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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7477CD it is the complementary color #8B8832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7477CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7477CD shade: #7977C8, #8A89DB, #9B9BEE, #ACADFF and #BDBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7477CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7477CD shade: #7477CD, #6365BA, #5253A7, #414194 and #302F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7477CD shade: #7477CD, #8974CD, #A174CD, #B974CD and #CD74C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7477CD shade: #7477CD and #7474CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7477CD shade matches the following richer shades: #7477CD, #6569DC, #565BEC and #474DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7477CD shade: #7477CD, #8486BE, #9394AE, #A2A29F and #B1B090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7477CD shade: #74A8CD, #7490CD, #7479CD, #8874CD and #9F74CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7477CD shade: #3F43B0, #565AC2, #7477CD, #9395D8 and #B1B3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7477CD shade: #7477CD, #CD74C0 and #9CCD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7477CD shade: #7477CD, #CD7479 and #79CD74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7477CD shade: #7477CD, #CD74C0, #CDC974 and #74CD82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7477CD shade: #7477CD, #CD74A5, #CDC974 and #74CD9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

Complementary color

CMYK 0 / 2 / 64 / 45

HEX #8B8832

RGB 139 136 50

HSL 57.98, 0.47%, 0.37%

LAB 55.41, -10.26, 45.09

 

CMYK 40 / 41 / 0 / 22

HEX #7977C8

RGB 121 119 200

HSL 241.48, 0.42%, 0.63%

LAB 53.42, 20.76, -41.95

 

CMYK 37 / 37 / 0 / 14

HEX #8A89DB

RGB 138 137 219

HSL 240.73, 0.53%, 0.7%

LAB 60.26, 19.91, -41.8

 

CMYK 35 / 35 / 0 / 7

HEX #9B9BEE

RGB 155 155 238

HSL 240, 0.71%, 0.77%

LAB 66.96, 19.18, -41.69

 

CMYK 33 / 32 / 0 / 0

HEX #ACADFF

RGB 172 173 255

HSL 239.28, 1%, 0.84%

LAB 73.47, 18.02, -40.69

 

CMYK 26 / 25 / 0 / 0

HEX #BDBFFF

RGB 189 191 255

HSL 238.18, 1%, 0.87%

LAB 79.21, 12.88, -31.69

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 47 / 46 / 0 / 27

HEX #6365BA

RGB 99 101 186

HSL 238.62, 0.39%, 0.56%

LAB 46.32, 22, -45.26

 

CMYK 51 / 50 / 0 / 35

HEX #5253A7

RGB 82 83 167

HSL 239.29, 0.34%, 0.49%

LAB 39.19, 23.29, -45.56

 

CMYK 56 / 56 / 0 / 42

HEX #414194

RGB 65 65 148

HSL 240, 0.39%, 0.42%

LAB 31.9, 24.87, -45.91

 

CMYK 63 / 64 / 0 / 49

HEX #302F81

RGB 48 47 129

HSL 240.73, 0.47%, 0.35%

LAB 24.47, 26.81, -46.26

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 33 / 43 / 0 / 20

HEX #8974CD

RGB 137 116 205

HSL 254.16, 0.47%, 0.63%

LAB 54.26, 28.2, -43.37

 

CMYK 21 / 43 / 0 / 20

HEX #A174CD

RGB 161 116 205

HSL 270.34, 0.47%, 0.63%

LAB 56.56, 34.94, -39.59

 

CMYK 10 / 43 / 0 / 20

HEX #B974CD

RGB 185 116 205

HSL 286.52, 0.47%, 0.63%

LAB 59.17, 41.96, -35.31

 

CMYK 0 / 43 / 2 / 20

HEX #CD74C9

RGB 205 116 201

HSL 302.7, 0.47%, 0.63%

LAB 61.38, 47.18, -29.43

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 43 / 43 / 0 / 20

HEX #7474CD

RGB 116 116 205

HSL 240, 0.47%, 0.63%

LAB 52.52, 22.72, -46.23

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 54 / 52 / 0 / 14

HEX #6569DC

RGB 101 105 220

HSL 237.98, 0.63%, 0.63%

LAB 49.54, 30.59, -59.58

 

CMYK 64 / 61 / 0 / 7

HEX #565BEC

RGB 86 91 236

HSL 238, 0.8%, 0.63%

LAB 46.33, 41.62, -73.86

 

CMYK 72 / 69 / 0 / 2

HEX #474DFB

RGB 71 77 251

HSL 238, 0.96%, 0.63%

LAB 43.67, 52.85, -86.67

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 31 / 29 / 0 / 25

HEX #8486BE

RGB 132 134 190

HSL 237.93, 0.31%, 0.63%

LAB 57.73, 12.25, -29.45

 

CMYK 16 / 15 / 0 / 32

HEX #9394AE

RGB 147 148 174

HSL 237.78, 0.14%, 0.63%

LAB 62.03, 5.08, -13.69

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 0 / 1 / 19 / 31

HEX #B1B090

RGB 177 176 144

HSL 58.18, 0.17%, 0.63%

LAB 71.15, -5.1, 16.56

 

CMYK 43 / 18 / 0 / 20

HEX #74A8CD

RGB 116 168 205

HSL 204.94, 0.47%, 0.63%

LAB 66.62, -7.46, -24.24

 

CMYK 43 / 30 / 0 / 20

HEX #7490CD

RGB 116 144 205

HSL 221.12, 0.47%, 0.63%

LAB 59.95, 6.1, -34.55

 

CMYK 43 / 41 / 0 / 20

HEX #7479CD

RGB 116 121 205

HSL 236.63, 0.47%, 0.63%

LAB 53.81, 19.71, -44.19

 

CMYK 34 / 43 / 0 / 20

HEX #8874CD

RGB 136 116 205

HSL 253.48, 0.47%, 0.63%

LAB 54.17, 27.93, -43.52

 

CMYK 22 / 43 / 0 / 20

HEX #9F74CD

RGB 159 116 205

HSL 268.99, 0.47%, 0.63%

LAB 56.36, 34.36, -39.92

 

CMYK 64 / 62 / 0 / 31

HEX #3F43B0

RGB 63 67 176

HSL 237.88, 0.47%, 0.47%

LAB 34.41, 32.81, -58.71

 

CMYK 56 / 54 / 0 / 24

HEX #565AC2

RGB 86 90 194

HSL 237.78, 0.47%, 0.55%

LAB 43.04, 28.5, -55.21

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 32 / 31 / 0 / 15

HEX #9395D8

RGB 147 149 216

HSL 238.26, 0.47%, 0.71%

LAB 63.88, 14.66, -34.41

 

CMYK 22 / 21 / 0 / 11

HEX #B1B3E3

RGB 177 179 227

HSL 237.6, 0.47%, 0.79%

LAB 74.27, 9.38, -24.25

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 0 / 43 / 6 / 20

HEX #CD74C0

RGB 205 116 192

HSL 308.76, 0.47%, 0.63%

LAB 61.02, 45.6, -24.88

 

CMYK 24 / 0 / 43 / 20

HEX #9CCD74

RGB 156 205 116

HSL 93.03, 0.47%, 0.63%

LAB 77.28, -31.48, 39.14

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 0 / 43 / 41 / 20

HEX #CD7479

RGB 205 116 121

HSL 356.63, 0.47%, 0.63%

LAB 58.84, 35.38, 12.68

 

CMYK 41 / 0 / 43 / 20

HEX #79CD74

RGB 121 205 116

HSL 116.63, 0.47%, 0.63%

LAB 75.44, -43.2, 36.44

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 0 / 43 / 6 / 20

HEX #CD74C0

RGB 205 116 192

HSL 308.76, 0.47%, 0.63%

LAB 61.02, 45.6, -24.88

 

CMYK 0 / 2 / 43 / 20

HEX #CDC974

RGB 205 201 116

HSL 57.3, 0.47%, 0.63%

LAB 79.62, -10.66, 42.82

 

CMYK 43 / 0 / 37 / 20

HEX #74CD82

RGB 116 205 130

HSL 129.44, 0.47%, 0.63%

LAB 75.44, -42.51, 29.23

 

CMYK 43 / 42 / 0 / 20

HEX #7477CD

RGB 116 119 205

HSL 237.98, 0.47%, 0.63%

LAB 53.29, 20.91, -45.01

 

CMYK 0 / 43 / 20 / 20

HEX #CD74A5

RGB 205 116 165

HSL 326.97, 0.47%, 0.63%

LAB 60.06, 41.2, -10.93

 

CMYK 0 / 2 / 43 / 20

HEX #CDC974

RGB 205 201 116

HSL 57.3, 0.47%, 0.63%

LAB 79.62, -10.66, 42.82

 

CMYK 43 / 0 / 24 / 20

HEX #74CD9C

RGB 116 205 156

HSL 146.97, 0.47%, 0.63%

LAB 75.93, -37.76, 16.21

 

Description

Color code: HEX #7477CD | qconv.com Color code: HEX #7477CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 119 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 119 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 42 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 42% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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