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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77B585 it is the complementary color #884A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77B585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #77B585: #7CB580, #8DC793, #9ED9A6, #AFEBB9 and #C0FDCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77B585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #77B585: #77B585, #66A372, #55915F, #447F4C and #336D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

Complementary color

CMYK 0 / 46 / 10 / 47

HEX #884A7A

RGB 136 74 122

HSL 313.55, 0.3%, 0.41%

LAB 40.47, 33.33, -15.93

 

CMYK 31 / 0 / 29 / 29

HEX #7CB580

RGB 124 181 128

HSL 124.21, 0.28%, 0.6%

LAB 68.67, -29.4, 21.25

 

CMYK 29 / 0 / 26 / 22

HEX #8DC793

RGB 141 199 147

HSL 126.21, 0.34%, 0.67%

LAB 75.21, -29.15, 20.19

 

CMYK 27 / 0 / 24 / 15

HEX #9ED9A6

RGB 158 217 166

HSL 128.14, 0.44%, 0.74%

LAB 81.65, -28.91, 19.19

 

CMYK 26 / 0 / 21 / 8

HEX #AFEBB9

RGB 175 235 185

HSL 130, 0.6%, 0.8%

LAB 87.98, -28.68, 18.24

 

CMYK 24 / 0 / 19 / 1

HEX #C0FDCC

RGB 192 253 204

HSL 131.8, 0.94%, 0.87%

LAB 94.23, -28.48, 17.35

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 37 / 0 / 30 / 36

HEX #66A372

RGB 102 163 114

HSL 131.8, 0.25%, 0.52%

LAB 61.86, -30.4, 19.39

 

CMYK 41 / 0 / 34 / 43

HEX #55915F

RGB 85 145 95

HSL 130, 0.26%, 0.45%

LAB 55.08, -30.67, 20.59

 

CMYK 46 / 0 / 40 / 50

HEX #447F4C

RGB 68 127 76

HSL 128.14, 0.3%, 0.38%

LAB 48.17, -30.9, 21.9

 

CMYK 53 / 0 / 48 / 57

HEX #336D39

RGB 51 109 57

HSL 126.21, 0.36%, 0.31%

LAB 41.12, -31.04, 23.33

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 34 / 0 / 21 / 29

HEX #77B58F

RGB 119 181 143

HSL 143.23, 0.3%, 0.59%

LAB 68.72, -28.21, 13.13

 

CMYK 34 / 0 / 15 / 29

HEX #77B599

RGB 119 181 153

HSL 152.9, 0.3%, 0.59%

LAB 68.95, -26.16, 7.98

 

CMYK 34 / 0 / 9 / 29

HEX #77B5A4

RGB 119 181 164

HSL 163.55, 0.3%, 0.59%

LAB 69.22, -23.77, 2.33

 

CMYK 34 / 0 / 4 / 29

HEX #77B5AE

RGB 119 181 174

HSL 173.23, 0.3%, 0.59%

LAB 69.49, -21.48, -2.78

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 34 / 0 / 27 / 9

HEX #99E8AA

RGB 153 232 170

HSL 132.91, 0.63%, 0.75%

LAB 85.7, -36.76, 22.66

 

CMYK 36 / 0 / 25 / 89

HEX #121C15

RGB 18 28 21

HSL 138, 0.22%, 0.09%

LAB 9.1, -6.46, 3.35

 

CMYK 34 / 0 / 27 / 69

HEX #344F3A

RGB 52 79 58

HSL 133.33, 0.21%, 0.26%

LAB 30.94, -15.3, 9.22

 

CMYK 35 / 0 / 26 / 49

HEX #558260

RGB 85 130 96

HSL 134.67, 0.21%, 0.42%

LAB 50.38, -23.08, 13.62

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 34 / 14 / 0 / 29

HEX #779BB5

RGB 119 155 181

HSL 205.16, 0.3%, 0.59%

LAB 62.25, -5.92, -17.49

 

CMYK 0 / 34 / 28 / 29

HEX #B57782

RGB 181 119 130

HSL 349.35, 0.3%, 0.59%

LAB 56.71, 25.81, 4.04

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 27 / 34 / 0 / 29

HEX #8477B5

RGB 132 119 181

HSL 252.58, 0.3%, 0.59%

LAB 53.42, 18.77, -30.99

 

CMYK 0 / 27 / 34 / 29

HEX #B58477

RGB 181 132 119

HSL 12.58, 0.3%, 0.59%

LAB 59.58, 17.06, 14.43

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 34 / 14 / 0 / 29

HEX #779BB5

RGB 119 155 181

HSL 205.16, 0.3%, 0.59%

LAB 62.25, -5.92, -17.49

 

CMYK 0 / 34 / 7 / 29

HEX #B577A8

RGB 181 119 168

HSL 312.58, 0.3%, 0.59%

LAB 57.89, 31.94, -16.21

 

CMYK 0 / 20 / 34 / 29

HEX #B59177

RGB 181 145 119

HSL 25.16, 0.3%, 0.59%

LAB 62.85, 9.81, 18.94

 

CMYK 34 / 0 / 27 / 29

HEX #77B585

RGB 119 181 133

HSL 133.55, 0.3%, 0.59%

LAB 68.51, -30.12, 18.28

 

CMYK 34 / 25 / 0 / 29

HEX #7788B5

RGB 119 136 181

HSL 223.55, 0.3%, 0.59%

LAB 56.95, 4.88, -25.61

 

CMYK 0 / 34 / 7 / 29

HEX #B577A8

RGB 181 119 168

HSL 312.58, 0.3%, 0.59%

LAB 57.89, 31.94, -16.21

 

CMYK 0 / 9 / 34 / 29

HEX #B5A477

RGB 181 164 119

HSL 43.55, 0.3%, 0.59%

LAB 67.8, -0.6, 25.64

 

Description

Color code: HEX #77B585 | qconv.com Color code: HEX #77B585 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 181 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 181 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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