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Color name
HEX #76A625

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76A625 it is the complementary color #8959DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76A625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76A625 shade: #7BA620, #8CB833, #9DCA46, #AEDC59 and #BFEE6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76A625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76A625 shade: #76A625, #659412, #548200, #437000 and #325E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76A625 shade: #77A725, #9AA725, #A79125, #A76E25 and #A74B25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76A625 shade: #77A725, #53A725, #30A725, #25A73C and #25A760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76A625 shade matches the following richer shades: #77A725, #7BB814 and #7FC804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76A625 shade: #77A725, #729735, #6E8646, #6A7656 and #666567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76A625 shade: #A79225, #9AA725, #77A725, #55A725 and #32A725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76A625 shade: #476416, #5F851D, #77A725, #8FC92C and #A2D748

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76A625 shade: #76A625, #25A76F and #A325A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76A625 shade: #76A625, #2577A7 and #A72577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76A625 shade: #76A625, #25A76F, #5525A7 and #A7255D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76A625 shade: #76A625, #25A796, #5525A7 and #A72536

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

Complementary color

CMYK 37 / 59 / 0 / 15

HEX #8959DA

RGB 137 89 218

HSL 262.33, 0.64%, 0.6%

LAB 48.91, 47.02, -59.29

 

CMYK 26 / 0 / 81 / 35

HEX #7BA620

RGB 123 166 32

HSL 79.25, 0.68%, 0.39%

LAB 63, -33.22, 58.85

 

CMYK 24 / 0 / 72 / 28

HEX #8CB833

RGB 140 184 51

HSL 79.85, 0.57%, 0.46%

LAB 69.54, -33.83, 59.19

 

CMYK 22 / 0 / 65 / 21

HEX #9DCA46

RGB 157 202 70

HSL 80.45, 0.55%, 0.53%

LAB 75.98, -34.26, 58.82

 

CMYK 21 / 0 / 60 / 14

HEX #AEDC59

RGB 174 220 89

HSL 81.07, 0.65%, 0.61%

LAB 82.33, -34.56, 58.08

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

CMYK 32 / 0 / 88 / 42

HEX #659412

RGB 101 148 18

HSL 81.69, 0.78%, 0.33%

LAB 56.08, -34.23, 55.87

 

CMYK 35 / 0 / 100 / 49

HEX #548200

RGB 84 130 0

HSL 81.23, 1%, 0.25%

LAB 49.31, -33.23, 53.35

 

CMYK 40 / 0 / 100 / 56

HEX #437000

RGB 67 112 0

HSL 84.11, 1%, 0.22%

LAB 42.43, -31.75, 47.63

 

CMYK 47 / 0 / 100 / 63

HEX #325E00

RGB 50 94 0

HSL 88.09, 1%, 0.18%

LAB 35.37, -30.17, 41.76

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 8 / 0 / 78 / 35

HEX #9AA725

RGB 154 167 37

HSL 66, 0.64%, 0.4%

LAB 65.47, -20.54, 60.39

 

CMYK 0 / 13 / 78 / 35

HEX #A79125

RGB 167 145 37

HSL 49.85, 0.64%, 0.4%

LAB 60.43, -3.21, 56.18

 

CMYK 0 / 34 / 78 / 35

HEX #A76E25

RGB 167 110 37

HSL 33.69, 0.64%, 0.4%

LAB 51.27, 16.33, 47.54

 

CMYK 0 / 55 / 78 / 35

HEX #A74B25

RGB 167 75 37

HSL 17.54, 0.64%, 0.4%

LAB 43.33, 35.51, 39.67

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 50 / 0 / 78 / 35

HEX #53A725

RGB 83 167 37

HSL 98.77, 0.64%, 0.4%

LAB 61.32, -47.62, 55.01

 

CMYK 71 / 0 / 78 / 35

HEX #30A725

RGB 48 167 37

HSL 114.92, 0.64%, 0.4%

LAB 60.25, -56.24, 53.61

 

CMYK 78 / 0 / 64 / 35

HEX #25A73C

RGB 37 167 60

HSL 130.62, 0.64%, 0.4%

LAB 60.21, -55.92, 44.48

 

CMYK 78 / 0 / 43 / 35

HEX #25A760

RGB 37 167 96

HSL 147.23, 0.64%, 0.4%

LAB 60.67, -50.47, 27.18

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 33 / 0 / 89 / 28

HEX #7BB814

RGB 123 184 20

HSL 82.32, 0.8%, 0.4%

LAB 68.42, -41.67, 66.35

 

CMYK 37 / 0 / 98 / 22

HEX #7FC804

RGB 127 200 4

HSL 82.35, 0.96%, 0.4%

LAB 73.43, -47.24, 72.54

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 25 / 0 / 65 / 41

HEX #729735

RGB 114 151 53

HSL 82.65, 0.48%, 0.4%

LAB 58.01, -28.45, 45.99

 

CMYK 18 / 0 / 48 / 47

HEX #6E8646

RGB 110 134 70

HSL 82.5, 0.31%, 0.4%

LAB 52.74, -19.86, 31.51

 

CMYK 10 / 0 / 27 / 54

HEX #6A7656

RGB 106 118 86

HSL 82.5, 0.16%, 0.4%

LAB 47.87, -10.61, 16.18

 

CMYK 1 / 2 / 0 / 60

HEX #666567

RGB 102 101 103

HSL 270, 0.01%, 0.4%

LAB 42.93, 0.81, -0.99

 

CMYK 0 / 13 / 78 / 35

HEX #A79225

RGB 167 146 37

HSL 50.31, 0.64%, 0.4%

LAB 60.7, -3.76, 56.43

 

CMYK 8 / 0 / 78 / 35

HEX #9AA725

RGB 154 167 37

HSL 66, 0.64%, 0.4%

LAB 65.47, -20.54, 60.39

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 49 / 0 / 78 / 35

HEX #55A725

RGB 85 167 37

HSL 97.85, 0.64%, 0.4%

LAB 61.4, -47.01, 55.12

 

CMYK 70 / 0 / 78 / 35

HEX #32A725

RGB 50 167 37

HSL 114, 0.64%, 0.4%

LAB 60.29, -55.86, 53.67

 

CMYK 29 / 0 / 78 / 61

HEX #476416

RGB 71 100 22

HSL 82.31, 0.64%, 0.24%

LAB 38.75, -23.43, 38.29

 

CMYK 29 / 0 / 78 / 48

HEX #5F851D

RGB 95 133 29

HSL 81.92, 0.64%, 0.32%

LAB 51.03, -29.17, 48.08

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 29 / 0 / 78 / 21

HEX #8FC92C

RGB 143 201 44

HSL 82.17, 0.64%, 0.48%

LAB 74.7, -40.69, 66.48

 

CMYK 25 / 0 / 67 / 16

HEX #A2D748

RGB 162 215 72

HSL 82.24, 0.64%, 0.56%

LAB 80.04, -38.11, 62.39

 

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

CMYK 78 / 0 / 34 / 35

HEX #25A76F

RGB 37 167 111

HSL 154.15, 0.64%, 0.4%

LAB 60.94, -47.45, 19.44

 

CMYK 2 / 78 / 0 / 35

HEX #A325A7

RGB 163 37 167

HSL 298.15, 0.64%, 0.4%

LAB 41.06, 64.47, -42.01

 

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

CMYK 78 / 29 / 0 / 35

HEX #2577A7

RGB 37 119 167

HSL 202.15, 0.64%, 0.4%

LAB 47.47, -7.41, -32.57

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

CMYK 78 / 0 / 34 / 35

HEX #25A76F

RGB 37 167 111

HSL 154.15, 0.64%, 0.4%

LAB 60.94, -47.45, 19.44

 

CMYK 49 / 78 / 0 / 35

HEX #5525A7

RGB 85 37 167

HSL 262.15, 0.64%, 0.4%

LAB 29.52, 50.23, -61.23

 

CMYK 0 / 78 / 44 / 35

HEX #A7255D

RGB 167 37 93

HSL 334.15, 0.64%, 0.4%

LAB 38.43, 55.55, -0.34

 

CMYK 29 / 0 / 78 / 35

HEX #76A625

RGB 118 166 37

HSL 82.33, 0.64%, 0.4%

LAB 62.72, -34.96, 56.96

 

CMYK 78 / 0 / 10 / 35

HEX #25A796

RGB 37 167 150

HSL 172.15, 0.64%, 0.4%

LAB 61.85, -37.76, -0.96

 

CMYK 49 / 78 / 0 / 35

HEX #5525A7

RGB 85 37 167

HSL 262.15, 0.64%, 0.4%

LAB 29.52, 50.23, -61.23

 

CMYK 0 / 78 / 68 / 35

HEX #A72536

RGB 167 37 54

HSL 352.15, 0.64%, 0.4%

LAB 37.49, 52.6, 23.22

 

Description

Color code: HEX #76A625 | qconv.com Color code: HEX #76A625 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 166 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 166 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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