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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77D2F0 it is the complementary color #882D0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77D2F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77D2F0 shade: #7CD2EB, #8DE4FE, #9EF6FF, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77D2F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77D2F0 shade: #77D2F0, #66C0DD, #55AECA, #449CB7 and #338AA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77D2F0 shade: #75D1F0, #75B0F0, #758FF0, #7C75F0 and #9D75F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77D2F0 shade: #75D1F0, #75B0F0, #758FF0 and #7575F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77D2F0 shade matches the following richer shades: #75D1F0 and #69D8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77D2F0 shade: #75D1F0, #82CBE3, #8EC5D7, #9ABFCB and #A7B8BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77D2F0 shade: #75F0CB, #75F0EC, #75D3F0, #75B3F0 and #7592F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77D2F0 shade: #2BB9E7, #50C5EC, #75D1F0, #9ADEF4 and #C0EAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77D2F0 shade: #77D2F0, #AA75F0 and #F0DB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77D2F0 shade: #77D2F0, #F075D3 and #D3F075

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77D2F0 shade: #77D2F0, #AA75F0, #F09275 and #BBF075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77D2F0 shade: #77D2F0, #CF75F0, #F09275 and #96F075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

Complementary color

CMYK 0 / 67 / 89 / 47

HEX #882D0F

RGB 136 45 15

HSL 14.88, 0.8%, 0.3%

LAB 32.14, 37.49, 37.97

 

CMYK 47 / 11 / 0 / 8

HEX #7CD2EB

RGB 124 210 235

HSL 193.51, 0.74%, 0.7%

LAB 79.83, -19.48, -20.39

 

CMYK 44 / 10 / 0 / 0

HEX #8DE4FE

RGB 141 228 254

HSL 193.81, 0.98%, 0.77%

LAB 86.16, -19.64, -20.81

 

CMYK 38 / 4 / 0 / 0

HEX #9EF6FF

RGB 158 246 255

HSL 185.57, 1%, 0.81%

LAB 91.86, -24.18, -12.68

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

CMYK 54 / 13 / 0 / 13

HEX #66C0DD

RGB 102 192 221

HSL 194.62, 0.64%, 0.63%

LAB 73.38, -18.93, -22.74

 

CMYK 58 / 14 / 0 / 21

HEX #55AECA

RGB 85 174 202

HSL 194.36, 0.52%, 0.56%

LAB 66.88, -18.53, -22.31

 

CMYK 63 / 15 / 0 / 28

HEX #449CB7

RGB 68 156 183

HSL 194.09, 0.46%, 0.49%

LAB 60.27, -17.99, -21.85

 

CMYK 69 / 16 / 0 / 36

HEX #338AA4

RGB 51 138 164

HSL 193.81, 0.53%, 0.42%

LAB 53.56, -17.26, -21.35

 

CMYK 51 / 13 / 0 / 6

HEX #75D1F0

RGB 117 209 240

HSL 195.12, 0.8%, 0.7%

LAB 79.43, -19.15, -23.7

 

CMYK 51 / 27 / 0 / 6

HEX #75B0F0

RGB 117 176 240

HSL 211.22, 0.8%, 0.7%

LAB 70.26, -1.58, -37.81

 

CMYK 51 / 40 / 0 / 6

HEX #758FF0

RGB 117 143 240

HSL 227.32, 0.8%, 0.7%

LAB 61.41, 17.35, -51.72

 

CMYK 48 / 51 / 0 / 6

HEX #7C75F0

RGB 124 117 240

HSL 243.41, 0.8%, 0.7%

LAB 55.38, 34.28, -61.33

 

CMYK 35 / 51 / 0 / 6

HEX #9D75F0

RGB 157 117 240

HSL 259.51, 0.8%, 0.7%

LAB 58.21, 41.88, -56.64

 

CMYK 51 / 13 / 0 / 6

HEX #75D1F0

RGB 117 209 240

HSL 195.12, 0.8%, 0.7%

LAB 79.43, -19.15, -23.7

 

CMYK 51 / 27 / 0 / 6

HEX #75B0F0

RGB 117 176 240

HSL 211.22, 0.8%, 0.7%

LAB 70.26, -1.58, -37.81

 

CMYK 51 / 40 / 0 / 6

HEX #758FF0

RGB 117 143 240

HSL 227.32, 0.8%, 0.7%

LAB 61.41, 17.35, -51.72

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 51 / 13 / 0 / 6

HEX #75D1F0

RGB 117 209 240

HSL 195.12, 0.8%, 0.7%

LAB 79.43, -19.15, -23.7

 

CMYK 58 / 14 / 0 / 1

HEX #69D8FC

RGB 105 216 252

HSL 194.69, 0.96%, 0.7%

LAB 81.37, -21.66, -27.16

 

CMYK 51 / 13 / 0 / 6

HEX #75D1F0

RGB 117 209 240

HSL 195.12, 0.8%, 0.7%

LAB 79.43, -19.15, -23.7

 

CMYK 43 / 11 / 0 / 11

HEX #82CBE3

RGB 130 203 227

HSL 194.85, 0.63%, 0.7%

LAB 77.88, -16.61, -19.04

 

CMYK 34 / 8 / 0 / 16

HEX #8EC5D7

RGB 142 197 215

HSL 194.79, 0.48%, 0.7%

LAB 76.43, -13.42, -14.69

 

CMYK 24 / 6 / 0 / 20

HEX #9ABFCB

RGB 154 191 203

HSL 194.69, 0.32%, 0.7%

LAB 75.1, -9.64, -10.11

 

CMYK 12 / 3 / 0 / 25

HEX #A7B8BE

RGB 167 184 190

HSL 195.65, 0.15%, 0.7%

LAB 73.68, -4.61, -5.04

 

CMYK 51 / 0 / 15 / 6

HEX #75F0CB

RGB 117 240 203

HSL 161.95, 0.8%, 0.7%

LAB 87.2, -43.16, 7.4

 

CMYK 51 / 0 / 2 / 6

HEX #75F0EC

RGB 117 240 236

HSL 178.05, 0.8%, 0.7%

LAB 88.04, -35.28, -8.63

 

CMYK 51 / 12 / 0 / 6

HEX #75D3F0

RGB 117 211 240

HSL 194.15, 0.8%, 0.7%

LAB 79.99, -20.16, -22.84

 

CMYK 51 / 25 / 0 / 6

HEX #75B3F0

RGB 117 179 240

HSL 209.76, 0.8%, 0.7%

LAB 71.09, -3.24, -36.53

 

CMYK 51 / 39 / 0 / 6

HEX #7592F0

RGB 117 146 240

HSL 225.85, 0.8%, 0.7%

LAB 62.19, 15.59, -50.48

 

CMYK 81 / 20 / 0 / 9

HEX #2BB9E7

RGB 43 185 231

HSL 194.68, 0.8%, 0.54%

LAB 70.16, -20.79, -33.25

 

CMYK 66 / 17 / 0 / 7

HEX #50C5EC

RGB 80 197 236

HSL 195, 0.8%, 0.62%

LAB 74.63, -20.98, -29

 

CMYK 51 / 13 / 0 / 6

HEX #75D1F0

RGB 117 209 240

HSL 195.12, 0.8%, 0.7%

LAB 79.43, -19.15, -23.7

 

CMYK 37 / 9 / 0 / 4

HEX #9ADEF4

RGB 154 222 244

HSL 194.67, 0.8%, 0.78%

LAB 84.81, -15.94, -17.51

 

CMYK 23 / 6 / 0 / 3

HEX #C0EAF8

RGB 192 234 248

HSL 195, 0.8%, 0.86%

LAB 90.24, -10.52, -11.26

 

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

CMYK 29 / 51 / 0 / 6

HEX #AA75F0

RGB 170 117 240

HSL 265.85, 0.8%, 0.7%

LAB 59.49, 45.1, -54.52

 

CMYK 0 / 9 / 51 / 6

HEX #F0DB75

RGB 240 219 117

HSL 49.76, 0.8%, 0.7%

LAB 87.23, -5.62, 52.28

 

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

CMYK 0 / 51 / 12 / 6

HEX #F075D3

RGB 240 117 211

HSL 314.15, 0.8%, 0.7%

LAB 66.48, 58.73, -26.81

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

CMYK 29 / 51 / 0 / 6

HEX #AA75F0

RGB 170 117 240

HSL 265.85, 0.8%, 0.7%

LAB 59.49, 45.1, -54.52

 

CMYK 0 / 39 / 51 / 6

HEX #F09275

RGB 240 146 117

HSL 14.15, 0.8%, 0.7%

LAB 69.73, 32.55, 30.42

 

CMYK 22 / 0 / 51 / 6

HEX #BBF075

RGB 187 240 117

HSL 85.85, 0.8%, 0.7%

LAB 89, -36.28, 53.47

 

CMYK 50 / 13 / 0 / 6

HEX #77D2F0

RGB 119 210 240

HSL 194.88, 0.8%, 0.7%

LAB 79.79, -19.23, -23.14

 

CMYK 14 / 51 / 0 / 6

HEX #CF75F0

RGB 207 117 240

HSL 283.9, 0.8%, 0.7%

LAB 63.57, 54.69, -47.79

 

CMYK 0 / 39 / 51 / 6

HEX #F09275

RGB 240 146 117

HSL 14.15, 0.8%, 0.7%

LAB 69.73, 32.55, 30.42

 

CMYK 38 / 0 / 51 / 6

HEX #96F075

RGB 150 240 117

HSL 103.9, 0.8%, 0.7%

LAB 87.04, -48.9, 50.65

 

Description

Color code: HEX #77D2F0 | qconv.com Color code: HEX #77D2F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 210 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 210 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 13 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 13% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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