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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #769F8E it is the complementary color #896071. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #769F8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #769F8E: #7B9F89, #8CB19C, #9DC3AF, #AED5C2 and #BFE7D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #769F8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #769F8E: #769F8E, #658D7B, #547B68, #436955 and #325742

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

Complementary color

CMYK 0 / 30 / 18 / 46

HEX #896071

RGB 137 96 113

HSL 335.12, 0.18%, 0.46%

LAB 45.46, 19.41, -2.92

 

CMYK 23 / 0 / 14 / 38

HEX #7B9F89

RGB 123 159 137

HSL 143.33, 0.16%, 0.55%

LAB 62.35, -17.01, 7.46

 

CMYK 21 / 0 / 12 / 31

HEX #8CB19C

RGB 140 177 156

HSL 145.95, 0.19%, 0.62%

LAB 69.05, -16.84, 6.65

 

CMYK 19 / 0 / 10 / 24

HEX #9DC3AF

RGB 157 195 175

HSL 148.42, 0.24%, 0.69%

LAB 75.63, -16.7, 5.88

 

CMYK 18 / 0 / 9 / 16

HEX #AED5C2

RGB 174 213 194

HSL 150.77, 0.32%, 0.76%

LAB 82.1, -16.58, 5.15

 

CMYK 17 / 0 / 8 / 9

HEX #BFE7D5

RGB 191 231 213

HSL 153, 0.45%, 0.83%

LAB 88.46, -16.47, 4.45

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 28 / 0 / 13 / 45

HEX #658D7B

RGB 101 141 123

HSL 153, 0.17%, 0.47%

LAB 55.33, -17.84, 5.17

 

CMYK 32 / 0 / 15 / 52

HEX #547B68

RGB 84 123 104

HSL 150.77, 0.19%, 0.41%

LAB 48.32, -18.08, 6.05

 

CMYK 36 / 0 / 19 / 59

HEX #436955

RGB 67 105 85

HSL 148.42, 0.22%, 0.34%

LAB 41.14, -18.35, 7.02

 

CMYK 43 / 0 / 24 / 66

HEX #325742

RGB 50 87 66

HSL 145.95, 0.27%, 0.27%

LAB 33.75, -18.64, 8.11

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 27 / 0 / 6 / 38

HEX #749E94

RGB 116 158 148

HSL 165.71, 0.18%, 0.54%

LAB 61.92, -16.45, 0.59

 

CMYK 27 / 0 / 2 / 38

HEX #749E9B

RGB 116 158 155

HSL 175.71, 0.18%, 0.54%

LAB 62.11, -14.86, -3.07

 

CMYK 27 / 2 / 0 / 38

HEX #749B9E

RGB 116 155 158

HSL 184.29, 0.18%, 0.54%

LAB 61.33, -12.55, -5.92

 

CMYK 27 / 6 / 0 / 38

HEX #74949E

RGB 116 148 158

HSL 194.29, 0.18%, 0.54%

LAB 59.31, -8.73, -8.92

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 26 / 0 / 10 / 18

HEX #9CD2BC

RGB 156 210 188

HSL 155.56, 0.38%, 0.72%

LAB 80.06, -21.97, 5.27

 

CMYK 33 / 0 / 17 / 98

HEX #040605

RGB 4 6 5

HSL 150, 0.2%, 0.02%

LAB 1.51, -0.66, 0.19

 

CMYK 26 / 0 / 11 / 78

HEX #2A3933

RGB 42 57 51

HSL 156, 0.15%, 0.19%

LAB 22.51, -7.68, 1.73

 

CMYK 26 / 0 / 11 / 58

HEX #506C60

RGB 80 108 96

HSL 154.29, 0.15%, 0.37%

LAB 43.17, -13.02, 3.39

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 27 / 21 / 0 / 38

HEX #747D9E

RGB 116 125 158

HSL 227.14, 0.18%, 0.54%

LAB 52.78, 4.38, -18.78

 

CMYK 0 / 22 / 27 / 38

HEX #9E7C74

RGB 158 124 116

HSL 11.43, 0.18%, 0.54%

LAB 55.02, 11.93, 9.39

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 11 / 27 / 0 / 38

HEX #8D749E

RGB 141 116 158

HSL 275.71, 0.18%, 0.54%

LAB 52.53, 17.98, -18.97

 

CMYK 0 / 11 / 27 / 38

HEX #9E8D74

RGB 158 141 116

HSL 35.71, 0.18%, 0.54%

LAB 59.51, 2.32, 15.68

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 27 / 21 / 0 / 38

HEX #747D9E

RGB 116 125 158

HSL 227.14, 0.18%, 0.54%

LAB 52.78, 4.38, -18.78

 

CMYK 0 / 27 / 15 / 38

HEX #9E7486

RGB 158 116 134

HSL 334.29, 0.18%, 0.54%

LAB 53.47, 19.4, -3.34

 

CMYK 0 / 6 / 27 / 38

HEX #9E9574

RGB 158 149 116

HSL 47.14, 0.18%, 0.54%

LAB 61.68, -2.12, 18.66

 

CMYK 26 / 0 / 11 / 38

HEX #769F8E

RGB 118 159 142

HSL 155.12, 0.18%, 0.54%

LAB 62.17, -17.64, 4.35

 

CMYK 24 / 27 / 0 / 38

HEX #78749E

RGB 120 116 158

HSL 245.71, 0.18%, 0.54%

LAB 50.63, 10.99, -22.05

 

CMYK 0 / 27 / 15 / 38

HEX #9E7486

RGB 158 116 134

HSL 334.29, 0.18%, 0.54%

LAB 53.47, 19.4, -3.34

 

CMYK 2 / 0 / 27 / 38

HEX #9B9E74

RGB 155 158 116

HSL 64.29, 0.18%, 0.54%

LAB 63.9, -8.2, 21.65

 

Description

Color code: HEX #769F8E | qconv.com Color code: HEX #769F8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 159 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 159 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 11 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 11% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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