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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #782FEE it is the complementary color #87D011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #782FEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #782FEE: #7D2FE9, #8E41FC, #9F53FF, #B065FF and #C177FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #782FEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #782FEE: #782FEE, #671DDB, #560BC8, #4500B5 and #3400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

Complementary color

CMYK 35 / 0 / 92 / 18

HEX #87D011

RGB 135 208 17

HSL 82.93, 0.85%, 0.44%

LAB 76.25, -47.48, 73.52

 

CMYK 46 / 80 / 0 / 9

HEX #7D2FE9

RGB 125 47 233

HSL 265.16, 0.81%, 0.55%

LAB 41.65, 68.33, -79.7

 

CMYK 44 / 74 / 0 / 1

HEX #8E41FC

RGB 142 65 252

HSL 264.71, 0.97%, 0.62%

LAB 47.7, 68.18, -80.39

 

CMYK 38 / 67 / 0 / 0

HEX #9F53FF

RGB 159 83 255

HSL 266.51, 1%, 0.66%

LAB 52.71, 63.74, -73.82

 

CMYK 31 / 60 / 0 / 0

HEX #B065FF

RGB 176 101 255

HSL 269.22, 1%, 0.7%

LAB 57.81, 58.45, -65.48

 

CMYK 24 / 53 / 0 / 0

HEX #C177FF

RGB 193 119 255

HSL 272.65, 1%, 0.73%

LAB 63.14, 53.27, -56.84

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 53 / 87 / 0 / 14

HEX #671DDB

RGB 103 29 219

HSL 263.37, 0.77%, 0.49%

LAB 35.75, 68.38, -81.52

 

CMYK 57 / 95 / 0 / 22

HEX #560BC8

RGB 86 11 200

HSL 263.81, 0.9%, 0.41%

LAB 30.37, 66.57, -79.45

 

CMYK 62 / 100 / 0 / 29

HEX #4500B5

RGB 69 0 181

HSL 262.87, 1%, 0.35%

LAB 25.57, 62.97, -76.23

 

CMYK 68 / 100 / 0 / 36

HEX #3400A2

RGB 52 0 162

HSL 259.26, 1%, 0.32%

LAB 21.35, 57.55, -71.83

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 37 / 80 / 0 / 7

HEX #952FEE

RGB 149 47 238

HSL 272.04, 0.85%, 0.56%

LAB 45.08, 72.75, -76.8

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 80 / 3 / 7

HEX #EE2FE7

RGB 238 47 231

HSL 302.2, 0.85%, 0.56%

LAB 58.02, 86.46, -51.29

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 50 / 79 / 0 / 87

HEX #110722

RGB 17 7 34

HSL 262.22, 0.66%, 0.08%

LAB 3.49, 9.36, -14.93

 

CMYK 49 / 80 / 0 / 67

HEX #2B1155

RGB 43 17 85

HSL 262.94, 0.67%, 0.2%

LAB 13.05, 29.88, -36.22

 

CMYK 49 / 80 / 0 / 47

HEX #451B88

RGB 69 27 136

HSL 263.12, 0.67%, 0.32%

LAB 23.09, 43.95, -52.82

 

CMYK 50 / 80 / 0 / 27

HEX #5E25BB

RGB 94 37 187

HSL 262.8, 0.67%, 0.44%

LAB 32.46, 56.73, -68.31

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 0 / 80 / 45 / 7

HEX #EE2F82

RGB 238 47 130

HSL 333.93, 0.85%, 0.56%

LAB 53.84, 74.62, 0.94

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 0 / 51 / 80 / 7

HEX #EE752F

RGB 238 117 47

HSL 21.99, 0.85%, 0.56%

LAB 62.6, 42.47, 57.46

 

CMYK 80 / 0 / 51 / 7

HEX #2FEE75

RGB 47 238 117

HSL 141.99, 0.85%, 0.56%

LAB 83.46, -70.48, 45.6

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 0 / 80 / 45 / 7

HEX #EE2F82

RGB 238 47 130

HSL 333.93, 0.85%, 0.56%

LAB 53.84, 74.62, 0.94

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

CMYK 80 / 0 / 35 / 7

HEX #2FEE9B

RGB 47 238 155

HSL 153.93, 0.85%, 0.56%

LAB 84.03, -63.9, 27.57

 

CMYK 50 / 80 / 0 / 7

HEX #782FEE

RGB 120 47 238

HSL 262.93, 0.85%, 0.56%

LAB 41.53, 68.9, -82.75

 

CMYK 0 / 80 / 70 / 7

HEX #EE2F48

RGB 238 47 72

HSL 352.15, 0.85%, 0.56%

LAB 52.6, 70.87, 33.99

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

CMYK 80 / 0 / 11 / 7

HEX #2FEED4

RGB 47 238 212

HSL 171.83, 0.85%, 0.56%

LAB 85.25, -50.74, -0.33

 

Description

Color code: HEX #782FEE | qconv.com Color code: HEX #782FEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 47 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 47 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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