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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77BEA1 it is the complementary color #88415E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77BEA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #77BEA1: #7CBE9C, #8DD0AF, #9EE2C2, #AFF4D5 and #C0FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77BEA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #77BEA1: #77BEA1, #66AC8E, #559A7B, #448868 and #337655

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

Complementary color

CMYK 0 / 52 / 31 / 47

HEX #88415E

RGB 136 65 94

HSL 335.49, 0.35%, 0.39%

LAB 37.52, 33.76, -2.92

 

CMYK 35 / 0 / 18 / 25

HEX #7CBE9C

RGB 124 190 156

HSL 149.09, 0.34%, 0.62%

LAB 71.9, -28.44, 10.59

 

CMYK 32 / 0 / 16 / 18

HEX #8DD0AF

RGB 141 208 175

HSL 150.45, 0.42%, 0.68%

LAB 78.39, -28.19, 9.7

 

CMYK 30 / 0 / 14 / 11

HEX #9EE2C2

RGB 158 226 194

HSL 151.76, 0.54%, 0.75%

LAB 84.77, -27.96, 8.86

 

CMYK 28 / 0 / 13 / 4

HEX #AFF4D5

RGB 175 244 213

HSL 153.04, 0.76%, 0.82%

LAB 91.06, -27.75, 8.07

 

CMYK 25 / 0 / 9 / 0

HEX #C0FFE8

RGB 192 255 232

HSL 158.1, 1%, 0.88%

LAB 95.39, -24.22, 4.61

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 41 / 0 / 17 / 33

HEX #66AC8E

RGB 102 172 142

HSL 154.29, 0.3%, 0.54%

LAB 65.19, -29.09, 8.57

 

CMYK 45 / 0 / 20 / 40

HEX #559A7B

RGB 85 154 123

HSL 153.04, 0.29%, 0.47%

LAB 58.48, -29.33, 9.56

 

CMYK 50 / 0 / 24 / 47

HEX #448868

RGB 68 136 104

HSL 151.76, 0.33%, 0.4%

LAB 51.65, -29.53, 10.65

 

CMYK 57 / 0 / 28 / 54

HEX #337655

RGB 51 118 85

HSL 150.45, 0.4%, 0.33%

LAB 44.68, -29.66, 11.88

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 37 / 0 / 9 / 25

HEX #78BEAC

RGB 120 190 172

HSL 164.57, 0.35%, 0.61%

LAB 72.09, -26.16, 2.13

 

CMYK 37 / 0 / 3 / 25

HEX #78BEB8

RGB 120 190 184

HSL 174.86, 0.35%, 0.61%

LAB 72.42, -23.37, -3.95

 

CMYK 37 / 3 / 0 / 25

HEX #78B8BE

RGB 120 184 190

HSL 185.14, 0.35%, 0.61%

LAB 70.87, -18.86, -9.53

 

CMYK 37 / 9 / 0 / 25

HEX #78ACBE

RGB 120 172 190

HSL 195.43, 0.35%, 0.61%

LAB 67.44, -12.57, -14.67

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 37 / 0 / 15 / 5

HEX #97F1CC

RGB 151 241 204

HSL 155.33, 0.76%, 0.77%

LAB 88.85, -34.99, 9.43

 

CMYK 38 / 0 / 16 / 85

HEX #17251F

RGB 23 37 31

HSL 154.29, 0.23%, 0.12%

LAB 13.26, -7.7, 2.08

 

CMYK 38 / 0 / 15 / 65

HEX #37584B

RGB 55 88 75

HSL 156.36, 0.23%, 0.28%

LAB 34.6, -15.37, 3.74

 

CMYK 37 / 0 / 15 / 45

HEX #578B76

RGB 87 139 118

HSL 155.77, 0.23%, 0.44%

LAB 53.81, -22.37, 5.77

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 37 / 29 / 0 / 25

HEX #7887BE

RGB 120 135 190

HSL 227.14, 0.35%, 0.61%

LAB 57.11, 8.2, -30.47

 

CMYK 0 / 30 / 37 / 25

HEX #BE8578

RGB 190 133 120

HSL 11.14, 0.35%, 0.61%

LAB 60.85, 20.21, 15.78

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 15 / 37 / 0 / 25

HEX #A178BE

RGB 161 120 190

HSL 275.14, 0.35%, 0.61%

LAB 56.81, 29.26, -30.67

 

CMYK 0 / 15 / 37 / 25

HEX #BEA178

RGB 190 161 120

HSL 35.14, 0.35%, 0.61%

LAB 67.87, 4.8, 25.33

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 37 / 29 / 0 / 25

HEX #7887BE

RGB 120 135 190

HSL 227.14, 0.35%, 0.61%

LAB 57.11, 8.2, -30.47

 

CMYK 0 / 37 / 22 / 25

HEX #BE7895

RGB 190 120 149

HSL 335.14, 0.35%, 0.61%

LAB 58.56, 31.39, -4.15

 

CMYK 0 / 8 / 37 / 25

HEX #BEAF78

RGB 190 175 120

HSL 47.14, 0.35%, 0.61%

LAB 71.53, -2.73, 30.17

 

CMYK 37 / 0 / 15 / 25

HEX #77BEA1

RGB 119 190 161

HSL 155.49, 0.35%, 0.61%

LAB 71.77, -28.86, 7.65

 

CMYK 34 / 37 / 0 / 25

HEX #7E78BE

RGB 126 120 190

HSL 245.14, 0.35%, 0.61%

LAB 53.59, 18.77, -35.94

 

CMYK 0 / 37 / 22 / 25

HEX #BE7895

RGB 190 120 149

HSL 335.14, 0.35%, 0.61%

LAB 58.56, 31.39, -4.15

 

CMYK 3 / 0 / 37 / 25

HEX #B8BE78

RGB 184 190 120

HSL 65.14, 0.35%, 0.61%

LAB 75.06, -12.96, 34.67

 

Description

Color code: HEX #77BEA1 | qconv.com Color code: HEX #77BEA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 190 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 190 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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