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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #774C21 it is the complementary color #88B3DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #774C21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #774C21: #7C4C1C, #8D5E2F, #9E7042, #AF8255 and #C09468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #774C21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #774C21: #774C21, #663A0E, #552800, #441600 and #330400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

Complementary color

CMYK 39 / 19 / 0 / 13

HEX #88B3DE

RGB 136 179 222

HSL 210, 0.57%, 0.7%

LAB 71.38, -3.66, -26.19

 

CMYK 0 / 39 / 77 / 51

HEX #7C4C1C

RGB 124 76 28

HSL 30, 0.63%, 0.3%

LAB 37, 16, 35.66

 

CMYK 0 / 33 / 67 / 45

HEX #8D5E2F

RGB 141 94 47

HSL 30, 0.5%, 0.37%

LAB 44.05, 14.33, 34.13

 

CMYK 0 / 29 / 58 / 38

HEX #9E7042

RGB 158 112 66

HSL 30, 0.41%, 0.44%

LAB 50.98, 12.98, 32.53

 

CMYK 0 / 26 / 51 / 31

HEX #AF8255

RGB 175 130 85

HSL 30, 0.36%, 0.51%

LAB 57.78, 11.87, 31

 

CMYK 0 / 23 / 46 / 25

HEX #C09468

RGB 192 148 104

HSL 30, 0.41%, 0.58%

LAB 64.47, 10.93, 29.58

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 0 / 43 / 86 / 60

HEX #663A0E

RGB 102 58 14

HSL 30, 0.76%, 0.23%

LAB 29.11, 15.84, 33.55

 

CMYK 0 / 53 / 100 / 67

HEX #552800

RGB 85 40 0

HSL 28.24, 1%, 0.17%

LAB 21.76, 18.2, 31.39

 

CMYK 0 / 68 / 100 / 73

HEX #441600

RGB 68 22 0

HSL 19.41, 1%, 0.13%

LAB 14.42, 20.91, 21.89

 

CMYK 0 / 92 / 100 / 80

HEX #330400

RGB 51 4 0

HSL 4.71, 1%, 0.1%

LAB 7.14, 23.07, 11.19

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 0 / 24 / 73 / 53

HEX #785B20

RGB 120 91 32

HSL 40.23, 0.58%, 0.3%

LAB 40.54, 5.35, 37.19

 

CMYK 0 / 13 / 73 / 53

HEX #786920

RGB 120 105 32

HSL 49.77, 0.58%, 0.3%

LAB 44.52, -2.86, 41.24

 

CMYK 0 / 0 / 73 / 53

HEX #787820

RGB 120 120 32

HSL 60, 0.58%, 0.3%

LAB 48.92, -11.31, 45.59

 

CMYK 13 / 0 / 73 / 53

HEX #697820

RGB 105 120 32

HSL 70.23, 0.58%, 0.3%

LAB 47.68, -18.16, 43.95

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 0 / 36 / 72 / 33

HEX #AA6D2F

RGB 170 109 47

HSL 30.24, 0.57%, 0.43%

LAB 51.48, 18.7, 43.32

 

CMYK 0 / 36 / 72 / 13

HEX #DD8D3D

RGB 221 141 61

HSL 30, 0.7%, 0.55%

LAB 65.56, 23.72, 53.48

 

CMYK 0 / 35 / 71 / 93

HEX #110B05

RGB 17 11 5

HSL 30, 0.55%, 0.04%

LAB 3.34, 1.11, 2.97

 

CMYK 0 / 37 / 72 / 73

HEX #442B13

RGB 68 43 19

HSL 29.39, 0.56%, 0.17%

LAB 20.06, 8.76, 20.03

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 51 / 0 / 73 / 53

HEX #3B7820

RGB 59 120 32

HSL 101.59, 0.58%, 0.3%

LAB 44.9, -36.45, 40.23

 

CMYK 66 / 73 / 0 / 53

HEX #292078

RGB 41 32 120

HSL 246.14, 0.58%, 0.3%

LAB 19.48, 32.17, -48.74

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 73 / 0 / 37 / 53

HEX #20784C

RGB 32 120 76

HSL 150, 0.58%, 0.3%

LAB 44.61, -36.62, 16.93

 

CMYK 37 / 73 / 0 / 53

HEX #4C2078

RGB 76 32 120

HSL 270, 0.58%, 0.3%

LAB 23.42, 38.52, -42.13

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 51 / 0 / 73 / 53

HEX #3B7820

RGB 59 120 32

HSL 101.59, 0.58%, 0.3%

LAB 44.9, -36.45, 40.23

 

CMYK 73 / 37 / 0 / 53

HEX #204C78

RGB 32 76 120

HSL 210, 0.58%, 0.3%

LAB 31.42, 0.8, -29.49

 

CMYK 23 / 73 / 0 / 53

HEX #5D2078

RGB 93 32 120

HSL 281.59, 0.58%, 0.3%

LAB 25.91, 42.25, -37.98

 

CMYK 0 / 36 / 72 / 53

HEX #774C21

RGB 119 76 33

HSL 30, 0.57%, 0.3%

LAB 36.37, 13.94, 32.23

 

CMYK 73 / 0 / 73 / 53

HEX #207820

RGB 32 120 32

HSL 120, 0.58%, 0.3%

LAB 44.01, -43.51, 39.04

 

CMYK 73 / 37 / 0 / 53

HEX #204C78

RGB 32 76 120

HSL 210, 0.58%, 0.3%

LAB 31.42, 0.8, -29.49

 

CMYK 0 / 73 / 0 / 53

HEX #782078

RGB 120 32 120

HSL 300, 0.58%, 0.3%

LAB 30.36, 48.57, -30.62

 

Description

Color code: HEX #774C21 | qconv.com Color code: HEX #774C21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 76 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 76 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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