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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5E79 it is the complementary color #B1A186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5E79 shade: #535E74, #647087, #75829A, #8694AD and #97A6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5E79 shade: #4E5E79, #3D4C66, #2C3A53, #1B2840 and #0A162D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5E79 shade: #4E5E79, #4E5279, #554E79, #614E79 and #6C4E79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5E79 shade: #4E5E79, #4E5279 and #4E4E79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5E79 shade matches the following richer shades: #4E5E79, #3D5A89, #2D569A, #1D52AA and #0D4DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5E79 shade: #4E5E79, #5E6269, #6E6659, #7E6A49 and #8E6E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5E79 shade: #4E7679, #4E6A79, #4E5E79, #4E5379 and #544E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5E79 shade: #2D3747, #3D4A60, #4E5E79, #5E7192 and #7486A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5E79 shade: #4E5E79, #714E79 and #70794E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5E79 shade: #4E5E79, #794E5E and #5E794E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5E79 shade: #4E5E79, #714E79, #79694E and #56794E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5E79 shade: #4E5E79, #794E74, #79694E and #4E7953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

Complementary color

CMYK 0 / 9 / 24 / 31

HEX #B1A186

RGB 177 161 134

HSL 37.67, 0.22%, 0.61%

LAB 66.94, 1.48, 16.19

 

CMYK 28 / 19 / 0 / 55

HEX #535E74

RGB 83 94 116

HSL 220, 0.17%, 0.39%

LAB 39.76, 1.26, -13.84

 

CMYK 26 / 17 / 0 / 47

HEX #647087

RGB 100 112 135

HSL 219.43, 0.15%, 0.46%

LAB 47.04, 1.01, -14.12

 

CMYK 24 / 16 / 0 / 40

HEX #75829A

RGB 117 130 154

HSL 218.92, 0.15%, 0.53%

LAB 54.11, 0.79, -14.43

 

CMYK 23 / 14 / 0 / 32

HEX #8694AD

RGB 134 148 173

HSL 218.46, 0.19%, 0.6%

LAB 61.02, 0.59, -14.75

 

CMYK 21 / 14 / 0 / 25

HEX #97A6C0

RGB 151 166 192

HSL 218.05, 0.25%, 0.67%

LAB 67.77, 0.41, -15.09

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 40 / 25 / 0 / 60

HEX #3D4C66

RGB 61 76 102

HSL 218.05, 0.25%, 0.32%

LAB 32.08, 1.41, -17.03

 

CMYK 47 / 30 / 0 / 67

HEX #2C3A53

RGB 44 58 83

HSL 218.46, 0.31%, 0.25%

LAB 24.28, 1.93, -16.94

 

CMYK 58 / 38 / 0 / 75

HEX #1B2840

RGB 27 40 64

HSL 218.92, 0.41%, 0.18%

LAB 16.11, 2.7, -16.96

 

CMYK 78 / 51 / 0 / 82

HEX #0A162D

RGB 10 22 45

HSL 219.43, 0.64%, 0.11%

LAB 7.48, 4.02, -17.08

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 36 / 32 / 0 / 53

HEX #4E5279

RGB 78 82 121

HSL 234.42, 0.22%, 0.39%

LAB 36.05, 8.58, -22.66

 

CMYK 30 / 36 / 0 / 53

HEX #554E79

RGB 85 78 121

HSL 249.77, 0.22%, 0.39%

LAB 35.52, 13.36, -23.44

 

CMYK 20 / 36 / 0 / 53

HEX #614E79

RGB 97 78 121

HSL 266.51, 0.22%, 0.39%

LAB 36.69, 17.33, -21.53

 

CMYK 11 / 36 / 0 / 53

HEX #6C4E79

RGB 108 78 121

HSL 281.86, 0.22%, 0.39%

LAB 37.87, 21.1, -19.6

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 36 / 32 / 0 / 53

HEX #4E5279

RGB 78 82 121

HSL 234.42, 0.22%, 0.39%

LAB 36.05, 8.58, -22.66

 

CMYK 36 / 36 / 0 / 53

HEX #4E4E79

RGB 78 78 121

HSL 240, 0.22%, 0.39%

LAB 34.9, 11.14, -24.45

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 55 / 34 / 0 / 46

HEX #3D5A89

RGB 61 90 137

HSL 217.11, 0.38%, 0.39%

LAB 38.04, 3.86, -29.44

 

CMYK 71 / 44 / 0 / 40

HEX #2D569A

RGB 45 86 154

HSL 217.43, 0.55%, 0.39%

LAB 37.02, 9.42, -41.39

 

CMYK 83 / 52 / 0 / 33

HEX #1D52AA

RGB 29 82 170

HSL 217.45, 0.71%, 0.39%

LAB 36.36, 16.32, -52.04

 

CMYK 93 / 59 / 0 / 27

HEX #0D4DBA

RGB 13 77 186

HSL 217.8, 0.87%, 0.39%

LAB 35.87, 25.04, -62.33

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 10 / 7 / 0 / 59

HEX #5E6269

RGB 94 98 105

HSL 218.18, 0.06%, 0.39%

LAB 41.43, -0, -4.5

 

CMYK 0 / 7 / 19 / 57

HEX #6E6659

RGB 110 102 89

HSL 37.14, 0.11%, 0.39%

LAB 43.56, 0.77, 8.49

 

CMYK 0 / 16 / 42 / 51

HEX #7E6A49

RGB 126 106 73

HSL 37.36, 0.27%, 0.39%

LAB 45.94, 2.98, 21.47

 

CMYK 0 / 23 / 60 / 44

HEX #8E6E39

RGB 142 110 57

HSL 37.41, 0.43%, 0.39%

LAB 48.51, 6.23, 33.99

 

CMYK 36 / 2 / 0 / 53

HEX #4E7679

RGB 78 118 121

HSL 184.19, 0.22%, 0.39%

LAB 46.92, -13.11, -6.11

 

CMYK 36 / 12 / 0 / 53

HEX #4E6A79

RGB 78 106 121

HSL 200.93, 0.22%, 0.39%

LAB 43.22, -6.22, -11.65

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 36 / 31 / 0 / 53

HEX #4E5379

RGB 78 83 121

HSL 233.02, 0.22%, 0.39%

LAB 36.34, 7.94, -22.2

 

CMYK 31 / 36 / 0 / 53

HEX #544E79

RGB 84 78 121

HSL 248.37, 0.22%, 0.39%

LAB 35.43, 13.04, -23.59

 

CMYK 37 / 23 / 0 / 72

HEX #2D3747

RGB 45 55 71

HSL 216.92, 0.22%, 0.23%

LAB 22.81, 0.41, -11.23

 

CMYK 36 / 23 / 0 / 62

HEX #3D4A60

RGB 61 74 96

HSL 217.71, 0.22%, 0.31%

LAB 31.19, 0.89, -14.59

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 36 / 23 / 0 / 43

HEX #5E7192

RGB 94 113 146

HSL 218.08, 0.22%, 0.47%

LAB 47.32, 1.46, -20.25

 

CMYK 30 / 19 / 0 / 35

HEX #7486A6

RGB 116 134 166

HSL 218.4, 0.22%, 0.55%

LAB 55.6, 1.19, -19.1

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 7 / 36 / 0 / 53

HEX #714E79

RGB 113 78 121

HSL 288.84, 0.22%, 0.39%

LAB 38.45, 22.84, -18.67

 

CMYK 7 / 0 / 36 / 53

HEX #70794E

RGB 112 121 78

HSL 72.56, 0.22%, 0.39%

LAB 49.09, -11.01, 22.5

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 0 / 36 / 22 / 53

HEX #794E5E

RGB 121 78 94

HSL 337.67, 0.22%, 0.39%

LAB 38.41, 20.6, -1.85

 

CMYK 22 / 0 / 36 / 53

HEX #5E794E

RGB 94 121 78

HSL 97.67, 0.22%, 0.39%

LAB 47.76, -18.34, 20.49

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 7 / 36 / 0 / 53

HEX #714E79

RGB 113 78 121

HSL 288.84, 0.22%, 0.39%

LAB 38.45, 22.84, -18.67

 

CMYK 0 / 13 / 36 / 53

HEX #79694E

RGB 121 105 78

HSL 37.67, 0.22%, 0.39%

LAB 45.25, 2.01, 17.54

 

CMYK 29 / 0 / 36 / 53

HEX #56794E

RGB 86 121 78

HSL 108.84, 0.22%, 0.39%

LAB 47.24, -21.4, 19.71

 

CMYK 36 / 22 / 0 / 53

HEX #4E5E79

RGB 78 94 121

HSL 217.67, 0.22%, 0.39%

LAB 39.59, 1.03, -17.19

 

CMYK 0 / 36 / 4 / 53

HEX #794E74

RGB 121 78 116

HSL 306.98, 0.22%, 0.39%

LAB 39.2, 24.63, -14.35

 

CMYK 0 / 13 / 36 / 53

HEX #79694E

RGB 121 105 78

HSL 37.67, 0.22%, 0.39%

LAB 45.25, 2.01, 17.54

 

CMYK 36 / 0 / 31 / 53

HEX #4E7953

RGB 78 121 83

HSL 126.98, 0.22%, 0.39%

LAB 46.87, -23.39, 16.25

 

Description

Color code: HEX #4E5E79 | qconv.com Color code: HEX #4E5E79 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 94 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 94 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 22 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 22% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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