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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78AC75 it is the complementary color #87538A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78AC75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #78AC75: #7DAC70, #8EBE83, #9FD096, #B0E2A9 and #C1F4BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78AC75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #78AC75: #78AC75, #679A62, #56884F, #45763C and #346429

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

Complementary color

CMYK 2 / 40 / 0 / 46

HEX #87538A

RGB 135 83 138

HSL 296.73, 0.25%, 0.43%

LAB 43.02, 30.97, -21.77

 

CMYK 27 / 0 / 35 / 33

HEX #7DAC70

RGB 125 172 112

HSL 107, 0.27%, 0.56%

LAB 65.78, -27.35, 25.97

 

CMYK 25 / 0 / 31 / 25

HEX #8EBE83

RGB 142 190 131

HSL 108.81, 0.31%, 0.63%

LAB 72.37, -27.15, 24.83

 

CMYK 24 / 0 / 28 / 18

HEX #9FD096

RGB 159 208 150

HSL 110.69, 0.38%, 0.7%

LAB 78.86, -26.96, 23.76

 

CMYK 22 / 0 / 25 / 11

HEX #B0E2A9

RGB 176 226 169

HSL 112.63, 0.5%, 0.77%

LAB 85.24, -26.77, 22.75

 

CMYK 21 / 0 / 23 / 4

HEX #C1F4BC

RGB 193 244 188

HSL 114.64, 0.72%, 0.85%

LAB 91.54, -26.6, 21.79

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 33 / 0 / 36 / 40

HEX #679A62

RGB 103 154 98

HSL 114.64, 0.22%, 0.49%

LAB 58.86, -28.52, 24.14

 

CMYK 37 / 0 / 42 / 47

HEX #56884F

RGB 86 136 79

HSL 112.63, 0.27%, 0.42%

LAB 52.01, -28.74, 25.41

 

CMYK 42 / 0 / 49 / 54

HEX #45763C

RGB 69 118 60

HSL 110.69, 0.33%, 0.35%

LAB 45.01, -28.93, 26.75

 

CMYK 48 / 0 / 59 / 61

HEX #346429

RGB 52 100 41

HSL 108.81, 0.42%, 0.28%

LAB 37.85, -28.98, 28.11

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 32 / 0 / 28 / 33

HEX #75AC7B

RGB 117 172 123

HSL 126.55, 0.25%, 0.57%

LAB 65.53, -28.24, 19.61

 

CMYK 32 / 0 / 23 / 33

HEX #75AC84

RGB 117 172 132

HSL 136.36, 0.25%, 0.57%

LAB 65.71, -26.58, 14.93

 

CMYK 32 / 0 / 18 / 33

HEX #75AC8D

RGB 117 172 141

HSL 146.18, 0.25%, 0.57%

LAB 65.91, -24.81, 10.26

 

CMYK 32 / 0 / 13 / 33

HEX #75AC96

RGB 117 172 150

HSL 156, 0.25%, 0.57%

LAB 66.13, -22.92, 5.58

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 30 / 0 / 32 / 13

HEX #9CDF98

RGB 156 223 152

HSL 116.62, 0.53%, 0.74%

LAB 82.97, -34.71, 28.26

 

CMYK 32 / 0 / 32 / 93

HEX #0D130D

RGB 13 19 13

HSL 120, 0.19%, 0.06%

LAB 5.24, -3.28, 2.35

 

CMYK 30 / 0 / 31 / 73

HEX #314630

RGB 49 70 48

HSL 117.27, 0.19%, 0.23%

LAB 27.43, -13.41, 10.69

 

CMYK 31 / 0 / 32 / 53

HEX #547952

RGB 84 121 82

HSL 116.92, 0.19%, 0.4%

LAB 47.2, -21.44, 17.33

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 32 / 4 / 0 / 33

HEX #75A5AC

RGB 117 165 172

HSL 187.64, 0.25%, 0.57%

LAB 64.7, -14.22, -8.77

 

CMYK 0 / 32 / 17 / 33

HEX #AC758F

RGB 172 117 143

HSL 331.64, 0.25%, 0.57%

LAB 55.56, 25.56, -5.34

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 32 / 30 / 0 / 33

HEX #7579AC

RGB 117 121 172

HSL 235.64, 0.25%, 0.57%

LAB 52.33, 10.71, -27.59

 

CMYK 0 / 32 / 30 / 33

HEX #AC7579

RGB 172 117 121

HSL 355.64, 0.25%, 0.57%

LAB 54.94, 22.19, 6.59

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 32 / 4 / 0 / 33

HEX #75A5AC

RGB 117 165 172

HSL 187.64, 0.25%, 0.57%

LAB 64.7, -14.22, -8.77

 

CMYK 2 / 32 / 0 / 33

HEX #A975AC

RGB 169 117 172

HSL 296.73, 0.25%, 0.57%

LAB 56.22, 29.76, -21.18

 

CMYK 0 / 27 / 32 / 33

HEX #AC7D75

RGB 172 125 117

HSL 8.73, 0.25%, 0.57%

LAB 56.8, 17.12, 11.55

 

CMYK 30 / 0 / 32 / 33

HEX #78AC75

RGB 120 172 117

HSL 116.73, 0.25%, 0.57%

LAB 65.58, -28.27, 22.96

 

CMYK 32 / 13 / 0 / 33

HEX #7595AC

RGB 117 149 172

HSL 205.09, 0.25%, 0.57%

LAB 60.12, -5.49, -15.65

 

CMYK 2 / 32 / 0 / 33

HEX #A975AC

RGB 169 117 172

HSL 296.73, 0.25%, 0.57%

LAB 56.22, 29.76, -21.18

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

Description

Color code: HEX #78AC75 | qconv.com Color code: HEX #78AC75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 172 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 172 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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