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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFEE6C it is the complementary color #401193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFEE6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFEE6C shade: #C4EE67, #D5FF7A, #E6FF8D, #F7FFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFEE6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFEE6C shade: #BFEE6C, #AEDC59, #9DCA46, #8CB833 and #7BA620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFEE6C shade: #BFEE6D, #E2EE6D, #EED76D, #EEB46D and #EE916D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFEE6C shade: #BFEE6D, #9CEE6D, #7AEE6D, #6DEE83 and #6DEEA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFEE6C shade matches the following richer shades: #BFEE6D and #C3FB60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFEE6C shade: #BFEE6D, #BCE17A, #B8D387, #B4C695 and #B1B9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFEE6C shade: #EED66D, #E3EE6D, #C1EE6D, #9EEE6D and #7CEE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFEE6C shade: #9FE523, #AFEA48, #BFEE6D, #CFF292 and #DFF7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFEE6C shade: #BFEE6C, #6DEEB4 and #E76DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFEE6C shade: #BFEE6C, #6DC1EE and #EE6DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFEE6C shade: #BFEE6C, #6DEEB4, #9A6DEE and #EE6DA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFEE6C shade: #BFEE6C, #6DEEDB, #9A6DEE and #EE6D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

Complementary color

CMYK 56 / 88 / 0 / 42

HEX #401193

RGB 64 17 147

HSL 261.69, 0.79%, 0.32%

LAB 22.29, 50.17, -61.01

 

CMYK 18 / 0 / 57 / 7

HEX #C4EE67

RGB 196 238 103

HSL 78.67, 0.8%, 0.67%

LAB 88.86, -33.34, 59.73

 

CMYK 16 / 0 / 52 / 0

HEX #D5FF7A

RGB 213 255 122

HSL 78.95, 1%, 0.74%

LAB 94.77, -33.1, 58.42

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8D

RGB 230 255 141

HSL 73.16, 1%, 0.78%

LAB 96.11, -24.91, 51.54

 

CMYK 3 / 0 / 37 / 0

HEX #F7FFA0

RGB 247 255 160

HSL 65.05, 1%, 0.81%

LAB 97.56, -16.51, 44.51

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 21 / 0 / 60 / 14

HEX #AEDC59

RGB 174 220 89

HSL 81.07, 0.65%, 0.61%

LAB 82.33, -34.56, 58.08

 

CMYK 22 / 0 / 65 / 21

HEX #9DCA46

RGB 157 202 70

HSL 80.45, 0.55%, 0.53%

LAB 75.98, -34.26, 58.82

 

CMYK 24 / 0 / 72 / 28

HEX #8CB833

RGB 140 184 51

HSL 79.85, 0.57%, 0.46%

LAB 69.54, -33.83, 59.19

 

CMYK 26 / 0 / 81 / 35

HEX #7BA620

RGB 123 166 32

HSL 79.25, 0.68%, 0.39%

LAB 63, -33.22, 58.85

 

CMYK 20 / 0 / 54 / 7

HEX #BFEE6D

RGB 191 238 109

HSL 81.86, 0.79%, 0.68%

LAB 88.6, -34.68, 56.7

 

CMYK 5 / 0 / 54 / 7

HEX #E2EE6D

RGB 226 238 109

HSL 65.58, 0.79%, 0.68%

LAB 90.97, -21.25, 60.05

 

CMYK 0 / 10 / 54 / 7

HEX #EED76D

RGB 238 215 109

HSL 49.3, 0.79%, 0.68%

LAB 85.95, -5.05, 54.48

 

CMYK 0 / 24 / 54 / 7

HEX #EEB46D

RGB 238 180 109

HSL 33.02, 0.79%, 0.68%

LAB 77.24, 13.11, 44.06

 

CMYK 0 / 39 / 54 / 7

HEX #EE916D

RGB 238 145 109

HSL 16.74, 0.79%, 0.68%

LAB 69.13, 31.61, 33.93

 

CMYK 20 / 0 / 54 / 7

HEX #BFEE6D

RGB 191 238 109

HSL 81.86, 0.79%, 0.68%

LAB 88.6, -34.68, 56.7

 

CMYK 34 / 0 / 54 / 7

HEX #9CEE6D

RGB 156 238 109

HSL 98.14, 0.79%, 0.68%

LAB 86.66, -47, 53.94

 

CMYK 49 / 0 / 54 / 7

HEX #7AEE6D

RGB 122 238 109

HSL 113.95, 0.79%, 0.68%

LAB 85.2, -57.29, 51.84

 

CMYK 54 / 0 / 45 / 7

HEX #6DEE83

RGB 109 238 131

HSL 130.23, 0.79%, 0.68%

LAB 85.02, -57.69, 41.11

 

CMYK 54 / 0 / 30 / 7

HEX #6DEEA6

RGB 109 238 166

HSL 146.51, 0.79%, 0.68%

LAB 85.58, -51.75, 24.28

 

CMYK 20 / 0 / 54 / 7

HEX #BFEE6D

RGB 191 238 109

HSL 81.86, 0.79%, 0.68%

LAB 88.6, -34.68, 56.7

 

CMYK 22 / 0 / 62 / 2

HEX #C3FB60

RGB 195 251 96

HSL 81.68, 0.95%, 0.68%

LAB 92.33, -40.13, 66.51

 

CMYK 20 / 0 / 54 / 7

HEX #BFEE6D

RGB 191 238 109

HSL 81.86, 0.79%, 0.68%

LAB 88.6, -34.68, 56.7

 

CMYK 16 / 0 / 46 / 12

HEX #BCE17A

RGB 188 225 122

HSL 81.55, 0.63%, 0.68%

LAB 84.97, -28.44, 46.23

 

CMYK 13 / 0 / 36 / 17

HEX #B8D387

RGB 184 211 135

HSL 81.32, 0.46%, 0.68%

LAB 81.03, -21.64, 34.71

 

CMYK 9 / 0 / 25 / 22

HEX #B4C695

RGB 180 198 149

HSL 82.04, 0.3%, 0.68%

LAB 77.44, -14.67, 22.57

 

CMYK 4 / 0 / 12 / 27

HEX #B1B9A2

RGB 177 185 162

HSL 80.87, 0.14%, 0.68%

LAB 73.97, -6.95, 10.72

 

CMYK 0 / 10 / 54 / 7

HEX #EED66D

RGB 238 214 109

HSL 48.84, 0.79%, 0.68%

LAB 85.69, -4.54, 54.18

 

CMYK 5 / 0 / 54 / 7

HEX #E3EE6D

RGB 227 238 109

HSL 65.12, 0.79%, 0.68%

LAB 91.05, -20.86, 60.15

 

CMYK 19 / 0 / 54 / 7

HEX #C1EE6D

RGB 193 238 109

HSL 80.93, 0.79%, 0.68%

LAB 88.73, -33.94, 56.88

 

CMYK 34 / 0 / 54 / 7

HEX #9EEE6D

RGB 158 238 109

HSL 97.21, 0.79%, 0.68%

LAB 86.76, -46.33, 54.08

 

CMYK 48 / 0 / 54 / 7

HEX #7CEE6D

RGB 124 238 109

HSL 113.02, 0.79%, 0.68%

LAB 85.27, -56.74, 51.95

 

CMYK 31 / 0 / 85 / 10

HEX #9FE523

RGB 159 229 35

HSL 81.65, 0.79%, 0.52%

LAB 83.72, -47.13, 77.1

 

CMYK 25 / 0 / 69 / 8

HEX #AFEA48

RGB 175 234 72

HSL 81.85, 0.79%, 0.6%

LAB 86.22, -41.68, 68.98

 

CMYK 20 / 0 / 54 / 7

HEX #BFEE6D

RGB 191 238 109

HSL 81.86, 0.79%, 0.68%

LAB 88.6, -34.68, 56.7

 

CMYK 14 / 0 / 40 / 5

HEX #CFF292

RGB 207 242 146

HSL 81.88, 0.79%, 0.76%

LAB 91.16, -26.72, 42.6

 

CMYK 10 / 0 / 26 / 3

HEX #DFF7B7

RGB 223 247 183

HSL 82.5, 0.8%, 0.84%

LAB 94.15, -18.5, 28.24

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 54 / 0 / 24 / 7

HEX #6DEEB4

RGB 109 238 180

HSL 153.02, 0.79%, 0.68%

LAB 85.85, -48.98, 17.43

 

CMYK 3 / 54 / 0 / 7

HEX #E76DEE

RGB 231 109 238

HSL 296.74, 0.79%, 0.68%

LAB 65.04, 64.43, -44.16

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 54 / 19 / 0 / 7

HEX #6DC1EE

RGB 109 193 238

HSL 200.93, 0.79%, 0.68%

LAB 74.55, -13.09, -30.12

 

CMYK 0 / 54 / 19 / 7

HEX #EE6DC1

RGB 238 109 193

HSL 320.93, 0.79%, 0.68%

LAB 64.13, 59.18, -20.31

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 54 / 0 / 24 / 7

HEX #6DEEB4

RGB 109 238 180

HSL 153.02, 0.79%, 0.68%

LAB 85.85, -48.98, 17.43

 

CMYK 35 / 54 / 0 / 7

HEX #9A6DEE

RGB 154 109 238

HSL 260.93, 0.79%, 0.68%

LAB 56.07, 45.09, -58.97

 

CMYK 0 / 54 / 30 / 7

HEX #EE6DA7

RGB 238 109 167

HSL 333.02, 0.79%, 0.68%

LAB 63.26, 55.7, -6.82

 

CMYK 20 / 0 / 55 / 7

HEX #BFEE6C

RGB 191 238 108

HSL 81.69, 0.79%, 0.68%

LAB 88.59, -34.77, 57.14

 

CMYK 54 / 0 / 8 / 7

HEX #6DEEDB

RGB 109 238 219

HSL 171.16, 0.79%, 0.68%

LAB 86.76, -40.19, -1.65

 

CMYK 35 / 54 / 0 / 7

HEX #9A6DEE

RGB 154 109 238

HSL 260.93, 0.79%, 0.68%

LAB 56.07, 45.09, -58.97

 

CMYK 0 / 54 / 46 / 7

HEX #EE6D80

RGB 238 109 128

HSL 351.16, 0.79%, 0.68%

LAB 62.23, 51.41, 14.08

 

Description

Color code: HEX #BFEE6C | qconv.com Color code: HEX #BFEE6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 238 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 238 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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