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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F40A it is the complementary color #880BF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F40A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #77F40A: #7CF405, #8DFF18, #9EFF2B, #AFFF3E and #C0FF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F40A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #77F40A: #77F40A, #66E200, #55D000, #44BE00 and #33AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

Complementary color

CMYK 44 / 96 / 0 / 4

HEX #880BF5

RGB 136 11 245

HSL 272.05, 0.92%, 0.5%

LAB 41.32, 80.61, -86.98

 

CMYK 49 / 0 / 98 / 4

HEX #7CF405

RGB 124 244 5

HSL 90.13, 0.96%, 0.49%

LAB 86.5, -64.98, 82.69

 

CMYK 45 / 0 / 91 / 0

HEX #8DFF18

RGB 141 255 24

HSL 89.61, 1%, 0.55%

LAB 90.44, -63.64, 84.27

 

CMYK 38 / 0 / 83 / 0

HEX #9EFF2B

RGB 158 255 43

HSL 87.45, 1%, 0.58%

LAB 91.22, -57.72, 81.85

 

CMYK 31 / 0 / 76 / 0

HEX #AFFF3E

RGB 175 255 62

HSL 84.87, 1%, 0.62%

LAB 92.12, -51.15, 78.04

 

CMYK 25 / 0 / 68 / 0

HEX #C0FF51

RGB 192 255 81

HSL 81.72, 1%, 0.66%

LAB 93.15, -44.01, 73.09

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 55 / 0 / 100 / 11

HEX #66E200

RGB 102 226 0

HSL 92.92, 1%, 0.44%

LAB 80.3, -64.83, 77.89

 

CMYK 59 / 0 / 100 / 18

HEX #55D000

RGB 85 208 0

HSL 95.48, 1%, 0.41%

LAB 74.22, -63.04, 72.86

 

CMYK 64 / 0 / 100 / 25

HEX #44BE00

RGB 68 190 0

HSL 98.53, 1%, 0.37%

LAB 68.06, -61.04, 67.79

 

CMYK 70 / 0 / 100 / 33

HEX #33AC00

RGB 51 172 0

HSL 102.21, 1%, 0.34%

LAB 61.83, -58.74, 62.67

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 67 / 0 / 96 / 4

HEX #50F40A

RGB 80 244 10

HSL 102.05, 0.92%, 0.5%

LAB 85.21, -75.47, 80.72

 

CMYK 83 / 0 / 96 / 4

HEX #29F40A

RGB 41 244 10

HSL 112.05, 0.92%, 0.5%

LAB 84.58, -81, 79.95

 

CMYK 96 / 0 / 93 / 4

HEX #0AF412

RGB 10 244 18

HSL 122.05, 0.92%, 0.5%

LAB 84.39, -82.75, 78.91

 

CMYK 96 / 0 / 77 / 4

HEX #0AF439

RGB 10 244 57

HSL 132.05, 0.92%, 0.5%

LAB 84.52, -81.07, 70.75

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 50 / 0 / 95 / 84

HEX #142802

RGB 20 40 2

HSL 91.58, 0.9%, 0.08%

LAB 13.65, -16.17, 18.91

 

CMYK 52 / 0 / 96 / 64

HEX #2C5B04

RGB 44 91 4

HSL 92.41, 0.92%, 0.19%

LAB 34.04, -30.84, 39.29

 

CMYK 51 / 0 / 96 / 44

HEX #458E06

RGB 69 142 6

HSL 92.21, 0.92%, 0.29%

LAB 52.54, -43.47, 54.5

 

CMYK 51 / 0 / 96 / 24

HEX #5EC108

RGB 94 193 8

HSL 92.11, 0.92%, 0.39%

LAB 69.85, -55.21, 68.65

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 96 / 0 / 25 / 4

HEX #0AF4B6

RGB 10 244 182

HSL 164.1, 0.92%, 0.5%

LAB 86.08, -62.45, 16.47

 

CMYK 0 / 96 / 13 / 4

HEX #F40AD5

RGB 244 10 213

HSL 307.95, 0.92%, 0.5%

LAB 56.34, 90.26, -43.7

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 96 / 51 / 0 / 4

HEX #0A77F4

RGB 10 119 244

HSL 212.05, 0.92%, 0.5%

LAB 51.6, 20.43, -69.88

 

CMYK 0 / 96 / 51 / 4

HEX #F40A77

RGB 244 10 119

HSL 332.05, 0.92%, 0.5%

LAB 52.71, 80.85, 6.09

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 96 / 0 / 25 / 4

HEX #0AF4B6

RGB 10 244 182

HSL 164.1, 0.92%, 0.5%

LAB 86.08, -62.45, 16.47

 

CMYK 45 / 96 / 0 / 4

HEX #870AF4

RGB 135 10 244

HSL 272.05, 0.92%, 0.5%

LAB 41.06, 80.42, -86.85

 

CMYK 0 / 96 / 70 / 4

HEX #F40A48

RGB 244 10 72

HSL 344.1, 0.92%, 0.5%

LAB 51.74, 78.23, 33.24

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 45 / 96 / 0 / 4

HEX #870AF4

RGB 135 10 244

HSL 272.05, 0.92%, 0.5%

LAB 41.06, 80.42, -86.85

 

CMYK 0 / 93 / 96 / 4

HEX #F4120A

RGB 244 18 10

HSL 2.05, 0.92%, 0.5%

LAB 51.48, 76.11, 62.66

 

Description

Color code: HEX #77F40A | qconv.com Color code: HEX #77F40A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 244 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 244 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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