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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #768021 it is the complementary color #897FDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #768021. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #768021 shade: #7B801C, #8C922F, #9DA442, #AEB655 and #BFC868

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #768021. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #768021 shade: #768021, #656E0E, #545C00, #434A00 and #323800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #768021 shade: #788221, #827221, #825821, #823E21 and #822421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #768021 shade: #788221, #5E8221, #448221, #2A8221 and #218233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #768021 shade matches the following richer shades: #788221, #828F14 and #8C9C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #768021 shade: #788221, #6D752F, #63673C, #585A49 and #4E4D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #768021 shade: #825821, #827221, #788221, #5E8221 and #458221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #768021 shade: #3B4011, #596119, #788221, #96A32A and #B4C332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #768021 shade: #768021, #21823E and #652182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #768021 shade: #768021, #217882 and #822178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #768021 shade: #768021, #21823E, #2B2182 and #822165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #768021 shade: #768021, #21825B, #2B2182 and #822148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

Complementary color

CMYK 38 / 43 / 0 / 13

HEX #897FDE

RGB 137 127 222

HSL 246.32, 0.59%, 0.68%

LAB 57.82, 26.32, -47.32

 

CMYK 4 / 0 / 78 / 50

HEX #7B801C

RGB 123 128 28

HSL 63, 0.64%, 0.31%

LAB 51.53, -14.46, 49.63

 

CMYK 4 / 0 / 68 / 43

HEX #8C922F

RGB 140 146 47

HSL 63.64, 0.51%, 0.38%

LAB 58.36, -15.35, 49.5

 

CMYK 4 / 0 / 60 / 36

HEX #9DA442

RGB 157 164 66

HSL 64.29, 0.43%, 0.45%

LAB 65.05, -16.02, 48.75

 

CMYK 4 / 0 / 53 / 29

HEX #AEB655

RGB 174 182 85

HSL 64.95, 0.4%, 0.52%

LAB 71.63, -16.54, 47.73

 

CMYK 5 / 0 / 48 / 22

HEX #BFC868

RGB 191 200 104

HSL 65.63, 0.47%, 0.6%

LAB 78.1, -16.96, 46.6

 

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

CMYK 8 / 0 / 87 / 57

HEX #656E0E

RGB 101 110 14

HSL 65.63, 0.77%, 0.24%

LAB 44.16, -15.49, 46.68

 

CMYK 9 / 0 / 100 / 64

HEX #545C00

RGB 84 92 0

HSL 65.22, 1%, 0.18%

LAB 37, -14.16, 44.01

 

CMYK 9 / 0 / 100 / 71

HEX #434A00

RGB 67 74 0

HSL 65.68, 1%, 0.15%

LAB 29.64, -12.38, 37.88

 

CMYK 11 / 0 / 100 / 78

HEX #323800

RGB 50 56 0

HSL 66.43, 1%, 0.11%

LAB 21.97, -10.54, 30.25

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 0 / 12 / 75 / 49

HEX #827221

RGB 130 114 33

HSL 50.1, 0.6%, 0.32%

LAB 48.12, -3.23, 44.73

 

CMYK 0 / 32 / 75 / 49

HEX #825821

RGB 130 88 33

HSL 34.02, 0.6%, 0.32%

LAB 40.95, 11.93, 37.52

 

CMYK 0 / 52 / 75 / 49

HEX #823E21

RGB 130 62 33

HSL 17.94, 0.6%, 0.32%

LAB 34.6, 27.04, 30.78

 

CMYK 0 / 72 / 75 / 49

HEX #822421

RGB 130 36 33

HSL 1.86, 0.6%, 0.32%

LAB 29.71, 39.9, 25.28

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 28 / 0 / 75 / 49

HEX #5E8221

RGB 94 130 33

HSL 82.27, 0.6%, 0.32%

LAB 50.04, -27.89, 45.64

 

CMYK 48 / 0 / 75 / 49

HEX #448221

RGB 68 130 33

HSL 98.35, 0.6%, 0.32%

LAB 48.64, -37.64, 43.78

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 75 / 0 / 61 / 49

HEX #218233

RGB 33 130 51

HSL 131.13, 0.6%, 0.32%

LAB 47.66, -44.76, 34.35

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 9 / 0 / 86 / 44

HEX #828F14

RGB 130 143 20

HSL 66.34, 0.75%, 0.32%

LAB 56.53, -19.47, 56.57

 

CMYK 10 / 0 / 96 / 39

HEX #8C9C07

RGB 140 156 7

HSL 66.44, 0.91%, 0.32%

LAB 61.1, -21.94, 62.93

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 7 / 0 / 60 / 54

HEX #6D752F

RGB 109 117 47

HSL 66.86, 0.43%, 0.32%

LAB 47.21, -13.64, 36.8

 

CMYK 4 / 0 / 42 / 60

HEX #63673C

RGB 99 103 60

HSL 65.58, 0.26%, 0.32%

LAB 42.28, -8.93, 23.73

 

CMYK 2 / 0 / 19 / 65

HEX #585A49

RGB 88 90 73

HSL 67.06, 0.1%, 0.32%

LAB 37.6, -4.15, 9.57

 

CMYK 9 / 10 / 0 / 66

HEX #4E4D56

RGB 78 77 86

HSL 246.67, 0.06%, 0.32%

LAB 33.13, 2.44, -5.15

 

CMYK 0 / 32 / 75 / 49

HEX #825821

RGB 130 88 33

HSL 34.02, 0.6%, 0.32%

LAB 40.95, 11.93, 37.52

 

CMYK 0 / 12 / 75 / 49

HEX #827221

RGB 130 114 33

HSL 50.1, 0.6%, 0.32%

LAB 48.12, -3.23, 44.73

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 28 / 0 / 75 / 49

HEX #5E8221

RGB 94 130 33

HSL 82.27, 0.6%, 0.32%

LAB 50.04, -27.89, 45.64

 

CMYK 47 / 0 / 75 / 49

HEX #458221

RGB 69 130 33

HSL 97.73, 0.6%, 0.32%

LAB 48.69, -37.31, 43.84

 

CMYK 8 / 0 / 73 / 75

HEX #3B4011

RGB 59 64 17

HSL 66.38, 0.58%, 0.16%

LAB 25.67, -9.59, 27

 

CMYK 8 / 0 / 74 / 62

HEX #596119

RGB 89 97 25

HSL 66.67, 0.59%, 0.24%

LAB 39.14, -13.49, 37.92

 

CMYK 8 / 0 / 75 / 49

HEX #788221

RGB 120 130 33

HSL 66.19, 0.6%, 0.32%

LAB 51.91, -16.64, 48.1

 

CMYK 8 / 0 / 74 / 36

HEX #96A32A

RGB 150 163 42

HSL 66.45, 0.59%, 0.4%

LAB 64.04, -20.02, 57.28

 

CMYK 8 / 0 / 74 / 24

HEX #B4C332

RGB 180 195 50

HSL 66.21, 0.59%, 0.48%

LAB 75.43, -22.82, 66.16

 

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

CMYK 75 / 0 / 52 / 49

HEX #21823E

RGB 33 130 62

HSL 137.94, 0.6%, 0.32%

LAB 47.8, -43.12, 28.86

 

CMYK 22 / 75 / 0 / 49

HEX #652182

RGB 101 33 130

HSL 282.06, 0.6%, 0.32%

LAB 28.02, 45.81, -40.83

 

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

CMYK 75 / 8 / 0 / 49

HEX #217882

RGB 33 120 130

HSL 186.19, 0.6%, 0.32%

LAB 46.13, -21.43, -12.82

 

CMYK 0 / 75 / 8 / 49

HEX #822178

RGB 130 33 120

HSL 306.19, 0.6%, 0.32%

LAB 32.23, 50.63, -27.54

 

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

CMYK 75 / 0 / 52 / 49

HEX #21823E

RGB 33 130 62

HSL 137.94, 0.6%, 0.32%

LAB 47.8, -43.12, 28.86

 

CMYK 67 / 75 / 0 / 49

HEX #2B2182

RGB 43 33 130

HSL 246.19, 0.6%, 0.32%

LAB 20.88, 35.25, -52.78

 

CMYK 0 / 75 / 22 / 49

HEX #822165

RGB 130 33 101

HSL 317.94, 0.6%, 0.32%

LAB 31.28, 47.71, -16.91

 

CMYK 8 / 0 / 74 / 50

HEX #768021

RGB 118 128 33

HSL 66.32, 0.59%, 0.32%

LAB 51.15, -16.48, 47.31

 

CMYK 75 / 0 / 30 / 49

HEX #21825B

RGB 33 130 91

HSL 155.88, 0.6%, 0.32%

LAB 48.32, -37.32, 13.34

 

CMYK 67 / 75 / 0 / 49

HEX #2B2182

RGB 43 33 130

HSL 246.19, 0.6%, 0.32%

LAB 20.88, 35.25, -52.78

 

CMYK 0 / 75 / 45 / 49

HEX #822148

RGB 130 33 72

HSL 335.88, 0.6%, 0.32%

LAB 30.16, 44.1, 0.35

 

Description

Color code: HEX #768021 | qconv.com Color code: HEX #768021 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 128 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 128 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 74 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 74% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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