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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #774C2D it is the complementary color #88B3D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #774C2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #774C2D shade: #7C4C28, #8D5E3B, #9E704E, #AF8261 and #C09474

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #774C2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #774C2D shade: #774C2D, #663A1A, #552807, #441600 and #330400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #774C2D shade: #764C2D, #76382D and #762D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #774C2D shade: #764C2D, #765F2D, #76732D, #66762D and #52762D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #774C2D shade matches the following richer shades: #764C2D, #844A20, #914712 and #9E4505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #774C2D shade: #764C2D, #694E3A, #5C5047, #4F5254 and #425462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #774C2D shade: #762D35, #76382D, #764B2D, #765F2D and #76732D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #774C2D shade: #3A2516, #583922, #764C2D, #945F38 and #B27244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #774C2D shade: #774C2D, #49762D and #2E2D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #774C2D shade: #774C2D, #2D764B and #4B2D76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #774C2D shade: #774C2D, #49762D, #2D5876 and #5A2D76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #774C2D shade: #774C2D, #33762D, #2D5876 and #702D76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

Complementary color

CMYK 35 / 15 / 0 / 18

HEX #88B3D2

RGB 136 179 210

HSL 205.14, 0.45%, 0.68%

LAB 70.96, -6.78, -20.27

 

CMYK 0 / 39 / 68 / 51

HEX #7C4C28

RGB 124 76 40

HSL 25.71, 0.51%, 0.32%

LAB 37.13, 16.71, 29.45

 

CMYK 0 / 33 / 58 / 45

HEX #8D5E3B

RGB 141 94 59

HSL 25.61, 0.41%, 0.39%

LAB 44.21, 15.26, 27.68

 

CMYK 0 / 29 / 51 / 38

HEX #9E704E

RGB 158 112 78

HSL 25.5, 0.34%, 0.46%

LAB 51.16, 14.08, 26.06

 

CMYK 0 / 26 / 45 / 31

HEX #AF8261

RGB 175 130 97

HSL 25.38, 0.33%, 0.53%

LAB 57.98, 13.09, 24.61

 

CMYK 0 / 23 / 40 / 25

HEX #C09474

RGB 192 148 116

HSL 25.26, 0.38%, 0.6%

LAB 64.68, 12.25, 23.28

 

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

CMYK 0 / 43 / 75 / 60

HEX #663A1A

RGB 102 58 26

HSL 25.26, 0.59%, 0.25%

LAB 29.22, 16.43, 27.57

 

CMYK 0 / 53 / 92 / 67

HEX #552807

RGB 85 40 7

HSL 25.38, 0.85%, 0.18%

LAB 21.81, 18.47, 28.6

 

CMYK 0 / 68 / 100 / 73

HEX #441600

RGB 68 22 0

HSL 19.41, 1%, 0.13%

LAB 14.42, 20.91, 21.89

 

CMYK 0 / 92 / 100 / 80

HEX #330400

RGB 51 4 0

HSL 4.71, 1%, 0.1%

LAB 7.14, 23.07, 11.19

 

CMYK 0 / 36 / 62 / 54

HEX #764C2D

RGB 118 76 45

HSL 25.48, 0.45%, 0.32%

LAB 36.39, 14.34, 25.51

 

CMYK 0 / 53 / 62 / 54

HEX #76382D

RGB 118 56 45

HSL 9.04, 0.45%, 0.32%

LAB 31.51, 26.11, 19.46

 

CMYK 0 / 62 / 62 / 54

HEX #762D2D

RGB 118 45 45

HSL 0, 0.45%, 0.32%

LAB 29.2, 32.06, 16.5

 

CMYK 0 / 36 / 62 / 54

HEX #764C2D

RGB 118 76 45

HSL 25.48, 0.45%, 0.32%

LAB 36.39, 14.34, 25.51

 

CMYK 0 / 19 / 62 / 54

HEX #765F2D

RGB 118 95 45

HSL 41.1, 0.45%, 0.32%

LAB 41.57, 2.93, 31.64

 

CMYK 0 / 3 / 62 / 54

HEX #76732D

RGB 118 115 45

HSL 57.53, 0.45%, 0.32%

LAB 47.37, -8.61, 38.18

 

CMYK 14 / 0 / 62 / 54

HEX #66762D

RGB 102 118 45

HSL 73.15, 0.45%, 0.32%

LAB 46.94, -17.47, 37.32

 

CMYK 31 / 0 / 62 / 54

HEX #52762D

RGB 82 118 45

HSL 89.59, 0.45%, 0.32%

LAB 45.55, -25.92, 35.39

 

CMYK 0 / 36 / 62 / 54

HEX #764C2D

RGB 118 76 45

HSL 25.48, 0.45%, 0.32%

LAB 36.39, 14.34, 25.51

 

CMYK 0 / 44 / 76 / 48

HEX #844A20

RGB 132 74 32

HSL 25.2, 0.61%, 0.32%

LAB 37.68, 21.03, 34.7

 

CMYK 0 / 51 / 88 / 43

HEX #914712

RGB 145 71 18

HSL 25.04, 0.78%, 0.32%

LAB 38.85, 27.9, 42.94

 

CMYK 0 / 56 / 97 / 38

HEX #9E4505

RGB 158 69 5

HSL 25.1, 0.94%, 0.32%

LAB 40.47, 34.14, 49.27

 

CMYK 0 / 36 / 62 / 54

HEX #764C2D

RGB 118 76 45

HSL 25.48, 0.45%, 0.32%

LAB 36.39, 14.34, 25.51

 

CMYK 0 / 26 / 45 / 59

HEX #694E3A

RGB 105 78 58

HSL 25.53, 0.29%, 0.32%

LAB 35.51, 8.48, 16.24

 

CMYK 0 / 13 / 23 / 64

HEX #5C5047

RGB 92 80 71

HSL 25.71, 0.13%, 0.32%

LAB 34.94, 3.33, 7.13

 

CMYK 6 / 2 / 0 / 67

HEX #4F5254

RGB 79 82 84

HSL 204, 0.03%, 0.32%

LAB 34.67, -0.76, -1.59

 

CMYK 33 / 14 / 0 / 62

HEX #425462

RGB 66 84 98

HSL 206.25, 0.2%, 0.32%

LAB 34.76, -3.2, -10.38

 

CMYK 0 / 62 / 55 / 54

HEX #762D35

RGB 118 45 53

HSL 353.42, 0.45%, 0.32%

LAB 29.38, 32.75, 11.49

 

CMYK 0 / 53 / 62 / 54

HEX #76382D

RGB 118 56 45

HSL 9.04, 0.45%, 0.32%

LAB 31.51, 26.11, 19.46

 

CMYK 0 / 36 / 62 / 54

HEX #764B2D

RGB 118 75 45

HSL 24.66, 0.45%, 0.32%

LAB 36.12, 14.94, 25.19

 

CMYK 0 / 19 / 62 / 54

HEX #765F2D

RGB 118 95 45

HSL 41.1, 0.45%, 0.32%

LAB 41.57, 2.93, 31.64

 

CMYK 0 / 3 / 62 / 54

HEX #76732D

RGB 118 115 45

HSL 57.53, 0.45%, 0.32%

LAB 47.37, -8.61, 38.18

 

CMYK 0 / 36 / 62 / 77

HEX #3A2516

RGB 58 37 22

HSL 25, 0.45%, 0.16%

LAB 16.9, 7.92, 13.95

 

CMYK 0 / 35 / 61 / 65

HEX #583922

RGB 88 57 34

HSL 25.56, 0.44%, 0.24%

LAB 27.06, 10.96, 19.8

 

CMYK 0 / 36 / 62 / 54

HEX #764C2D

RGB 118 76 45

HSL 25.48, 0.45%, 0.32%

LAB 36.39, 14.34, 25.51

 

CMYK 0 / 36 / 62 / 42

HEX #945F38

RGB 148 95 56

HSL 25.43, 0.45%, 0.4%

LAB 45.31, 17.54, 30.92

 

CMYK 0 / 36 / 62 / 30

HEX #B27244

RGB 178 114 68

HSL 25.09, 0.45%, 0.48%

LAB 53.94, 20.69, 35.58

 

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

CMYK 38 / 0 / 62 / 54

HEX #49762D

RGB 73 118 45

HSL 96.99, 0.45%, 0.32%

LAB 45.03, -29.4, 34.66

 

CMYK 61 / 62 / 0 / 54

HEX #2E2D76

RGB 46 45 118

HSL 240.82, 0.45%, 0.32%

LAB 22.88, 23.85, -41.88

 

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

CMYK 62 / 0 / 36 / 54

HEX #2D764B

RGB 45 118 75

HSL 144.66, 0.45%, 0.32%

LAB 44.27, -33.31, 17.12

 

CMYK 36 / 62 / 0 / 54

HEX #4B2D76

RGB 75 45 118

HSL 264.66, 0.45%, 0.32%

LAB 25.8, 30.48, -37.01

 

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

CMYK 38 / 0 / 62 / 54

HEX #49762D

RGB 73 118 45

HSL 96.99, 0.45%, 0.32%

LAB 45.03, -29.4, 34.66

 

CMYK 62 / 25 / 0 / 54

HEX #2D5876

RGB 45 88 118

HSL 204.66, 0.45%, 0.32%

LAB 35.68, -5.11, -21.53

 

CMYK 24 / 62 / 0 / 54

HEX #5A2D76

RGB 90 45 118

HSL 276.99, 0.45%, 0.32%

LAB 27.73, 34.43, -33.81

 

CMYK 0 / 36 / 62 / 53

HEX #774C2D

RGB 119 76 45

HSL 25.14, 0.45%, 0.32%

LAB 36.52, 14.8, 25.7

 

CMYK 57 / 0 / 62 / 54

HEX #33762D

RGB 51 118 45

HSL 115.07, 0.45%, 0.32%

LAB 44.02, -36.71, 33.23

 

CMYK 62 / 25 / 0 / 54

HEX #2D5876

RGB 45 88 118

HSL 204.66, 0.45%, 0.32%

LAB 35.68, -5.11, -21.53

 

CMYK 5 / 62 / 0 / 54

HEX #702D76

RGB 112 45 118

HSL 295.07, 0.45%, 0.32%

LAB 30.95, 40.49, -28.51

 

Description

Color code: HEX #774C2D | qconv.com Color code: HEX #774C2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 76 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 76 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 62 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 62% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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