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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784F4D it is the complementary color #87B0B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784F4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784F4D shade: #7D4F48, #8E615B, #9F736E, #B08581 and #C19794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784F4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784F4D shade: #784F4D, #673D3A, #562B27, #451914 and #340701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784F4D shade: #79504E and #794E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784F4D shade: #79504E, #795B4E, #79674E, #79734E and #74794E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784F4D shade matches the following richer shades: #79504E, #89413D, #9A322D, #AA241D and #BA150D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784F4D shade: #79504E, #695E5E, #596D6E, #497B7E and #398A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784F4D shade: #794E63, #794E58, #794F4E, #795B4E and #79664E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784F4D shade: #472F2D, #603F3D, #79504E, #92605E and #A67674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784F4D shade: #784F4D, #6F794E and #4E5E79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784F4D shade: #784F4D, #4E794F and #4F4E79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784F4D shade: #784F4D, #6F794E, #4E7879 and #584E79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784F4D shade: #784F4D, #62794E, #4E7879 and #654E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

Complementary color

CMYK 24 / 1 / 0 / 30

HEX #87B0B2

RGB 135 176 178

HSL 182.79, 0.22%, 0.61%

LAB 69.05, -13.23, -5.53

 

CMYK 0 / 37 / 42 / 51

HEX #7D4F48

RGB 125 79 72

HSL 7.92, 0.27%, 0.39%

LAB 38.59, 18.46, 12.17

 

CMYK 0 / 32 / 36 / 44

HEX #8E615B

RGB 142 97 91

HSL 7.06, 0.22%, 0.46%

LAB 45.71, 17.47, 10.8

 

CMYK 0 / 28 / 31 / 38

HEX #9F736E

RGB 159 115 110

HSL 6.12, 0.2%, 0.53%

LAB 52.68, 16.62, 9.61

 

CMYK 0 / 24 / 27 / 31

HEX #B08581

RGB 176 133 129

HSL 5.11, 0.23%, 0.6%

LAB 59.52, 15.89, 8.56

 

CMYK 0 / 22 / 23 / 24

HEX #C19794

RGB 193 151 148

HSL 4, 0.27%, 0.67%

LAB 66.22, 15.25, 7.6

 

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

CMYK 0 / 41 / 44 / 60

HEX #673D3A

RGB 103 61 58

HSL 4, 0.28%, 0.32%

LAB 30.7, 18.05, 9.68

 

CMYK 0 / 50 / 55 / 66

HEX #562B27

RGB 86 43 39

HSL 5.11, 0.38%, 0.25%

LAB 23.18, 19.32, 11.5

 

CMYK 0 / 64 / 71 / 73

HEX #451914

RGB 69 25 20

HSL 6.12, 0.55%, 0.17%

LAB 15.54, 20.77, 13.99

 

CMYK 0 / 87 / 98 / 80

HEX #340701

RGB 52 7 1

HSL 7.06, 0.96%, 0.1%

LAB 7.99, 21.96, 12.05

 

CMYK 0 / 34 / 36 / 53

HEX #79504E

RGB 121 80 78

HSL 2.79, 0.22%, 0.39%

LAB 38.47, 16.95, 8.21

 

CMYK 0 / 36 / 36 / 53

HEX #794E4E

RGB 121 78 78

HSL 0, 0.22%, 0.39%

LAB 37.96, 18.15, 7.49

 

CMYK 0 / 34 / 36 / 53

HEX #79504E

RGB 121 80 78

HSL 2.79, 0.22%, 0.39%

LAB 38.47, 16.95, 8.21

 

CMYK 0 / 25 / 36 / 53

HEX #795B4E

RGB 121 91 78

HSL 18.14, 0.22%, 0.39%

LAB 41.37, 10.34, 12.26

 

CMYK 0 / 15 / 36 / 53

HEX #79674E

RGB 121 103 78

HSL 34.88, 0.22%, 0.39%

LAB 44.68, 3.19, 16.78

 

CMYK 0 / 5 / 36 / 53

HEX #79734E

RGB 121 115 78

HSL 51.63, 0.22%, 0.39%

LAB 48.1, -3.78, 21.34

 

CMYK 4 / 0 / 36 / 53

HEX #74794E

RGB 116 121 78

HSL 66.98, 0.22%, 0.39%

LAB 49.42, -9.31, 22.99

 

CMYK 0 / 34 / 36 / 53

HEX #79504E

RGB 121 80 78

HSL 2.79, 0.22%, 0.39%

LAB 38.47, 16.95, 8.21

 

CMYK 0 / 53 / 55 / 46

HEX #89413D

RGB 137 65 61

HSL 3.16, 0.38%, 0.39%

LAB 36.81, 30.31, 16.9

 

CMYK 0 / 68 / 71 / 40

HEX #9A322D

RGB 154 50 45

HSL 2.75, 0.55%, 0.39%

LAB 36.63, 42.98, 27.17

 

CMYK 0 / 79 / 83 / 33

HEX #AA241D

RGB 170 36 29

HSL 2.98, 0.71%, 0.39%

LAB 37.66, 52.79, 38.42

 

CMYK 0 / 89 / 93 / 27

HEX #BA150D

RGB 186 21 13

HSL 2.77, 0.87%, 0.39%

LAB 39.59, 60.69, 48.77

 

CMYK 0 / 34 / 36 / 53

HEX #79504E

RGB 121 80 78

HSL 2.79, 0.22%, 0.39%

LAB 38.47, 16.95, 8.21

 

CMYK 0 / 10 / 10 / 59

HEX #695E5E

RGB 105 94 94

HSL 0, 0.06%, 0.39%

LAB 40.92, 4.41, 1.6

 

CMYK 19 / 1 / 0 / 57

HEX #596D6E

RGB 89 109 110

HSL 182.86, 0.11%, 0.39%

LAB 44.5, -7.17, -3.04

 

CMYK 42 / 2 / 0 / 51

HEX #497B7E

RGB 73 123 126

HSL 183.4, 0.27%, 0.39%

LAB 48.37, -15.97, -6.94

 

CMYK 60 / 3 / 0 / 44

HEX #398A8E

RGB 57 138 142

HSL 182.82, 0.43%, 0.39%

LAB 52.95, -23.1, -9.53

 

CMYK 0 / 36 / 18 / 53

HEX #794E63

RGB 121 78 99

HSL 330.7, 0.22%, 0.39%

LAB 38.58, 21.46, -4.73

 

CMYK 0 / 36 / 27 / 53

HEX #794E58

RGB 121 78 88

HSL 346.05, 0.22%, 0.39%

LAB 38.23, 19.64, 1.63

 

CMYK 0 / 35 / 36 / 53

HEX #794F4E

RGB 121 79 78

HSL 1.4, 0.22%, 0.39%

LAB 38.21, 17.55, 7.85

 

CMYK 0 / 25 / 36 / 53

HEX #795B4E

RGB 121 91 78

HSL 18.14, 0.22%, 0.39%

LAB 41.37, 10.34, 12.26

 

CMYK 0 / 16 / 36 / 53

HEX #79664E

RGB 121 102 78

HSL 33.49, 0.22%, 0.39%

LAB 44.4, 3.78, 16.4

 

CMYK 0 / 34 / 37 / 72

HEX #472F2D

RGB 71 47 45

HSL 4.62, 0.22%, 0.23%

LAB 22.17, 10.68, 5.71

 

CMYK 0 / 34 / 36 / 62

HEX #603F3D

RGB 96 63 61

HSL 3.43, 0.22%, 0.31%

LAB 30.35, 14.14, 7.1

 

CMYK 0 / 34 / 36 / 53

HEX #79504E

RGB 121 80 78

HSL 2.79, 0.22%, 0.39%

LAB 38.47, 16.95, 8.21

 

CMYK 0 / 34 / 36 / 43

HEX #92605E

RGB 146 96 94

HSL 2.31, 0.22%, 0.47%

LAB 46.02, 20.1, 9.5

 

CMYK 0 / 29 / 30 / 35

HEX #A67674

RGB 166 118 116

HSL 2.4, 0.22%, 0.55%

LAB 54.37, 18.56, 8.6

 

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

CMYK 8 / 0 / 36 / 53

HEX #6F794E

RGB 111 121 78

HSL 73.95, 0.22%, 0.39%

LAB 49.01, -11.43, 22.38

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

CMYK 36 / 0 / 35 / 53

HEX #4E794F

RGB 78 121 79

HSL 121.4, 0.22%, 0.39%

LAB 46.79, -24.13, 18.45

 

CMYK 35 / 36 / 0 / 53

HEX #4F4E79

RGB 79 78 121

HSL 241.4, 0.22%, 0.39%

LAB 34.99, 11.46, -24.31

 

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

CMYK 8 / 0 / 36 / 53

HEX #6F794E

RGB 111 121 78

HSL 73.95, 0.22%, 0.39%

LAB 49.01, -11.43, 22.38

 

CMYK 36 / 1 / 0 / 53

HEX #4E7879

RGB 78 120 121

HSL 181.4, 0.22%, 0.39%

LAB 47.54, -14.23, -5.19

 

CMYK 27 / 36 / 0 / 53

HEX #584E79

RGB 88 78 121

HSL 253.95, 0.22%, 0.39%

LAB 35.8, 14.34, -22.98

 

CMYK 0 / 34 / 36 / 53

HEX #784F4D

RGB 120 79 77

HSL 2.79, 0.22%, 0.39%

LAB 38.06, 16.99, 8.24

 

CMYK 19 / 0 / 36 / 53

HEX #62794E

RGB 98 121 78

HSL 92.09, 0.22%, 0.39%

LAB 48.03, -16.76, 20.91

 

CMYK 36 / 1 / 0 / 53

HEX #4E7879

RGB 78 120 121

HSL 181.4, 0.22%, 0.39%

LAB 47.54, -14.23, -5.19

 

CMYK 17 / 36 / 0 / 53

HEX #654E79

RGB 101 78 121

HSL 272.09, 0.22%, 0.39%

LAB 37.11, 18.69, -20.85

 

Description

Color code: HEX #784F4D | qconv.com Color code: HEX #784F4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 79 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 79 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 36 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 36% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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