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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 126 12 it is the complementary color RGB 169 129 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 126 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 86 126 12: RGB 91 126 7, RGB 108 144 26, RGB 125 162 45, RGB 142 180 64 and RGB 159 198 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 126 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 86 126 12: RGB 86 126 12, RGB 69 108 0, RGB 52 90 0, RGB 35 72 0 and RGB 18 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

Complementary color

CMYK 30 / 47 / 0 / 5

HEX #A981F3

RGB 169 129 243

HSL 261.05, 0.83%, 0.73%

LAB 62.17, 38.95, -51.92

 

CMYK 28 / 0 / 94 / 51

HEX #5B7E07

RGB 91 126 7

HSL 77.65, 0.89%, 0.26%

LAB 48.46, -28.33, 51.48

 

CMYK 25 / 0 / 82 / 44

HEX #6C901A

RGB 108 144 26

HSL 78.31, 0.69%, 0.33%

LAB 55.29, -29.23, 53.27

 

CMYK 23 / 0 / 72 / 36

HEX #7DA22D

RGB 125 162 45

HSL 78.97, 0.57%, 0.41%

LAB 61.99, -29.86, 53.6

 

CMYK 21 / 0 / 64 / 29

HEX #8EB440

RGB 142 180 64

HSL 79.66, 0.48%, 0.48%

LAB 68.58, -30.29, 53.14

 

CMYK 20 / 0 / 58 / 22

HEX #9FC653

RGB 159 198 83

HSL 80.35, 0.5%, 0.55%

LAB 75.07, -30.58, 52.31

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 36 / 0 / 100 / 58

HEX #456C00

RGB 69 108 0

HSL 81.67, 1%, 0.21%

LAB 41.2, -29.12, 46.72

 

CMYK 42 / 0 / 100 / 65

HEX #345A00

RGB 52 90 0

HSL 85.33, 1%, 0.18%

LAB 34.07, -27.58, 40.79

 

CMYK 51 / 0 / 100 / 72

HEX #234800

RGB 35 72 0

HSL 90.83, 1%, 0.14%

LAB 26.71, -25.91, 34.54

 

CMYK 67 / 0 / 100 / 79

HEX #123600

RGB 18 54 0

HSL 100, 1%, 0.11%

LAB 19.09, -23.93, 26.45

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 47 / 0 / 91 / 51

HEX #427D0B

RGB 66 125 11

HSL 91.05, 0.84%, 0.27%

LAB 46.78, -37.41, 48.73

 

CMYK 62 / 0 / 91 / 51

HEX #2F7D0B

RGB 47 125 11

HSL 101.05, 0.84%, 0.27%

LAB 46.04, -43.22, 47.8

 

CMYK 78 / 0 / 91 / 51

HEX #1C7D0B

RGB 28 125 11

HSL 111.05, 0.84%, 0.27%

LAB 45.55, -47.34, 47.19

 

CMYK 91 / 0 / 90 / 51

HEX #0B7D0D

RGB 11 125 13

HSL 121.05, 0.84%, 0.27%

LAB 45.31, -49.4, 46.45

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 32 / 0 / 90 / 31

HEX #79B111

RGB 121 177 17

HSL 81, 0.82%, 0.38%

LAB 66.17, -39.46, 64.97

 

CMYK 32 / 0 / 90 / 11

HEX #9CE416

RGB 156 228 22

HSL 80.97, 0.82%, 0.49%

LAB 83.24, -48.13, 78.94

 

CMYK 33 / 0 / 92 / 91

HEX #101802

RGB 16 24 2

HSL 81.82, 0.85%, 0.05%

LAB 6.94, -7.31, 9.43

 

CMYK 32 / 0 / 91 / 71

HEX #334B07

RGB 51 75 7

HSL 81.18, 0.83%, 0.16%

LAB 28.78, -20.26, 33.91

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 91 / 0 / 41 / 51

HEX #0B7D4A

RGB 11 125 74

HSL 153.16, 0.84%, 0.27%

LAB 45.95, -41.63, 19.82

 

CMYK 4 / 91 / 0 / 51

HEX #780B7D

RGB 120 11 125

HSL 297.37, 0.84%, 0.27%

LAB 28.68, 55.21, -36.46

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 91 / 32 / 0 / 51

HEX #0B557D

RGB 11 85 125

HSL 201.05, 0.84%, 0.27%

LAB 34.08, -5.42, -28.43

 

CMYK 0 / 91 / 32 / 51

HEX #7D0B55

RGB 125 11 85

HSL 321.05, 0.84%, 0.27%

LAB 27.45, 50.45, -12.43

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 91 / 0 / 41 / 51

HEX #0B7D4A

RGB 11 125 74

HSL 153.16, 0.84%, 0.27%

LAB 45.95, -41.63, 19.82

 

CMYK 59 / 91 / 0 / 51

HEX #330B7D

RGB 51 11 125

HSL 261.05, 0.84%, 0.27%

LAB 17.57, 44.95, -55.04

 

CMYK 0 / 91 / 50 / 51

HEX #7D0B3F

RGB 125 11 63

HSL 332.63, 0.84%, 0.27%

LAB 26.62, 48.15, 1.1

 

CMYK 32 / 0 / 90 / 51

HEX #567E0C

RGB 86 126 12

HSL 81.05, 0.83%, 0.27%

LAB 48.17, -30.26, 50.12

 

CMYK 91 / 0 / 14 / 51

HEX #0B7D6C

RGB 11 125 108

HSL 171.05, 0.84%, 0.27%

LAB 46.74, -32.99, 1.1

 

CMYK 59 / 91 / 0 / 51

HEX #330B7D

RGB 51 11 125

HSL 261.05, 0.84%, 0.27%

LAB 17.57, 44.95, -55.04

 

CMYK 0 / 91 / 78 / 51

HEX #7D0B1C

RGB 125 11 28

HSL 351.05, 0.84%, 0.27%

LAB 25.81, 45.86, 23.73

 

Description

Color code: RGB 86 126 12 | qconv.com Color code: RGB 86 126 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 126 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 126 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 90 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 90% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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