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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787BB6 it is the complementary color #878449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787BB6 shade: #7D7BB1, #8E8DC4, #9F9FD7, #B0B1EA and #C1C3FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787BB6 shade: #787BB6, #6769A3, #565790, #45457D and #34336A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787BB6 shade: #777AB6, #8577B6, #9677B6, #A777B6 and #B677B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787BB6 shade: #777AB6 and #7777B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787BB6 shade matches the following richer shades: #777AB6, #666BC7, #555CD8, #444CE9 and #333DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787BB6 shade: #777AB6, #8889A5, #999994, #AAA883 and #BBB772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787BB6 shade: #779CB6, #778BB6, #777AB6, #8577B6 and #9577B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787BB6 shade: #4C508E, #5C60A7, #777AB6, #9294C4 and #ADAFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787BB6 shade: #787BB6, #B677AC and #93B677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787BB6 shade: #787BB6, #B6777A and #7AB677

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787BB6 shade: #787BB6, #B677AC, #B6B377 and #77B680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787BB6 shade: #787BB6, #B6779A, #B6B377 and #77B693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

Complementary color

CMYK 0 / 2 / 46 / 47

HEX #878449

RGB 135 132 73

HSL 57.1, 0.3%, 0.41%

LAB 54.17, -7.83, 32.12

 

CMYK 29 / 31 / 0 / 31

HEX #7D7BB1

RGB 125 123 177

HSL 242.22, 0.26%, 0.59%

LAB 53.71, 13.25, -28.29

 

CMYK 28 / 28 / 0 / 23

HEX #8E8DC4

RGB 142 141 196

HSL 241.09, 0.32%, 0.66%

LAB 60.59, 12.71, -28.34

 

CMYK 26 / 26 / 0 / 16

HEX #9F9FD7

RGB 159 159 215

HSL 240, 0.41%, 0.73%

LAB 67.33, 12.23, -28.44

 

CMYK 25 / 24 / 0 / 8

HEX #B0B1EA

RGB 176 177 234

HSL 238.97, 0.58%, 0.8%

LAB 73.94, 11.8, -28.56

 

CMYK 24 / 23 / 0 / 1

HEX #C1C3FD

RGB 193 195 253

HSL 238, 0.94%, 0.87%

LAB 80.44, 11.41, -28.71

 

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

CMYK 37 / 36 / 0 / 36

HEX #6769A3

RGB 103 105 163

HSL 238, 0.25%, 0.52%

LAB 46.49, 13.78, -31.52

 

CMYK 40 / 40 / 0 / 44

HEX #565790

RGB 86 87 144

HSL 238.97, 0.25%, 0.45%

LAB 39.26, 14.6, -31.65

 

CMYK 45 / 45 / 0 / 51

HEX #45457D

RGB 69 69 125

HSL 240, 0.29%, 0.38%

LAB 31.81, 15.6, -31.85

 

CMYK 51 / 52 / 0 / 58

HEX #34336A

RGB 52 51 106

HSL 241.09, 0.35%, 0.31%

LAB 24.12, 16.88, -32.15

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 27 / 35 / 0 / 29

HEX #8577B6

RGB 133 119 182

HSL 253.33, 0.3%, 0.59%

LAB 53.55, 19.33, -31.35

 

CMYK 18 / 35 / 0 / 29

HEX #9677B6

RGB 150 119 182

HSL 269.52, 0.3%, 0.59%

LAB 55.13, 24.58, -28.78

 

CMYK 8 / 35 / 0 / 29

HEX #A777B6

RGB 167 119 182

HSL 285.71, 0.3%, 0.59%

LAB 56.87, 30.01, -25.95

 

CMYK 0 / 35 / 1 / 29

HEX #B677B4

RGB 182 119 180

HSL 301.9, 0.3%, 0.59%

LAB 58.45, 34.48, -22.24

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 35 / 35 / 0 / 29

HEX #7777B6

RGB 119 119 182

HSL 240, 0.3%, 0.59%

LAB 52.39, 15.2, -33.26

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 49 / 46 / 0 / 22

HEX #666BC7

RGB 102 107 199

HSL 236.91, 0.46%, 0.59%

LAB 48.84, 23.01, -48.73

 

CMYK 61 / 57 / 0 / 15

HEX #555CD8

RGB 85 92 216

HSL 236.79, 0.63%, 0.59%

LAB 45, 34.3, -64.7

 

CMYK 71 / 67 / 0 / 9

HEX #444CE9

RGB 68 76 233

HSL 237.09, 0.79%, 0.59%

LAB 41.66, 47.25, -79.87

 

CMYK 80 / 76 / 0 / 2

HEX #333DF9

RGB 51 61 249

HSL 236.97, 0.94%, 0.59%

LAB 39.38, 59.35, -92.67

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 18 / 17 / 0 / 35

HEX #8889A5

RGB 136 137 165

HSL 237.93, 0.14%, 0.59%

LAB 57.89, 5.64, -14.91

 

CMYK 0 / 0 / 3 / 40

HEX #999994

RGB 153 153 148

HSL 60, 0.02%, 0.59%

LAB 63.09, -0.94, 2.62

 

CMYK 0 / 1 / 23 / 33

HEX #AAA883

RGB 170 168 131

HSL 56.92, 0.19%, 0.59%

LAB 68.16, -5.48, 19.43

 

CMYK 0 / 2 / 39 / 27

HEX #BBB772

RGB 187 183 114

HSL 56.71, 0.35%, 0.59%

LAB 73.32, -8.84, 35.58

 

CMYK 35 / 14 / 0 / 29

HEX #779CB6

RGB 119 156 182

HSL 204.76, 0.3%, 0.59%

LAB 62.57, -6.22, -17.57

 

CMYK 35 / 24 / 0 / 29

HEX #778BB6

RGB 119 139 182

HSL 220.95, 0.3%, 0.59%

LAB 57.81, 3.41, -24.84

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 27 / 35 / 0 / 29

HEX #8577B6

RGB 133 119 182

HSL 253.33, 0.3%, 0.59%

LAB 53.55, 19.33, -31.35

 

CMYK 18 / 35 / 0 / 29

HEX #9577B6

RGB 149 119 182

HSL 268.57, 0.3%, 0.59%

LAB 55.03, 24.27, -28.94

 

CMYK 46 / 44 / 0 / 44

HEX #4C508E

RGB 76 80 142

HSL 236.36, 0.3%, 0.43%

LAB 36.42, 15.73, -34.97

 

CMYK 45 / 43 / 0 / 35

HEX #5C60A7

RGB 92 96 167

HSL 236.8, 0.3%, 0.51%

LAB 43.41, 17.53, -38.8

 

CMYK 35 / 33 / 0 / 29

HEX #777AB6

RGB 119 122 182

HSL 237.14, 0.3%, 0.59%

LAB 53.19, 13.4, -32.01

 

CMYK 26 / 24 / 0 / 23

HEX #9294C4

RGB 146 148 196

HSL 237.6, 0.3%, 0.67%

LAB 62.74, 9.91, -25.01

 

CMYK 18 / 17 / 0 / 17

HEX #ADAFD3

RGB 173 175 211

HSL 236.84, 0.3%, 0.75%

LAB 72.39, 6.72, -18.41

 

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

CMYK 0 / 35 / 5 / 29

HEX #B677AC

RGB 182 119 172

HSL 309.52, 0.3%, 0.59%

LAB 58.15, 33, -18.11

 

CMYK 19 / 0 / 35 / 29

HEX #93B677

RGB 147 182 119

HSL 93.33, 0.3%, 0.59%

LAB 70.17, -23.26, 28.31

 

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

CMYK 0 / 35 / 33 / 29

HEX #B6777A

RGB 182 119 122

HSL 357.14, 0.3%, 0.59%

LAB 56.63, 25.1, 8.58

 

CMYK 33 / 0 / 35 / 29

HEX #7AB677

RGB 122 182 119

HSL 117.14, 0.3%, 0.59%

LAB 68.7, -32.05, 26.09

 

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

CMYK 0 / 35 / 5 / 29

HEX #B677AC

RGB 182 119 172

HSL 309.52, 0.3%, 0.59%

LAB 58.15, 33, -18.11

 

CMYK 0 / 2 / 35 / 29

HEX #B6B377

RGB 182 179 119

HSL 57.14, 0.3%, 0.59%

LAB 71.9, -8.18, 31.07

 

CMYK 35 / 0 / 30 / 29

HEX #77B680

RGB 119 182 128

HSL 128.57, 0.3%, 0.59%

LAB 68.71, -31.5, 21.25

 

CMYK 34 / 32 / 0 / 29

HEX #787BB6

RGB 120 123 182

HSL 237.1, 0.3%, 0.59%

LAB 53.53, 13.1, -31.47

 

CMYK 0 / 35 / 15 / 29

HEX #B6779A

RGB 182 119 154

HSL 326.67, 0.3%, 0.59%

LAB 57.53, 29.87, -8.66

 

CMYK 0 / 2 / 35 / 29

HEX #B6B377

RGB 182 179 119

HSL 57.14, 0.3%, 0.59%

LAB 71.9, -8.18, 31.07

 

CMYK 35 / 0 / 19 / 29

HEX #77B693

RGB 119 182 147

HSL 146.67, 0.3%, 0.59%

LAB 69.1, -27.89, 11.49

 

Description

Color code: HEX #787BB6 | qconv.com Color code: HEX #787BB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 123 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 123 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 32 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 32% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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