976

RGB 179 233 118

HSL 88.17, 0.72%, 0.69%

LAB 86.59, -35.89, 49.99

 

CMYK 49 / 14 / 0 / 8

HEX #78CAEA

RGB 120 202 234

HSL 196.84, 0.73%, 0.69%

LAB 77.39, -16.56, -23.58

 

CMYK 12 / 49 / 0 / 9

HEX #CE76E9

RGB 206 118 233

HSL 285.91, 0.72%, 0.69%

LAB 63.31, 52.52, -44.33

 

CMYK 0 / 36 / 49 / 9

HEX #E99576

RGB 233 149 118

HSL 16.17, 0.72%, 0.69%

LAB 69.56, 28.33, 29.49

 

CMYK 38 / 0 / 49 / 9

HEX #91E976

RGB 145 233 118

HSL 105.91, 0.72%, 0.69%

LAB 84.79, -47.42, 47.39

 

Description

Color code: HEX #78CAEA | qconv.com Color code: HEX #78CAEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 202 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 202 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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