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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #767F0C it is the complementary color #8980F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #767F0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #767F0C shade: #7B7F07, #8C911A, #9DA32D, #AEB540 and #BFC753

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #767F0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #767F0C shade: #767F0C, #656D00, #545B00, #434900 and #323700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #767F0C shade: #757E0C, #7E680C, #7E490C, #7E2A0C and #7E0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #767F0C shade: #757E0C, #567E0C, #377E0C, #197E0C and #0C7E1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #767F0C shade matches the following richer shades: #757E0C and #7E8901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #767F0C shade: #757E0C, #6C7317, #626822, #595D2D and #4F5138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #767F0C shade: #7E490C, #7E670C, #767E0C, #587E0C and #397E0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #767F0C shade: #2F3205, #525808, #757E0C, #98A40F and #BBC913

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #767F0C shade: #767F0C, #0C7E2A and #580C7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #767F0C shade: #767F0C, #0C767E and #7E0C76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #767F0C shade: #767F0C, #0C7E2A, #130C7E and #7E0C60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #767F0C shade: #767F0C, #0C7E4C, #130C7E and #7E0C3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

Complementary color

CMYK 44 / 47 / 0 / 5

HEX #8980F3

RGB 137 128 243

HSL 244.7, 0.83%, 0.73%

LAB 59.18, 31.61, -56.84

 

CMYK 3 / 0 / 94 / 50

HEX #7B7F07

RGB 123 127 7

HSL 62, 0.9%, 0.26%

LAB 51.16, -14.57, 54.63

 

CMYK 3 / 0 / 82 / 43

HEX #8C911A

RGB 140 145 26

HSL 62.52, 0.7%, 0.34%

LAB 57.94, -15.84, 56.53

 

CMYK 4 / 0 / 72 / 36

HEX #9DA32D

RGB 157 163 45

HSL 63.05, 0.57%, 0.41%

LAB 64.61, -16.83, 56.95

 

CMYK 4 / 0 / 65 / 29

HEX #AEB540

RGB 174 181 64

HSL 63.59, 0.48%, 0.48%

LAB 71.16, -17.62, 56.57

 

CMYK 4 / 0 / 58 / 22

HEX #BFC753

RGB 191 199 83

HSL 64.14, 0.51%, 0.55%

LAB 77.61, -18.25, 55.77

 

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

CMYK 7 / 0 / 100 / 57

HEX #656D00

RGB 101 109 0

HSL 64.4, 1%, 0.21%

LAB 43.81, -15.34, 49.7

 

CMYK 8 / 0 / 100 / 64

HEX #545B00

RGB 84 91 0

HSL 64.62, 1%, 0.18%

LAB 36.68, -13.6, 43.77

 

CMYK 8 / 0 / 100 / 71

HEX #434900

RGB 67 73 0

HSL 64.93, 1%, 0.14%

LAB 29.31, -11.8, 37.62

 

CMYK 9 / 0 / 100 / 78

HEX #323700

RGB 50 55 0

HSL 65.45, 1%, 0.11%

LAB 21.62, -9.93, 29.88

 

CMYK 7 / 0 / 90 / 51

HEX #757E0C

RGB 117 126 12

HSL 64.74, 0.83%, 0.27%

LAB 50.37, -16.7, 52.84

 

CMYK 0 / 17 / 90 / 51

HEX #7E680C

RGB 126 104 12

HSL 48.42, 0.83%, 0.27%

LAB 44.75, -0.2, 48.65

 

CMYK 0 / 42 / 90 / 51

HEX #7E490C

RGB 126 73 12

HSL 32.11, 0.83%, 0.27%

LAB 36.42, 18.11, 41.94

 

CMYK 0 / 67 / 90 / 51

HEX #7E2A0C

RGB 126 42 12

HSL 15.79, 0.83%, 0.27%

LAB 29.71, 35.01, 36.54

 

CMYK 0 / 90 / 90 / 51

HEX #7E0C0C

RGB 126 12 12

HSL 0, 0.83%, 0.27%

LAB 25.94, 45.45, 33.33

 

CMYK 7 / 0 / 90 / 51

HEX #757E0C

RGB 117 126 12

HSL 64.74, 0.83%, 0.27%

LAB 50.37, -16.7, 52.84

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 56 / 0 / 90 / 51

HEX #377E0C

RGB 55 126 12

HSL 97.37, 0.83%, 0.27%

LAB 46.66, -41.32, 48.23

 

CMYK 80 / 0 / 90 / 51

HEX #197E0C

RGB 25 126 12

HSL 113.16, 0.83%, 0.27%

LAB 45.85, -48.11, 47.21

 

CMYK 90 / 0 / 76 / 51

HEX #0C7E1E

RGB 12 126 30

HSL 129.47, 0.83%, 0.27%

LAB 45.76, -48.5, 41.54

 

CMYK 7 / 0 / 90 / 51

HEX #757E0C

RGB 117 126 12

HSL 64.74, 0.83%, 0.27%

LAB 50.37, -16.7, 52.84

 

CMYK 8 / 0 / 99 / 46

HEX #7E8901

RGB 126 137 1

HSL 64.85, 0.99%, 0.27%

LAB 54.37, -18.59, 58.27

 

CMYK 7 / 0 / 90 / 51

HEX #757E0C

RGB 117 126 12

HSL 64.74, 0.83%, 0.27%

LAB 50.37, -16.7, 52.84

 

CMYK 6 / 0 / 80 / 55

HEX #6C7317

RGB 108 115 23

HSL 64.57, 0.67%, 0.27%

LAB 46.33, -14.59, 46.08

 

CMYK 6 / 0 / 67 / 59

HEX #626822

RGB 98 104 34

HSL 65.14, 0.51%, 0.27%

LAB 42.17, -12.55, 37.28

 

CMYK 4 / 0 / 52 / 64

HEX #595D2D

RGB 89 93 45

HSL 65, 0.35%, 0.27%

LAB 38.1, -9.51, 26.83

 

CMYK 2 / 0 / 31 / 68

HEX #4F5138

RGB 79 81 56

HSL 64.8, 0.18%, 0.27%

LAB 33.63, -5.54, 14.48

 

CMYK 0 / 42 / 90 / 51

HEX #7E490C

RGB 126 73 12

HSL 32.11, 0.83%, 0.27%

LAB 36.42, 18.11, 41.94

 

CMYK 0 / 18 / 90 / 51

HEX #7E670C

RGB 126 103 12

HSL 47.89, 0.83%, 0.27%

LAB 44.47, 0.38, 48.42

 

CMYK 6 / 0 / 90 / 51

HEX #767E0C

RGB 118 126 12

HSL 64.21, 0.83%, 0.27%

LAB 50.45, -16.24, 52.94

 

CMYK 30 / 0 / 90 / 51

HEX #587E0C

RGB 88 126 12

HSL 80, 0.83%, 0.27%

LAB 48.29, -29.44, 50.27

 

CMYK 55 / 0 / 90 / 51

HEX #397E0C

RGB 57 126 12

HSL 96.32, 0.83%, 0.27%

LAB 46.73, -40.72, 48.33

 

CMYK 6 / 0 / 90 / 80

HEX #2F3205

RGB 47 50 5

HSL 64, 0.82%, 0.11%

LAB 19.62, -8.09, 25.55

 

CMYK 7 / 0 / 91 / 65

HEX #525808

RGB 82 88 8

HSL 64.5, 0.83%, 0.19%

LAB 35.58, -12.61, 40.38

 

CMYK 7 / 0 / 90 / 51

HEX #757E0C

RGB 117 126 12

HSL 64.74, 0.83%, 0.27%

LAB 50.37, -16.7, 52.84

 

CMYK 7 / 0 / 91 / 36

HEX #98A40F

RGB 152 164 15

HSL 64.83, 0.83%, 0.35%

LAB 64.37, -20.57, 64.71

 

CMYK 7 / 0 / 91 / 21

HEX #BBC913

RGB 187 201 19

HSL 64.62, 0.83%, 0.43%

LAB 77.51, -23.75, 75.61

 

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

CMYK 90 / 0 / 67 / 51

HEX #0C7E2A

RGB 12 126 42

HSL 135.79, 0.83%, 0.27%

LAB 45.86, -47.25, 36.53

 

CMYK 30 / 90 / 0 / 51

HEX #580C7E

RGB 88 12 126

HSL 280, 0.83%, 0.27%

LAB 23.15, 49.66, -46.31

 

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

CMYK 90 / 6 / 0 / 51

HEX #0C767E

RGB 12 118 126

HSL 184.21, 0.83%, 0.27%

LAB 45, -23.81, -12.18

 

CMYK 0 / 90 / 6 / 51

HEX #7E0C76

RGB 126 12 118

HSL 304.21, 0.83%, 0.27%

LAB 29.43, 55.06, -30.76

 

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

CMYK 90 / 0 / 67 / 51

HEX #0C7E2A

RGB 12 126 42

HSL 135.79, 0.83%, 0.27%

LAB 45.86, -47.25, 36.53

 

CMYK 85 / 90 / 0 / 51

HEX #130C7E

RGB 19 12 126

HSL 243.68, 0.83%, 0.27%

LAB 15, 42.69, -60.04

 

CMYK 0 / 90 / 24 / 51

HEX #7E0C60

RGB 126 12 96

HSL 315.79, 0.83%, 0.27%

LAB 28.23, 51.88, -18.46

 

CMYK 7 / 0 / 91 / 50

HEX #767F0C

RGB 118 127 12

HSL 64.7, 0.83%, 0.27%

LAB 50.75, -16.77, 53.19

 

CMYK 90 / 0 / 40 / 51

HEX #0C7E4C

RGB 12 126 76

HSL 153.68, 0.83%, 0.27%

LAB 46.34, -41.52, 19.21

 

CMYK 85 / 90 / 0 / 51

HEX #130C7E

RGB 19 12 126

HSL 243.68, 0.83%, 0.27%

LAB 15, 42.69, -60.04

 

CMYK 0 / 90 / 52 / 51

HEX #7E0C3D

RGB 126 12 61

HSL 334.21, 0.83%, 0.27%

LAB 26.84, 48.04, 2.8

 

Description

Color code: HEX #767F0C | qconv.com Color code: HEX #767F0C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 127 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 127 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 91 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 91% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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