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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #657990 it is the complementary color #9A866F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #657990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #657990 shade: #6A798B, #7B8B9E, #8C9DB1, #9DAFC4 and #AEC1D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #657990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #657990 shade: #657990, #54677D, #43556A, #324357 and #213144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #657990 shade: #647990, #646D90, #686490, #746490 and #7F6490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #657990 shade: #647990, #646D90 and #646490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #657990 shade matches the following richer shades: #647990, #5177A4, #3D76B8, #2975CC and #1573E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #657990 shade: #647990, #787A7D, #8C7C69, #A07D55 and #B47E41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #657990 shade: #649090, #648590, #647990, #646D90 and #676490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #657990 shade: #435060, #536478, #647990, #7B8EA3 and #93A3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #657990 shade: #657990, #856490 and #8B9064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #657990 shade: #657990, #906479 and #799064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #657990 shade: #657990, #856490, #907C64 and #709064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #657990 shade: #657990, #90648F, #907C64 and #649066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

Complementary color

CMYK 0 / 13 / 28 / 40

HEX #9A866F

RGB 154 134 111

HSL 32.09, 0.18%, 0.52%

LAB 57.14, 3.9, 15.18

 

CMYK 24 / 13 / 0 / 45

HEX #6A798B

RGB 106 121 139

HSL 212.73, 0.13%, 0.48%

LAB 50.22, -1.3, -11.63

 

CMYK 22 / 12 / 0 / 38

HEX #7B8B9E

RGB 123 139 158

HSL 212.57, 0.15%, 0.55%

LAB 57.22, -1.45, -12.01

 

CMYK 21 / 11 / 0 / 31

HEX #8C9DB1

RGB 140 157 177

HSL 212.43, 0.19%, 0.62%

LAB 64.05, -1.58, -12.39

 

CMYK 20 / 11 / 0 / 23

HEX #9DAFC4

RGB 157 175 196

HSL 212.31, 0.25%, 0.69%

LAB 70.74, -1.71, -12.78

 

CMYK 19 / 10 / 0 / 16

HEX #AEC1D7

RGB 174 193 215

HSL 212.2, 0.34%, 0.76%

LAB 77.31, -1.84, -13.18

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 33 / 18 / 0 / 51

HEX #54677D

RGB 84 103 125

HSL 212.2, 0.2%, 0.41%

LAB 42.86, -1.44, -14.58

 

CMYK 37 / 20 / 0 / 58

HEX #43556A

RGB 67 85 106

HSL 212.31, 0.23%, 0.34%

LAB 35.46, -1.2, -14.32

 

CMYK 43 / 23 / 0 / 66

HEX #324357

RGB 50 67 87

HSL 212.43, 0.27%, 0.27%

LAB 27.79, -0.88, -14.09

 

CMYK 51 / 28 / 0 / 73

HEX #213144

RGB 33 49 68

HSL 212.57, 0.35%, 0.2%

LAB 19.79, -0.42, -13.93

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 31 / 24 / 0 / 44

HEX #646D90

RGB 100 109 144

HSL 227.73, 0.18%, 0.48%

LAB 46.53, 5.17, -20.25

 

CMYK 28 / 31 / 0 / 44

HEX #686490

RGB 104 100 144

HSL 245.45, 0.18%, 0.48%

LAB 44.33, 11.93, -23.6

 

CMYK 19 / 31 / 0 / 44

HEX #746490

RGB 116 100 144

HSL 261.82, 0.18%, 0.48%

LAB 45.42, 15.85, -21.84

 

CMYK 12 / 31 / 0 / 44

HEX #7F6490

RGB 127 100 144

HSL 276.82, 0.18%, 0.48%

LAB 46.5, 19.56, -20.09

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 31 / 24 / 0 / 44

HEX #646D90

RGB 100 109 144

HSL 227.73, 0.18%, 0.48%

LAB 46.53, 5.17, -20.25

 

CMYK 31 / 31 / 0 / 44

HEX #646490

RGB 100 100 144

HSL 240, 0.18%, 0.48%

LAB 44, 10.66, -24.15

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 51 / 27 / 0 / 36

HEX #5177A4

RGB 81 119 164

HSL 212.53, 0.34%, 0.48%

LAB 49.04, -0.33, -28.24

 

CMYK 67 / 36 / 0 / 28

HEX #3D76B8

RGB 61 118 184

HSL 212.2, 0.5%, 0.48%

LAB 48.77, 2.82, -40.34

 

CMYK 80 / 43 / 0 / 20

HEX #2975CC

RGB 41 117 204

HSL 212.02, 0.67%, 0.48%

LAB 48.95, 8.1, -51.58

 

CMYK 91 / 49 / 0 / 12

HEX #1573E0

RGB 21 115 224

HSL 212.22, 0.83%, 0.48%

LAB 49.26, 15.6, -62.46

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 4 / 2 / 0 / 51

HEX #787A7D

RGB 120 122 125

HSL 216, 0.02%, 0.48%

LAB 51.14, -0.13, -1.9

 

CMYK 0 / 11 / 25 / 45

HEX #8C7C69

RGB 140 124 105

HSL 32.57, 0.14%, 0.48%

LAB 52.96, 2.96, 12.63

 

CMYK 0 / 22 / 47 / 37

HEX #A07D55

RGB 160 125 85

HSL 32, 0.31%, 0.48%

LAB 54.86, 8.25, 26.94

 

CMYK 0 / 30 / 64 / 29

HEX #B47E41

RGB 180 126 65

HSL 31.83, 0.47%, 0.48%

LAB 57.08, 14.64, 40.89

 

CMYK 31 / 0 / 0 / 44

HEX #649090

RGB 100 144 144

HSL 180, 0.18%, 0.48%

LAB 56.75, -14.89, -4.82

 

CMYK 31 / 8 / 0 / 44

HEX #648590

RGB 100 133 144

HSL 195, 0.18%, 0.48%

LAB 53.49, -8.84, -9.68

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 31 / 24 / 0 / 44

HEX #646D90

RGB 100 109 144

HSL 227.73, 0.18%, 0.48%

LAB 46.53, 5.17, -20.25

 

CMYK 28 / 31 / 0 / 44

HEX #676490

RGB 103 100 144

HSL 244.09, 0.18%, 0.48%

LAB 44.25, 11.61, -23.74

 

CMYK 30 / 17 / 0 / 62

HEX #435060

RGB 67 80 96

HSL 213.1, 0.18%, 0.32%

LAB 33.51, -0.92, -11.01

 

CMYK 31 / 17 / 0 / 53

HEX #536478

RGB 83 100 120

HSL 212.43, 0.18%, 0.4%

LAB 41.7, -1.32, -13.32

 

CMYK 31 / 16 / 0 / 44

HEX #647990

RGB 100 121 144

HSL 211.36, 0.18%, 0.48%

LAB 49.97, -1.96, -14.98

 

CMYK 25 / 13 / 0 / 36

HEX #7B8EA3

RGB 123 142 163

HSL 211.5, 0.18%, 0.56%

LAB 58.23, -1.94, -13.35

 

CMYK 18 / 9 / 0 / 29

HEX #93A3B4

RGB 147 163 180

HSL 210.91, 0.18%, 0.64%

LAB 66.28, -1.95, -10.67

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 8 / 31 / 0 / 44

HEX #856490

RGB 133 100 144

HSL 285, 0.18%, 0.48%

LAB 47.12, 21.61, -19.07

 

CMYK 3 / 0 / 31 / 44

HEX #8B9064

RGB 139 144 100

HSL 66.82, 0.18%, 0.48%

LAB 58.37, -9.35, 22.83

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 0 / 31 / 16 / 44

HEX #906479

RGB 144 100 121

HSL 331.36, 0.18%, 0.48%

LAB 47.53, 21.13, -4.6

 

CMYK 16 / 0 / 31 / 44

HEX #799064

RGB 121 144 100

HSL 91.36, 0.18%, 0.48%

LAB 57.01, -16.51, 20.76

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 8 / 31 / 0 / 44

HEX #856490

RGB 133 100 144

HSL 285, 0.18%, 0.48%

LAB 47.12, 21.61, -19.07

 

CMYK 0 / 14 / 31 / 44

HEX #907C64

RGB 144 124 100

HSL 32.73, 0.18%, 0.48%

LAB 53.24, 3.88, 15.96

 

CMYK 22 / 0 / 31 / 44

HEX #709064

RGB 112 144 100

HSL 103.64, 0.18%, 0.48%

LAB 56.4, -19.94, 19.84

 

CMYK 30 / 16 / 0 / 44

HEX #657990

RGB 101 121 144

HSL 212.09, 0.18%, 0.48%

LAB 50.04, -1.65, -14.87

 

CMYK 0 / 31 / 1 / 44

HEX #90648F

RGB 144 100 143

HSL 301.36, 0.18%, 0.48%

LAB 48.29, 25.22, -16.58

 

CMYK 0 / 14 / 31 / 44

HEX #907C64

RGB 144 124 100

HSL 32.73, 0.18%, 0.48%

LAB 53.24, 3.88, 15.96

 

CMYK 31 / 0 / 29 / 44

HEX #649066

RGB 100 144 102

HSL 122.73, 0.18%, 0.48%

LAB 55.7, -23.92, 17.64

 

Description

Color code: HEX #657990 | qconv.com Color code: HEX #657990 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 121 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 121 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 16 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 16% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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