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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #768BA3 it is the complementary color #89745C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #768BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #768BA3 shade: #7B8B9E, #8C9DB1, #9DAFC4, #AEC1D7 and #BFD3EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #768BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #768BA3 shade: #768BA3, #657990, #54677D, #43556A and #324357

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #768BA3 shade: #758BA3, #757EA3, #7975A3, #8575A3 and #9175A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #768BA3 shade: #758BA3, #757EA3 and #7575A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #768BA3 shade matches the following richer shades: #758BA3, #6389B6, #5088C8, #3E87DB and #2B86ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #768BA3 shade: #758BA3, #888C91, #9A8D7E, #AD8E6C and #C09059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #768BA3 shade: #75A3A3, #7597A3, #758BA3, #757EA3 and #7875A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #768BA3 shade: #4F6277, #607690, #758BA3, #8EA0B4 and #A7B5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #768BA3 shade: #768BA3, #9775A3 and #9DA375

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #768BA3 shade: #768BA3, #A3758B and #8BA375

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #768BA3 shade: #768BA3, #9775A3, #A38E75 and #82A375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #768BA3 shade: #768BA3, #A375A2, #A38E75 and #75A377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

Complementary color

CMYK 0 / 15 / 33 / 46

HEX #89745C

RGB 137 116 92

HSL 32, 0.2%, 0.45%

LAB 50.19, 4.41, 16.31

 

CMYK 22 / 12 / 0 / 38

HEX #7B8B9E

RGB 123 139 158

HSL 212.57, 0.15%, 0.55%

LAB 57.22, -1.45, -12.01

 

CMYK 21 / 11 / 0 / 31

HEX #8C9DB1

RGB 140 157 177

HSL 212.43, 0.19%, 0.62%

LAB 64.05, -1.58, -12.39

 

CMYK 20 / 11 / 0 / 23

HEX #9DAFC4

RGB 157 175 196

HSL 212.31, 0.25%, 0.69%

LAB 70.74, -1.71, -12.78

 

CMYK 19 / 10 / 0 / 16

HEX #AEC1D7

RGB 174 193 215

HSL 212.2, 0.34%, 0.76%

LAB 77.31, -1.84, -13.18

 

CMYK 18 / 10 / 0 / 8

HEX #BFD3EA

RGB 191 211 234

HSL 212.09, 0.51%, 0.83%

LAB 83.76, -1.96, -13.57

 

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 33 / 18 / 0 / 51

HEX #54677D

RGB 84 103 125

HSL 212.2, 0.2%, 0.41%

LAB 42.86, -1.44, -14.58

 

CMYK 37 / 20 / 0 / 58

HEX #43556A

RGB 67 85 106

HSL 212.31, 0.23%, 0.34%

LAB 35.46, -1.2, -14.32

 

CMYK 43 / 23 / 0 / 66

HEX #324357

RGB 50 67 87

HSL 212.43, 0.27%, 0.27%

LAB 27.79, -0.88, -14.09

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 28 / 23 / 0 / 36

HEX #757EA3

RGB 117 126 163

HSL 228.26, 0.2%, 0.55%

LAB 53.33, 5.39, -20.84

 

CMYK 26 / 28 / 0 / 36

HEX #7975A3

RGB 121 117 163

HSL 245.22, 0.2%, 0.55%

LAB 51.19, 11.98, -24.1

 

CMYK 18 / 28 / 0 / 36

HEX #8575A3

RGB 133 117 163

HSL 260.87, 0.2%, 0.55%

LAB 52.23, 15.85, -22.4

 

CMYK 11 / 28 / 0 / 36

HEX #9175A3

RGB 145 117 163

HSL 276.52, 0.2%, 0.55%

LAB 53.37, 19.84, -20.56

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 28 / 23 / 0 / 36

HEX #757EA3

RGB 117 126 163

HSL 228.26, 0.2%, 0.55%

LAB 53.33, 5.39, -20.84

 

CMYK 28 / 28 / 0 / 36

HEX #7575A3

RGB 117 117 163

HSL 240, 0.2%, 0.55%

LAB 50.86, 10.72, -24.63

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 46 / 25 / 0 / 29

HEX #6389B6

RGB 99 137 182

HSL 212.53, 0.36%, 0.55%

LAB 56.01, -0.92, -27.73

 

CMYK 60 / 32 / 0 / 22

HEX #5088C8

RGB 80 136 200

HSL 212, 0.52%, 0.55%

LAB 55.57, 1, -38.72

 

CMYK 72 / 38 / 0 / 14

HEX #3E87DB

RGB 62 135 219

HSL 212.1, 0.69%, 0.55%

LAB 55.55, 5.13, -49.51

 

CMYK 82 / 43 / 0 / 7

HEX #2B86ED

RGB 43 134 237

HSL 211.86, 0.84%, 0.55%

LAB 55.76, 10.21, -59.25

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 6 / 3 / 0 / 43

HEX #888C91

RGB 136 140 145

HSL 213.33, 0.04%, 0.55%

LAB 58.07, -0.44, -3.17

 

CMYK 0 / 8 / 18 / 40

HEX #9A8D7E

RGB 154 141 126

HSL 32.14, 0.12%, 0.55%

LAB 59.37, 2.27, 9.75

 

CMYK 0 / 18 / 38 / 32

HEX #AD8E6C

RGB 173 142 108

HSL 31.38, 0.28%, 0.55%

LAB 61.06, 6.82, 22.52

 

CMYK 0 / 25 / 54 / 25

HEX #C09059

RGB 192 144 89

HSL 32.04, 0.45%, 0.55%

LAB 63.24, 11.69, 36.07

 

CMYK 28 / 0 / 0 / 36

HEX #75A3A3

RGB 117 163 163

HSL 180, 0.2%, 0.55%

LAB 63.85, -15.33, -4.99

 

CMYK 28 / 7 / 0 / 36

HEX #7597A3

RGB 117 151 163

HSL 195.65, 0.2%, 0.55%

LAB 60.39, -8.85, -10.14

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 28 / 23 / 0 / 36

HEX #757EA3

RGB 117 126 163

HSL 228.26, 0.2%, 0.55%

LAB 53.33, 5.39, -20.84

 

CMYK 26 / 28 / 0 / 36

HEX #7875A3

RGB 120 117 163

HSL 243.91, 0.2%, 0.55%

LAB 51.11, 11.66, -24.24

 

CMYK 34 / 18 / 0 / 53

HEX #4F6277

RGB 79 98 119

HSL 211.5, 0.2%, 0.39%

LAB 40.78, -1.67, -14.14

 

CMYK 33 / 18 / 0 / 44

HEX #607690

RGB 96 118 144

HSL 212.5, 0.2%, 0.47%

LAB 48.83, -1.45, -16.74

 

CMYK 28 / 15 / 0 / 36

HEX #758BA3

RGB 117 139 163

HSL 211.3, 0.2%, 0.55%

LAB 56.97, -2.14, -15.29

 

CMYK 21 / 11 / 0 / 29

HEX #8EA0B4

RGB 142 160 180

HSL 211.58, 0.2%, 0.63%

LAB 65.11, -1.91, -12.47

 

CMYK 15 / 8 / 0 / 23

HEX #A7B5C4

RGB 167 181 196

HSL 211.03, 0.2%, 0.71%

LAB 73.06, -1.74, -9.25

 

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

CMYK 7 / 28 / 0 / 36

HEX #9775A3

RGB 151 117 163

HSL 284.35, 0.2%, 0.55%

LAB 53.97, 21.87, -19.59

 

CMYK 4 / 0 / 28 / 36

HEX #9DA375

RGB 157 163 117

HSL 67.83, 0.2%, 0.55%

LAB 65.47, -9.94, 23.24

 

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

CMYK 0 / 28 / 15 / 36

HEX #A3758B

RGB 163 117 139

HSL 331.3, 0.2%, 0.55%

LAB 54.42, 21.56, -4.8

 

CMYK 15 / 0 / 28 / 36

HEX #8BA375

RGB 139 163 117

HSL 91.3, 0.2%, 0.55%

LAB 64.13, -16.91, 21.21

 

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

CMYK 7 / 28 / 0 / 36

HEX #9775A3

RGB 151 117 163

HSL 284.35, 0.2%, 0.55%

LAB 53.97, 21.87, -19.59

 

CMYK 0 / 13 / 28 / 36

HEX #A38E75

RGB 163 142 117

HSL 32.61, 0.2%, 0.55%

LAB 60.26, 3.92, 16.23

 

CMYK 20 / 0 / 28 / 36

HEX #82A375

RGB 130 163 117

HSL 103.04, 0.2%, 0.55%

LAB 63.53, -20.25, 20.29

 

CMYK 28 / 15 / 0 / 36

HEX #768BA3

RGB 118 139 163

HSL 212, 0.2%, 0.55%

LAB 57.04, -1.82, -15.18

 

CMYK 0 / 28 / 1 / 36

HEX #A375A2

RGB 163 117 162

HSL 301.3, 0.2%, 0.55%

LAB 55.19, 25.77, -17.03

 

CMYK 0 / 13 / 28 / 36

HEX #A38E75

RGB 163 142 117

HSL 32.61, 0.2%, 0.55%

LAB 60.26, 3.92, 16.23

 

CMYK 28 / 0 / 27 / 36

HEX #75A377

RGB 117 163 119

HSL 122.61, 0.2%, 0.55%

LAB 62.77, -24.53, 18.01

 

Description

Color code: HEX #768BA3 | qconv.com Color code: HEX #768BA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 139 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 139 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 15 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 15% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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