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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7875A9 it is the complementary color #878A56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7875A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7875A9 shade: #7D75A4, #8E87B7, #9F99CA, #B0ABDD and #C1BDF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7875A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7875A9 shade: #7875A9, #676396, #565183, #453F70 and #342D5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7875A9 shade: #7875A9, #8675A9, #9475A9, #A275A9 and #A975A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7875A9 shade: #7875A9 and #7575A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7875A9 shade matches the following richer shades: #7875A9, #6863BB, #5851CD, #483FDF and #382CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7875A9 shade: #7875A9, #888796, #989984, #A8AB72 and #B8BE60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7875A9 shade: #758EA9, #7580A9, #7875A9, #8575A9 and #9375A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7875A9 shade: #514E7D, #615E96, #7875A9, #918EB8 and #AAA8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7875A9 shade: #7875A9, #A9759C and #87A975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7875A9 shade: #7875A9, #A97875 and #75A978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7875A9 shade: #7875A9, #A9759C, #A6A975 and #75A982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7875A9 shade: #7875A9, #A9758C, #A6A975 and #75A991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

Complementary color

CMYK 2 / 0 / 38 / 46

HEX #878A56

RGB 135 138 86

HSL 63.46, 0.23%, 0.44%

LAB 56.09, -9.61, 27.5

 

CMYK 24 / 29 / 0 / 36

HEX #7D75A4

RGB 125 117 164

HSL 250.21, 0.21%, 0.55%

LAB 51.57, 13.5, -24.07

 

CMYK 22 / 26 / 0 / 28

HEX #8E87B7

RGB 142 135 183

HSL 248.75, 0.25%, 0.62%

LAB 58.51, 12.99, -24.2

 

CMYK 21 / 24 / 0 / 21

HEX #9F99CA

RGB 159 153 202

HSL 247.35, 0.32%, 0.7%

LAB 65.29, 12.53, -24.36

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 20 / 21 / 0 / 6

HEX #C1BDF0

RGB 193 189 240

HSL 244.71, 0.63%, 0.84%

LAB 78.48, 11.74, -24.75

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 31 / 34 / 0 / 41

HEX #676396

RGB 103 99 150

HSL 244.71, 0.2%, 0.49%

LAB 44.25, 13.84, -27.33

 

CMYK 34 / 38 / 0 / 49

HEX #565183

RGB 86 81 131

HSL 246, 0.24%, 0.42%

LAB 36.93, 14.59, -27.38

 

CMYK 38 / 44 / 0 / 56

HEX #453F70

RGB 69 63 112

HSL 247.35, 0.28%, 0.34%

LAB 29.39, 15.5, -27.52

 

CMYK 44 / 52 / 0 / 64

HEX #342D5D

RGB 52 45 93

HSL 248.75, 0.35%, 0.27%

LAB 21.57, 16.64, -27.76

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 21 / 31 / 0 / 34

HEX #8675A9

RGB 134 117 169

HSL 259.62, 0.23%, 0.56%

LAB 52.57, 17.61, -25.36

 

CMYK 12 / 31 / 0 / 34

HEX #9475A9

RGB 148 117 169

HSL 275.77, 0.23%, 0.56%

LAB 53.9, 22.17, -23.2

 

CMYK 4 / 31 / 0 / 34

HEX #A275A9

RGB 162 117 169

HSL 291.92, 0.23%, 0.56%

LAB 55.35, 26.83, -20.86

 

CMYK 0 / 31 / 4 / 34

HEX #A975A2

RGB 169 117 162

HSL 308.08, 0.23%, 0.56%

LAB 55.85, 27.84, -15.97

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 31 / 31 / 0 / 34

HEX #7575A9

RGB 117 117 169

HSL 240, 0.23%, 0.56%

LAB 51.12, 12.3, -27.73

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 44 / 47 / 0 / 27

HEX #6863BB

RGB 104 99 187

HSL 243.41, 0.39%, 0.56%

LAB 46.25, 24.75, -45.92

 

CMYK 57 / 60 / 0 / 20

HEX #5851CD

RGB 88 81 205

HSL 243.39, 0.55%, 0.56%

LAB 41.79, 37.95, -63.59

 

CMYK 68 / 72 / 0 / 13

HEX #483FDF

RGB 72 63 223

HSL 243.38, 0.71%, 0.56%

LAB 38.31, 51.82, -79.68

 

CMYK 77 / 82 / 0 / 5

HEX #382CF1

RGB 56 44 241

HSL 243.65, 0.88%, 0.56%

LAB 35.97, 65.28, -93.81

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 9 / 10 / 0 / 41

HEX #888796

RGB 136 135 150

HSL 244, 0.07%, 0.56%

LAB 56.84, 3.45, -7.86

 

CMYK 1 / 0 / 14 / 40

HEX #989984

RGB 152 153 132

HSL 62.86, 0.09%, 0.56%

LAB 62.61, -4.16, 10.93

 

CMYK 2 / 0 / 33 / 33

HEX #A8AB72

RGB 168 171 114

HSL 63.16, 0.25%, 0.56%

LAB 68.51, -10.2, 29.05

 

CMYK 3 / 0 / 49 / 25

HEX #B8BE60

RGB 184 190 96

HSL 63.83, 0.42%, 0.56%

LAB 74.74, -15.51, 46.31

 

CMYK 31 / 16 / 0 / 34

HEX #758EA9

RGB 117 142 169

HSL 211.15, 0.23%, 0.56%

LAB 58.03, -2.32, -17.11

 

CMYK 31 / 24 / 0 / 34

HEX #7580A9

RGB 117 128 169

HSL 227.31, 0.23%, 0.56%

LAB 54.12, 5.77, -23.09

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 21 / 31 / 0 / 34

HEX #8575A9

RGB 133 117 169

HSL 258.46, 0.23%, 0.56%

LAB 52.48, 17.29, -25.51

 

CMYK 13 / 31 / 0 / 34

HEX #9375A9

RGB 147 117 169

HSL 274.62, 0.23%, 0.56%

LAB 53.8, 21.84, -23.36

 

CMYK 35 / 38 / 0 / 51

HEX #514E7D

RGB 81 78 125

HSL 243.83, 0.23%, 0.4%

LAB 35.36, 13.24, -26.19

 

CMYK 35 / 37 / 0 / 41

HEX #615E96

RGB 97 94 150

HSL 243.21, 0.23%, 0.48%

LAB 42.38, 15.13, -30.28

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 21 / 23 / 0 / 28

HEX #918EB8

RGB 145 142 184

HSL 244.29, 0.23%, 0.64%

LAB 60.63, 10.15, -21.49

 

CMYK 15 / 16 / 0 / 22

HEX #AAA8C8

RGB 170 168 200

HSL 243.75, 0.23%, 0.72%

LAB 69.98, 7.2, -16.04

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 0 / 31 / 8 / 34

HEX #A9759C

RGB 169 117 156

HSL 315, 0.23%, 0.56%

LAB 55.64, 26.73, -12.81

 

CMYK 20 / 0 / 31 / 34

HEX #87A975

RGB 135 169 117

HSL 99.23, 0.23%, 0.56%

LAB 65.6, -21.47, 23.15

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 0 / 29 / 31 / 34

HEX #A97875

RGB 169 120 117

HSL 3.46, 0.23%, 0.56%

LAB 55.23, 18.75, 9.28

 

CMYK 31 / 0 / 29 / 34

HEX #75A978

RGB 117 169 120

HSL 123.46, 0.23%, 0.56%

LAB 64.57, -27.31, 19.94

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 0 / 31 / 8 / 34

HEX #A9759C

RGB 169 117 156

HSL 315, 0.23%, 0.56%

LAB 55.64, 26.73, -12.81

 

CMYK 2 / 0 / 31 / 34

HEX #A6A975

RGB 166 169 117

HSL 63.46, 0.23%, 0.56%

LAB 67.85, -9.55, 26.55

 

CMYK 31 / 0 / 23 / 34

HEX #75A982

RGB 117 169 130

HSL 135, 0.23%, 0.56%

LAB 64.78, -25.48, 14.73

 

CMYK 29 / 31 / 0 / 34

HEX #7875A9

RGB 120 117 169

HSL 243.46, 0.23%, 0.56%

LAB 51.36, 13.21, -27.33

 

CMYK 0 / 31 / 17 / 34

HEX #A9758C

RGB 169 117 140

HSL 333.46, 0.23%, 0.56%

LAB 55.12, 23.96, -4.27

 

CMYK 2 / 0 / 31 / 34

HEX #A6A975

RGB 166 169 117

HSL 63.46, 0.23%, 0.56%

LAB 67.85, -9.55, 26.55

 

CMYK 31 / 0 / 14 / 34

HEX #75A991

RGB 117 169 145

HSL 152.31, 0.23%, 0.56%

LAB 65.12, -22.47, 6.91

 

Description

Color code: HEX #7875A9 | qconv.com Color code: HEX #7875A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 117 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 117 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 31 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 31% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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