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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8221 it is the complementary color #D57DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8221 shade: #2F821C, #40942F, #51A642, #62B855 and #73CA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8221 shade: #2A8221, #19700E, #085E00, #004C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8221 shade: #2A8321, #448321, #5F8321, #798321 and #837221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8221 shade: #2A8321, #218332, #21834C, #218367 and #218381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8221 shade matches the following richer shades: #2A8321, #1F9013 and #149D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8221 shade: #2A8321, #34752E, #3F683B, #4A5B48 and #554E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8221 shade: #5F8321, #458321, #2A8321, #218331 and #21834B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8221 shade: #154110, #1F6218, #2A8321, #34A429 and #3FC531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8221 shade: #2A8221, #217983 and #832152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8221 shade: #2A8221, #212A83 and #83212A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8221 shade: #2A8221, #217983, #792183 and #832A21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8221 shade: #2A8221, #215B83, #792183 and #834821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

Complementary color

CMYK 4 / 44 / 0 / 13

HEX #D57DDE

RGB 213 125 222

HSL 294.43, 0.6%, 0.68%

LAB 65.03, 48.78, -35.46

 

CMYK 64 / 0 / 78 / 49

HEX #2F821C

RGB 47 130 28

HSL 108.82, 0.65%, 0.31%

LAB 47.82, -44.15, 44.56

 

CMYK 57 / 0 / 68 / 42

HEX #40942F

RGB 64 148 47

HSL 109.9, 0.52%, 0.38%

LAB 54.53, -44.95, 44.12

 

CMYK 51 / 0 / 60 / 35

HEX #51A642

RGB 81 166 66

HSL 111, 0.43%, 0.45%

LAB 61.15, -45.33, 43.13

 

CMYK 47 / 0 / 54 / 28

HEX #62B855

RGB 98 184 85

HSL 112.12, 0.41%, 0.53%

LAB 67.68, -45.44, 41.94

 

CMYK 43 / 0 / 49 / 21

HEX #73CA68

RGB 115 202 104

HSL 113.27, 0.48%, 0.6%

LAB 74.12, -45.41, 40.69

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 78 / 0 / 88 / 56

HEX #19700E

RGB 25 112 14

HSL 113.27, 0.78%, 0.25%

LAB 40.94, -43.35, 42.35

 

CMYK 91 / 0 / 100 / 63

HEX #085E00

RGB 8 94 0

HSL 114.89, 1%, 0.18%

LAB 34.1, -40.56, 40.22

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 48 / 0 / 75 / 49

HEX #448321

RGB 68 131 33

HSL 98.57, 0.6%, 0.32%

LAB 48.97, -38.06, 44.11

 

CMYK 27 / 0 / 75 / 49

HEX #5F8321

RGB 95 131 33

HSL 82.04, 0.6%, 0.32%

LAB 50.42, -27.97, 46.04

 

CMYK 8 / 0 / 75 / 49

HEX #798321

RGB 121 131 33

HSL 66.12, 0.6%, 0.32%

LAB 52.29, -16.72, 48.5

 

CMYK 0 / 13 / 75 / 49

HEX #837221

RGB 131 114 33

HSL 49.59, 0.6%, 0.32%

LAB 48.22, -2.76, 44.86

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 75 / 0 / 62 / 49

HEX #218332

RGB 33 131 50

HSL 130.41, 0.6%, 0.32%

LAB 47.99, -45.26, 35.22

 

CMYK 75 / 0 / 42 / 49

HEX #21834C

RGB 33 131 76

HSL 146.33, 0.6%, 0.32%

LAB 48.36, -40.98, 21.93

 

CMYK 75 / 0 / 21 / 49

HEX #218367

RGB 33 131 103

HSL 162.86, 0.6%, 0.32%

LAB 48.93, -34.79, 7.23

 

CMYK 75 / 0 / 2 / 49

HEX #218381

RGB 33 131 129

HSL 178.78, 0.6%, 0.32%

LAB 49.67, -27.39, -6.92

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 78 / 0 / 87 / 44

HEX #1F9013

RGB 31 144 19

HSL 114.24, 0.77%, 0.32%

LAB 52.16, -52.69, 51.19

 

CMYK 87 / 0 / 96 / 38

HEX #149D06

RGB 20 157 6

HSL 114.44, 0.93%, 0.32%

LAB 56.36, -58.47, 57.16

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 56 / 0 / 61 / 54

HEX #34752E

RGB 52 117 46

HSL 114.93, 0.44%, 0.32%

LAB 43.73, -35.88, 32.41

 

CMYK 39 / 0 / 43 / 59

HEX #3F683B

RGB 63 104 59

HSL 114.67, 0.28%, 0.32%

LAB 40.04, -24.35, 20.92

 

CMYK 19 / 0 / 21 / 64

HEX #4A5B48

RGB 74 91 72

HSL 113.68, 0.12%, 0.32%

LAB 36.75, -10.72, 8.83

 

CMYK 0 / 8 / 0 / 67

HEX #554E55

RGB 85 78 85

HSL 300, 0.04%, 0.32%

LAB 34.06, 4.36, -3.07

 

CMYK 27 / 0 / 75 / 49

HEX #5F8321

RGB 95 131 33

HSL 82.04, 0.6%, 0.32%

LAB 50.42, -27.97, 46.04

 

CMYK 47 / 0 / 75 / 49

HEX #458321

RGB 69 131 33

HSL 97.96, 0.6%, 0.32%

LAB 49.02, -37.73, 44.17

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 75 / 0 / 63 / 49

HEX #218331

RGB 33 131 49

HSL 129.8, 0.6%, 0.32%

LAB 47.98, -45.39, 35.69

 

CMYK 75 / 0 / 43 / 49

HEX #21834B

RGB 33 131 75

HSL 145.71, 0.6%, 0.32%

LAB 48.34, -41.18, 22.47

 

CMYK 68 / 0 / 75 / 75

HEX #154110

RGB 21 65 16

HSL 113.88, 0.6%, 0.16%

LAB 23.6, -26.2, 24.55

 

CMYK 68 / 0 / 76 / 62

HEX #1F6218

RGB 31 98 24

HSL 114.32, 0.61%, 0.24%

LAB 36.16, -36.28, 34.25

 

CMYK 68 / 0 / 75 / 49

HEX #2A8321

RGB 42 131 33

HSL 114.49, 0.6%, 0.32%

LAB 48.05, -45.3, 42.88

 

CMYK 68 / 0 / 75 / 36

HEX #34A429

RGB 52 164 41

HSL 114.63, 0.6%, 0.4%

LAB 59.38, -54.16, 51.41

 

CMYK 68 / 0 / 75 / 23

HEX #3FC531

RGB 63 197 49

HSL 114.32, 0.6%, 0.48%

LAB 70.32, -62.46, 59.6

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 75 / 8 / 0 / 49

HEX #217983

RGB 33 121 131

HSL 186.12, 0.6%, 0.32%

LAB 46.49, -21.63, -12.87

 

CMYK 0 / 75 / 37 / 49

HEX #832152

RGB 131 33 82

HSL 330, 0.6%, 0.32%

LAB 30.69, 45.51, -5.44

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 75 / 68 / 0 / 49

HEX #212A83

RGB 33 42 131

HSL 234.49, 0.6%, 0.32%

LAB 22.37, 28.63, -50.99

 

CMYK 0 / 75 / 68 / 49

HEX #83212A

RGB 131 33 42

HSL 354.49, 0.6%, 0.32%

LAB 29.61, 41.94, 19.47

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 75 / 8 / 0 / 49

HEX #217983

RGB 33 121 131

HSL 186.12, 0.6%, 0.32%

LAB 46.49, -21.63, -12.87

 

CMYK 8 / 75 / 0 / 49

HEX #792183

RGB 121 33 131

HSL 293.88, 0.6%, 0.32%

LAB 31.33, 50.45, -35.98

 

CMYK 0 / 68 / 75 / 49

HEX #832A21

RGB 131 42 33

HSL 5.51, 0.6%, 0.32%

LAB 30.86, 37.66, 26.65

 

CMYK 68 / 0 / 75 / 49

HEX #2A8221

RGB 42 130 33

HSL 114.43, 0.6%, 0.32%

LAB 47.71, -44.94, 42.53

 

CMYK 75 / 31 / 0 / 49

HEX #215B83

RGB 33 91 131

HSL 204.49, 0.6%, 0.32%

LAB 36.83, -4.41, -27.77

 

CMYK 8 / 75 / 0 / 49

HEX #792183

RGB 121 33 131

HSL 293.88, 0.6%, 0.32%

LAB 31.33, 50.45, -35.98

 

CMYK 0 / 45 / 75 / 49

HEX #834821

RGB 131 72 33

HSL 23.88, 0.6%, 0.32%

LAB 37.06, 21.79, 33.48

 

Description

Color code: HEX #2A8221 | qconv.com Color code: HEX #2A8221 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 130 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 130 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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