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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7678CD3F it is the complementary color #8987323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7678CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7678CD3F shade: #7B78C83F, #8C8ADB3F, #9D9CEE3F, #AEAEFF3F and #BFC0FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7678CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7678CD3F shade: #7678CD3F, #6566BA3F, #5454A73F, #4342943F and #3230813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7678CD3F shade: #7476CD, #8A74CD, #A274CD, #BA74CD and #CD74C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7678CD3F shade: #7476CD and #7474CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7678CD3F shade matches the following richer shades: #7476CD, #6568DC, #5659EC and #474BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7678CD3F shade: #7476CD, #8485BE, #9393AE, #A2A29F and #B1B190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7678CD3F shade: #74A7CD, #748FCD, #7477CD, #8974CD and #A174CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7678CD3F shade: #3F42B0, #5658C2, #7476CD, #9394D8 and #B1B2E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7678CD3F shade: #7678CD, #CD74BE and #9BCD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7678CD3F shade: #7678CD, #CD7477 and #77CD74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7678CD3F shade: #7678CD, #CD74BE, #CDCA74 and #74CD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7678CD3F shade: #7678CD, #CD74A4, #CDCA74 and #74CD9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 10 / 0 / 5

HEX #7678CD3F

RGBA 118 120 205 0.25

HSLA 238.62, 0.47%, 0.63%, 0.25

LABA 53.7, 20.81, -44.36, 0.25

 

Complementary color

CMYK 0 / 0 / 16 / 12

HEX #8987323F

RGBA 137 135 50 0.25

HSLA 58.62, 0.47%, 0.37%, 0.25

LABA 54.95, -10.62, 44.55, 0.25

 

CMYK 10 / 10 / 0 / 5

HEX #7B78C83F

RGBA 123 120 200 0.25

HSLA 242.25, 0.42%, 0.63%, 0.25

LABA 53.83, 20.69, -41.28, 0.25

 

CMYK 9 / 9 / 0 / 4

HEX #8C8ADB3F

RGBA 140 138 219 0.25

HSLA 241.48, 0.53%, 0.7%, 0.25

LABA 60.66, 19.87, -41.14, 0.25

 

CMYK 9 / 9 / 0 / 2

HEX #9D9CEE3F

RGBA 157 156 238 0.25

HSLA 240.73, 0.71%, 0.77%, 0.25

LABA 67.37, 19.15, -41.05, 0.25

 

CMYK 8 / 8 / 0 / 0

HEX #AEAEFF3F

RGBA 174 174 255 0.25

HSLA 240, 1%, 0.84%, 0.25

LABA 73.86, 18.01, -40.06, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #BFC0FF3F

RGBA 191 192 255 0.25

HSLA 239.06, 1%, 0.87%, 0.25

LABA 79.61, 12.92, -31.06, 0.25

 

CMYK 11 / 10 / 0 / 5

HEX #7678CD3F

RGBA 118 120 205 0.25

HSLA 238.62, 0.47%, 0.63%, 0.25

LABA 53.7, 20.81, -44.36, 0.25

 

CMYK 11 / 11 / 0 / 7

HEX #6566BA3F

RGBA 101 102 186 0.25

HSLA 239.29, 0.38%, 0.56%, 0.25

LABA 46.73, 21.87, -44.59, 0.25

 

CMYK 12 / 12 / 0 / 9

HEX #5454A73F

RGBA 84 84 167 0.25

HSLA 240, 0.33%, 0.49%, 0.25

LABA 39.61, 23.12, -44.89, 0.25

 

CMYK 14 / 14 / 0 / 10

HEX #4342943F

RGBA 67 66 148 0.25

HSLA 240.73, 0.38%, 0.42%, 0.25

LABA 32.32, 24.64, -45.23, 0.25

 

CMYK 15 / 16 / 0 / 12

HEX #3230813F

RGBA 50 48 129 0.25

HSLA 241.48, 0.46%, 0.35%, 0.25

LABA 24.88, 26.51, -45.58, 0.25

 

CMYK 43 / 42 / 0 / 20

HEX #7476CD

RGB 116 118 205

HSL 238.65, 0.47%, 0.63%

LAB 53.03, 21.51, -45.42

 

CMYK 33 / 43 / 0 / 20

HEX #8A74CD

RGB 138 116 205

HSL 254.83, 0.47%, 0.63%

LAB 54.35, 28.47, -43.23

 

CMYK 21 / 43 / 0 / 20

HEX #A274CD

RGB 162 116 205

HSL 271.01, 0.47%, 0.63%

LAB 56.66, 35.23, -39.42

 

CMYK 9 / 43 / 0 / 20

HEX #BA74CD

RGB 186 116 205

HSL 287.19, 0.47%, 0.63%

LAB 59.29, 42.26, -35.12

 

CMYK 0 / 43 / 2 / 20

HEX #CD74C8

RGB 205 116 200

HSL 303.37, 0.47%, 0.63%

LAB 61.34, 47, -28.93

 

CMYK 43 / 42 / 0 / 20

HEX #7476CD

RGB 116 118 205

HSL 238.65, 0.47%, 0.63%

LAB 53.03, 21.51, -45.42

 

CMYK 43 / 43 / 0 / 20

HEX #7474CD

RGB 116 116 205

HSL 240, 0.47%, 0.63%

LAB 52.52, 22.72, -46.23

 

CMYK 43 / 42 / 0 / 20

HEX #7476CD

RGB 116 118 205

HSL 238.65, 0.47%, 0.63%

LAB 53.03, 21.51, -45.42

 

CMYK 54 / 53 / 0 / 14

HEX #6568DC

RGB 101 104 220

HSL 238.49, 0.63%, 0.63%

LAB 49.29, 31.19, -59.98

 

CMYK 64 / 62 / 0 / 7

HEX #5659EC

RGB 86 89 236

HSL 238.8, 0.8%, 0.63%

LAB 45.88, 42.82, -74.61

 

CMYK 72 / 70 / 0 / 2

HEX #474BFB

RGB 71 75 251

HSL 238.67, 0.96%, 0.63%

LAB 43.27, 53.97, -87.34

 

CMYK 43 / 42 / 0 / 20

HEX #7476CD

RGB 116 118 205

HSL 238.65, 0.47%, 0.63%

LAB 53.03, 21.51, -45.42

 

CMYK 31 / 30 / 0 / 25

HEX #8485BE

RGB 132 133 190

HSL 238.97, 0.31%, 0.63%

LAB 57.46, 12.84, -29.86

 

CMYK 16 / 16 / 0 / 32

HEX #9393AE

RGB 147 147 174

HSL 240, 0.14%, 0.63%

LAB 61.76, 5.65, -14.09

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 0 / 0 / 19 / 31

HEX #B1B190

RGB 177 177 144

HSL 60, 0.17%, 0.63%

LAB 71.42, -5.63, 16.93

 

CMYK 43 / 19 / 0 / 20

HEX #74A7CD

RGB 116 167 205

HSL 205.62, 0.47%, 0.63%

LAB 66.33, -6.91, -24.67

 

CMYK 43 / 30 / 0 / 20

HEX #748FCD

RGB 116 143 205

HSL 221.8, 0.47%, 0.63%

LAB 59.68, 6.68, -34.97

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 33 / 43 / 0 / 20

HEX #8974CD

RGB 137 116 205

HSL 254.16, 0.47%, 0.63%

LAB 54.26, 28.2, -43.37

 

CMYK 21 / 43 / 0 / 20

HEX #A174CD

RGB 161 116 205

HSL 270.34, 0.47%, 0.63%

LAB 56.56, 34.94, -39.59

 

CMYK 64 / 63 / 0 / 31

HEX #3F42B0

RGB 63 66 176

HSL 238.41, 0.47%, 0.47%

LAB 34.17, 33.45, -59.11

 

CMYK 56 / 55 / 0 / 24

HEX #5658C2

RGB 86 88 194

HSL 238.89, 0.47%, 0.55%

LAB 42.54, 29.74, -56.02

 

CMYK 43 / 42 / 0 / 20

HEX #7476CD

RGB 116 118 205

HSL 238.65, 0.47%, 0.63%

LAB 53.03, 21.51, -45.42

 

CMYK 32 / 31 / 0 / 15

HEX #9394D8

RGB 147 148 216

HSL 239.13, 0.47%, 0.71%

LAB 63.62, 15.24, -34.81

 

CMYK 22 / 22 / 0 / 11

HEX #B1B2E3

RGB 177 178 227

HSL 238.8, 0.47%, 0.79%

LAB 74.02, 9.93, -24.64

 

CMYK 42 / 41 / 0 / 20

HEX #7678CD

RGB 118 120 205

HSL 238.62, 0.47%, 0.63%

LAB 53.7, 20.81, -44.36

 

CMYK 0 / 43 / 7 / 20

HEX #CD74BE

RGB 205 116 190

HSL 310.11, 0.47%, 0.63%

LAB 60.95, 45.25, -23.87

 

CMYK 24 / 0 / 43 / 20

HEX #9BCD74

RGB 155 205 116

HSL 93.71, 0.47%, 0.63%

LAB 77.22, -31.84, 39.06

 

CMYK 42 / 41 / 0 / 20

HEX #7678CD

RGB 118 120 205

HSL 238.62, 0.47%, 0.63%

LAB 53.7, 20.81, -44.36

 

CMYK 0 / 43 / 42 / 20

HEX #CD7477

RGB 205 116 119

HSL 357.98, 0.47%, 0.63%

LAB 58.79, 35.16, 13.77

 

CMYK 42 / 0 / 43 / 20

HEX #77CD74

RGB 119 205 116

HSL 117.98, 0.47%, 0.63%

LAB 75.36, -43.81, 36.31

 

CMYK 42 / 41 / 0 / 20

HEX #7678CD

RGB 118 120 205

HSL 238.62, 0.47%, 0.63%

LAB 53.7, 20.81, -44.36

 

CMYK 0 / 43 / 7 / 20

HEX #CD74BE

RGB 205 116 190

HSL 310.11, 0.47%, 0.63%

LAB 60.95, 45.25, -23.87

 

CMYK 0 / 1 / 43 / 20

HEX #CDCA74

RGB 205 202 116

HSL 57.98, 0.47%, 0.63%

LAB 79.89, -11.16, 43.15

 

CMYK 43 / 0 / 36 / 20

HEX #74CD83

RGB 116 205 131

HSL 130.11, 0.47%, 0.63%

LAB 75.46, -42.34, 28.73

 

CMYK 42 / 41 / 0 / 20

HEX #7678CD

RGB 118 120 205

HSL 238.62, 0.47%, 0.63%

LAB 53.7, 20.81, -44.36

 

CMYK 0 / 43 / 20 / 20

HEX #CD74A4

RGB 205 116 164

HSL 327.64, 0.47%, 0.63%

LAB 60.02, 41.05, -10.41

 

CMYK 0 / 1 / 43 / 20

HEX #CDCA74

RGB 205 202 116

HSL 57.98, 0.47%, 0.63%

LAB 79.89, -11.16, 43.15

 

CMYK 43 / 0 / 23 / 20

HEX #74CD9E

RGB 116 205 158

HSL 148.31, 0.47%, 0.63%

LAB 75.97, -37.36, 15.2

 

Description

Color code: HEX #7678CD3F | qconv.com Color code: HEX #7678CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 120 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 120 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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